Culture Making is now archived. Enjoy five years of reflections on culture worth celebrating.
For more about the book and Andy Crouch, please visit andy-crouch.com.

Nate

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from "Why Tip?," by Paul Wachter, The New York Times Magazine, 12 October 2008 :: via Neatorama

In 1904, the Anti-Tipping Society of America sprang up in Georgia, and its 100,000 members signed pledges not to tip anyone for a year. Leagues of traveling salesmen opposed the tip, as did most labor unions. In 1909, Washington became the first of six states to pass an anti-tipping law. But tipping persisted. The new laws rarely were enforced, and when they were, they did not hold up in court. By 1926, every anti-tipping law had been repealed.

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"A Palestinian woman sorts olives during the harvest in a grove next to Israel's separation barrier near the West Bank village of Abu Dis, on the outskirts of Jerusalem," by Ashraf Abu Turk (AP), The Big Picture, 15 October 2008

Nate

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Andy

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from "An Open Letter to the Next Farmer in Chief," by Michael Pollan, NYTimes.com, 9 October 2008 :: via Arts & Letters Daily

The choice of White House chef is always closely watched, and you would be wise to appoint a figure who is identified with the food movement and committed to cooking simply from fresh local ingredients. Besides feeding you and your family exceptionally well, such a chef would demonstrate how it is possible even in Washington to eat locally for much of the year, and that good food needn’t be fussy or complicated but does depend on good farming. You should make a point of the fact that every night you’re in town, you join your family for dinner in the Executive Residence — at a table. (Surely you remember the Reagans’ TV trays.) And you should also let it be known that the White House observes one meatless day a week — a step that, if all Americans followed suit, would be the equivalent, in carbon saved, of taking 20 million midsize sedans off the road for a year. Let the White House chef post daily menus on the Web, listing the farmers who supplied the food, as well as recipes.

Since enhancing the prestige of farming as an occupation is critical to developing the sun-based regional agriculture we need, the White House should appoint, in addition to a White House chef, a White House farmer. This new post would be charged with implementing what could turn out to be your most symbolically resonant step in building a new American food culture. And that is this: tear out five prime south-facing acres of the White House lawn and plant in their place an organic fruit and vegetable garden.

When Eleanor Roosevelt did something similar in 1943, she helped start a Victory Garden movement that ended up making a substantial contribution to feeding the nation in wartime. (Less well known is the fact that Roosevelt planted this garden over the objections of the U.S.D.A., which feared home gardening would hurt the American food industry.) By the end of the war, more than 20 million home gardens were supplying 40 percent of the produce consumed in America. The president should throw his support behind a new Victory Garden movement, this one seeking “victory” over three critical challenges we face today: high food prices, poor diets and a sedentary population.

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"Arabesques: incrustations en stuc sur pierre (du XVIe. au XVIIIe. siècle)," from L'Art arabe d'après les monuments du Kaire depuis le VIIe siècle jusqu'à la fin du XVIIIe par Prisse d'Avennes, NYPL Digital Gallery :: via BibliOdyssey

Nate

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Nate

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from "The Long Defeat," by Alan Jacobs, The American Scene, 12 October 2008

Late in the book, when Kidder begins — and very skillfully too — to draw together the threads of his narrative and to sum up (as best he can) his understanding of Farmer, he notes Farmer’s fondness for a particular phrase: “the long defeat.” At one point Farmer says to Kidder,

“I have fought the long defeat and brought other people on to fight the long defeat, and I’m not going to stop because we keep losing. Now I actually think sometimes we may win. I don’t dislike victory. ... You know, people from our background — like you, like most PIH-ers, like me — we’re used to being on a victory team, and actually what we’re really trying to do in PIH is to make common cause with the losers. Those are two very different things. We want to be on the winning team, but at the risk of turning our backs on the losers, no, it’s not worth it. So you fight the long defeat.”

