Culture Making is now archived. Enjoy five years of reflections on culture worth celebrating.
For more about the book and Andy Crouch, please visit andy-crouch.com.

excerpt Miss Piggy Lee

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from "The Woman Behind Miss Piggy," by Anika Gupta, Smithsonian Magazine, October 2008, photos from Wikipedia :: via Boing Boing
Wikipedia

Bonnie Erickson designed and built the inimitable Miss Piggy in 1974 for an early “Muppets” television special, produced by Jim Henson.  Puppets, props and storyboards from Henson’s prolific career are featured in the traveling exhibit ”Jim Henson’s Fantastic World.”  Anika Gupta spoke with Erickson.

You’ve been designing muppets and mascots for years. What attracts you to them?
The creation of worlds—the whole process of designing characters, putting together a back story, giving the characters an environment in which they can thrive and casting performers who can bring them to life.

Why do puppets appeal to adults as well as children?
They’ve been a tradition across the world for thousands of years as a form of storytelling. But, until recently, they have’t been appreciated in the United States. Now, however, puppetry is finding a niche in the arts—dance, theater and even opera. I think people appreciate the performers’ skill as well as the artistry of the puppets themselves. We owe a lot of that to [Muppets creator] Jim Henson’s vision.

Who inspired the character of Miss Piggy?
My mother used to live in North Dakota where Peggy Lee sang on the local radio station before she became a famous jazz singer. When I first created Miss Piggy I called her Miss Piggy Lee—as both a joke and an homage. Peggy Lee was a very independent woman, and Piggy certainly is the same. But as Piggy’s fame began to grow, nobody wanted to upset Peggy Lee, especially because we admired her work. So, the Muppet’s name was shortened to Miss Piggy.

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from "Rolf Potts: Revelations from a Postmodern Travel Writer," interview by Michael Yessis, World Hum, 19 September 2008 :: via NYTimes.com Ideas Blog

Of course, the motifs and assumptions of well-told travel stories do change over the years. Twenty years ago, for example, books like Pico Iyer’s Video Night in Kathmandu showed how travel writers had a new duty to deal with the charms and challenges and complexities of globalization. By the time I started writing for a living in the late 1990s, it had come to the point where it was nearly impossible to write a travel story without acknowledging globalization in some way. It’s difficult, after all, to project the old exotic clichés onto foreign lands when you keep meeting Burmese Shan refugees who can quote West Coast hip-hop, or Spanish Catholic girls who have crushes on Chinese movie stars, or Jordanian teenagers who idolize Bill Gates.

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"Riyadh, Saudi Arabia. 2008", from the photo series "Genration Faithful," by Shawn Baldwin :: via Verve Photo: The New Generation of Documentary Photographers, 19 September, 2008

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from "The School of Life," by Andrew Price, GOOD, 29 September 2008

London’s new School of Life, based in a Merchant Street storefront, offers courses on “the five central themes of our lives—work, play, family, politics and love.” The school’s courses treat the classics (like Shakespeare’s sonnets or Tolstoy’s Anna Karenina) as works with practical, not just academic, value. It’s a refreshing approach. “Real” college literature and philosophy courses are often too distracted with their cerebral exercises (”deconstructing the narrative,” or whatever) to consider whether these works of genius might have actual applications in everyday life.

God’s first and best gift to humanity is culture, the realm in which human beings themselves will be the cultivators and creators, ultimately contributing to the cosmic purposes of the cultivator and creator of the natural world.

Culture Making, p.110

Rural Hall, NC, Google Street View

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from "Sour Power," photo by David Hagerman, text by Robyn Eckhardt, EatingAsia, 26 September 2008

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from "Jean de Brunhoff's Histoire de Babar Maquette," pp. 20-21, The Morgan Library & Museum Online Exhibitions :: via The New Yorker

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Medicine | A medical journal says a vast amount of cancer research is never published, perhaps because clinical trials show the drugs or treatments didn’t work. That deprives other researchers of valuable knowledge. Why this happens: scientists, medical journals and drug firms all have an interest in touting breakthroughs and not failure. [Business Week, Oncologist]

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from "Community by the Numbers, Part One: Group Thresholds," by Christopher Allen, Life With Alacrity, 24 September 2008 :: thanks, Koranteng!

150—“The Exclusive Dunbar Number”. Robin Dunbar got much of the discussion of group thresholds started with his article, “Co-Evolution Of Neocortex Size, Group Size And Language In Humans.” However, as I’ve written previously, and as I’ve described in this article, Dunbar’s group threshold of 150 applies more to groups that are highly incentivized and relatively exclusive and whose goal is survival.