In an interview Kidder gave earlier this year about the book, he commented on the phrase, and says that Farmer “probably picked [it] up from reading Camus.” But that’s not right: he got it from what we learn in Mountains Beyond Mountains is his favorite book: The Lord of the Rings. Galadriel says it: “Through the ages of the world we have fought the long defeat.” And Tolkien himself, in letters, adopted and endorsed the phrase: “I am a Christian, and indeed a Roman Catholic, so that I do not expect ‘history’ to be anything but a ‘long defeat’ — though it contains (and in a legend may contain more clearly and movingly) some samples or glimpses of final victory.”

It seems to me that this philosophy of history, if we may call it that, is the ideal one for anyone who has exceptionally difficult, frustrating, even agonizing, but nevertheless vitally important work to do. For such people, the expectation of victory can be a terrible thing — it can raise hopes in (relatively) good times only to shatter them when the inevitable downturn comes. Conversely, the one who fights the long defeat can be all the more thankful for victories, even small ones, precisely because (as St. Augustine said about ecstatic religious experiences) he or she does not expect them and is prepared to live without them.

newsCalling all Southern California culture makers

I will be speaking about Culture Making at several public events next week in Southern California. I’d love to see readers of the book there!

Monday, 20 October—7:00 p.m.
Azusa Pacific University’s Homecoming 2008
Los Angeles Pacific Banquet Room
A talk about the essential ingredients of cultural creativity. For more information contact the office of Andrea McAleenan, +1 626 815-5327.

Tuesday, 21 October—6:30 p.m.
InterVarsity San Diego Division
UCSD Institute for the Americas
Part of IVCF’s “Everyday World Changers” event—an informative and inspiring evening about the role campus ministries play in cultural renewal. RSVP required online.

Wednesday, 22 October—7:30 p.m.
Pacific Crossroads Church Office
10351 Santa Monica Blvd. in Westwood
Dessert, fun, and conversation about “Christianity, Culture, and the Current Credit Crisis” with friends including Merrill Lynch’s Mary King. RSVP by email to Mary.

Nate

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gendersite.org

The women took issue with mainstream UK initiatives to ‘design out crime’ in their dislike of the surveillance culture and technology promoted in the name of community safety.  This government-promoted approach includes felling trees to ensure clear sightlines for CCTV cameras,  erecting railings around steps and public monuments where people like to linger and chat, covering public spaces with ugly signage prohibiting everyday activities,  or installing “mosquitos” (high-pitched sounds) to deter young people from congregating in the street.

The very presence of CCTV made women feel that an area must be unsafe.  Although many wanted to see more uniformed people in public spaces, they preferred the sight of park wardens, bus conductors, and toilet attendants rather than police.  Fenced-off areas and barriers made them feel trapped. Security guards, overseeing privatized public spaces, were also seen as a problem - concerned primarily with the profitability of the enterprise, and not the well-being of the visitor.

The factor that contributed most highly to women’s sense of safety was ‘a variety of/ lots of other people about’; often they would add ‘smiling people’, ‘happy people’, ‘the sound of children laughing’. WDS therefore does not support the current mainstream approach to community safety. Designers and decision-makers need to think more about how to attract a wide range of different people to come and enjoy themselves in the public spaces of towns and cities.  One way of achieving this is simply through making such places beautiful - a concept rarely discussed in the context of safety. It is this quality above all which will draw people out of their homes and cars to occupy and enjoy a sense of well-being in public urban space.

newsBe the change you want to see

Cathleen Falsani, religion columnist for the Chicago Sun-Times, has a great column today about my book, my recent speaking appearance at Catalyst-a-pa-looza, and the idea of culture making. I was especially glad that she picked up on the idea of making culture in communities of 3, 12, and 120:

It’s an interesting notion. I started cataloguing the big creative projects I’ve worked on in my own life, and such as they are (I’ve not yet dreamed up a Google or something similar), they really do follow that pattern of 3:12:120.

Every one of us has a three in our lives. Look around you. They’re there.

Find them. And create something. Something small. Something huge. Something good.

Put it out there.

Make culture, rather than simply complaining or consuming it.

Become the poet who changes the world.

It is often observed that in the Sermon on the Mount Jesus takes the commandments of the Law, which applied to external behavior, and applies them to the internal state of human hearts—but his prescription for changing the heart involves changes in culture. Prayer will no longer take place primarily on street corners, but in quiet rooms. Divorce and remarriage will no longer be blithely tolerated as long as the divorcing party follows the letter of the law. The cultural practice of swearing oaths will be eliminated. The language and the look of prayer and fasting will change. The followers of Jesus will begin to demonstrate a new set of horizons for human life to their neighbors and even to their enemies—the horizons of shalom, the horizons of true humanity living in dependence on God.

Culture Making, p.139

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"Junk Drawer, Chicago IL," by Paho Mann, 2003 :: via kottke.org

Nate

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NYTimes.com Ideas Blog, 12 October 2008

Literature | A reviewer says it’s a good thing the archbishop of Canterbury has written a book about Dostoyevsky. To figure out this Russian fellow, “we need a guide who combines the gifts of a literary critic and a trained theologian.” And like Dostoyevsky, the cleric, through his unruly Church of England, knows what it’s like to juggle “incompatible beliefs.” [TLS]

Nate

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For years, Swiss scientists have blithely created genetically modified rice, corn and apples. But did they ever stop to consider just how humiliating such experiments may be to plants?

That’s a question they must now ask. Last spring, this small Alpine nation began mandating that geneticists conduct their research without trampling on a plant’s dignity.

“Unfortunately, we have to take it seriously,” Beat Keller, a molecular biologist at the University of Zurich. “It’s one more constraint on doing genetic research.”

Dr. Keller recently sought government permission to do a field trial of genetically modified wheat that has been bred to resist a fungus. He first had to debate the finer points of plant dignity with university ethicists. Then, in a written application to the government, he tried to explain why the planned trial wouldn’t “disturb the vital functions or lifestyle” of the plants. He eventually got the green light.

The rule, based on a constitutional amendment, came into being after the Swiss Parliament asked a panel of philosophers, lawyers, geneticists and theologians to establish the meaning of flora’s dignity.

“We couldn’t start laughing and tell the government we’re not going to do anything about it,” says Markus Schefer, a member of the ethics panel and a professor of law at the University of Basel. “The constitution requires it.”

In April, the team published a 22-page treatise on “the moral consideration of plants for their own sake.” It stated that vegetation has an inherent value and that it is immoral to arbitrarily harm plants by, say, “decapitation of wildflowers at the roadside without rational reason.”

On the question of genetic modification, most of the panel argued that the dignity of plants could be safeguarded “as long as their independence, i.e., reproductive ability and adaptive ability, are ensured.” In other words: It’s wrong to genetically alter a plant and render it sterile.

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Aerial photo, source unknown :: via FFFFOUND!

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Nate

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from "Playing God on Private Practice," by Alisa Harris, The Curator, 10 October 2008

I watch Grey’s Anatomy for the fast-paced gore and the overblown personal dramas. I watch its spin-off, Private Practice, for all that along with its thoughtful treatment of bioethical dramas – the same dramas we’re seeing in real-life hospitals and public debate.

The bioethics debate isn’t just a clinical and scientific debate or an abstract and philosophical one. It’s a debate about how to best fulfill the human longings for long life, good life, health and family. There’s all sorts of humanity mixed up in it - competing human longings and fallible human judgment deciding human life’s creation and existence. While philosophers and politicians squabble, doctors practice bioethics every day; and they don’t always have the time for debate when human life is at stake and the ethical choice isn’t clear.

from Pilgrim at Tinker Creek, by Annie Dillard, 1974

At the time of Lewis and Clark, setting the prairies on fire was a well-known signal that meant, “Come down to the water.” It was an extravagant gesture, but we can’t do less. If the landscape reveals one certainty, it is that the extravagant gesture is the very stuff of creation. After one extravagant gesture of creation in the first place, the universe has continued to deal exclusively in extravagances, flinging intricacies and colossi down aeons of emptiness, heaping profusions on profligacies with ever-fresh vigor. The whole show has been on fire from the word go. I come down to the water to cool my eyes. But everywhere I look I see fire; that which isn’t flint is tinder, and the whole world sparks and flames.

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[Culture Making] was smart, challenging, and most of all very humane. I couldn’t stop thinking about it and talking about it long after I finished reading.


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Tara, educator living
in Cambridge, Mass.

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