Dunbar makes this obvious by the statement that such a grouping “would require as much as 42% of the total time budget to be devoted to social grooming.”

The result of the grooming requirement is that communities bounded by the Exclusive Dunbar Number are relatively few. You will find hunter/gatherer and other subsistence societies where this is a natural tribe size. You’ll also find these groups sizes in terrorist and mafia organizations.

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"The colourful apartment buildings of Tirana," photo by Flickr user daviduf, 21 May 2007 :: via Buenos Aires Photographer

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from "Making Muri," by the International Rice Research Institute, World Bank/CGIAR News, June 1997 :: via Wikipedia: Puffed Rice

Joygun Nessa’s life revolves around rice: she eats it; her family raises it on their farm; and it supplies her with a livelihood: making muri (puffed rice).

Rice and salt and sand—as a medium for puffing the rice—are all she needs. Ms. Nessa, however, does not use just any old rice. She recommends IR8 developed by IRRI or BR11 for the best results.

To prepare her specialty, she uses a clay stove in which the fire is underground. It uses one-third less fuel than other stoves, which is important in a country suffering from fuel shortage. She has been using the stove for about 7 years.

Squatting by the stove, she stokes the fire by throwing fistfuls of wheat straw down the stove’s holes. Sometimes she uses balls of cow dung, rice hull, and sticks for fuel. The heat produced is intense.
Over one of the holes, she heats up a large clay pot with sand in it. Rice in salted water is warmed in a small pot over a different hole. She stirs the rice with a naruni, a utensil made of palm-midribs bunched together.

When the right temperature is reached, she skillfully pours the rice into the big pot with the sand and swirls it for 30 seconds. Suddenly, the rice becomes alive in a burst of steam and fills the pot.

Ms. Nessa knows exactly when the rice is done puffing. If she hesitates a moment too long, the rice will burn. With the precision of a master chef, she dumps the contents into a clay strainer and shakes out the sand.

The muri is warm and mildly salty, with a nutty taste. She makes it every day so that it’s fresh for her customers and family.

She markets the muri in bulk and in small plastic bags at the family’s grocery store. From 40 kilograms of rough rice, she gets about 26 kilograms of muri.

excerpt Mental states

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from "The United States of Mind," by Stephanie Simon, WSJ.com, 23 September 2008 :: via NYTimes.com Ideas Blog
wsj.com

Even after controlling for variables such as race, income and education levels, a state’s dominant personality turns out to be strongly linked to certain outcomes. Amiable states, like Minnesota, tend to be lower in crime. Dutiful states—an eclectic bunch that includes New Mexico, North Carolina and Utah—produce a disproportionate share of mathematicians. States that rank high in openness to new ideas are quite creative, as measured by per-capita patent production. But they’re also high-crime and a bit aloof. Apparently, Californians don’t much like socializing, the research suggests.

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from "Take Me to the Mikveh," by Andy Steiner, Utne Reader, November/December 2001

In the late ’60s and early ’70s, Jewish feminists claimed that the mikveh and other laws dealing with niddah, or menstruation, deemed women’s natural cycles unclean. (Under rabbinical law, married couples are forbidden to have sexual relations during the woman’s menstrual period and for seven days after menstruation has ceased. Some couples even sleep in separate beds during that time.) Objecting to what they saw as the patriarchal concept of ‘family purity,’ many feminists rejected the mikveh and the rituals that surround it. Mikveh continued, of course, but mostly among Conservative and Orthodox Jews.

‘Early feminists were very negative about the mikveh, seeing it as a denigration of women, a focus on ‘cleanliness’ and ‘impurity’ that seemed to be a way of keeping women from tainting men,’ says Shuly Rubin Schwartz, assistant professor of American Jewish history at Jewish Theological Seminary in New York City. ‘Now women are saying, ‘Wait a minute. This is a tradition that was an important part of Judaism for our foremothers. Let’s look at the deeper meaning.’’

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Water bottle sandals, photo by Kinzénguélé, from the exhibition L'art ... en eaux troubles, at the School Gallery in Paris, March 2008 :: via FFFFOUND!/ReubenMiller

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This is must-read stuff, and not just for artists. It’s food for thought for any Christian wishing to make a meaningful contribution to their world.


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Jennifer, professional soprano living in Madison, Wisconsin

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