Culture Making is now archived. Enjoy five years of reflections on culture worth celebrating.
For more about the book and Andy Crouch, please visit andy-crouch.com.

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from "Partying for Charity," by Allison Schrager, More Intelligent Life, 12 November 2008 :: via NYTimes.com Ideas blog
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Nonetheless, a few months ago I became a ”Young Fellow” at the Frick museum ($500 per year; “all but $340 is tax deductible”). I’ll admit I felt slightly ambivalent about it. As much as I enjoy going to museums and sincerely believe they help to make the world a better place, giving to them is not quite on a par with giving to a cancer hospital. Cultural institutions are a luxury in our society. Surely there are more pressing concerns.

My agenda was to join an organisation that promotes community. In my research, I found that cultural institutions have a monopoly on providing frequent, affordable events that also, frankly, seem fun. My hard-earned, limited income could instead go toward feeding starving children in Africa, which is surely a worthier cause than maintaining the art collection of an old mansion on Fifth Avenue. But starving children do not provide fun parties. Point: museum.

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from "When Did Snow White Get So Dirty?," by Paige Phelps, Deep Glamour, 13 November 2008

In addition to making Snow White fashionable, Grim also “began to absorb more and more of the actual live model” into his drawings, writes Johnson, who happened to be a 14-year-old girl named Marge Belcher, who was 16 when they finished filming. Take a look at that face—it’s not exactly the childlike countenance Disney princesses have these days, is it?

Look at Snow White on the Disney Princess official website, Sure she’s been hipped up a bit to fit into modern times and, apparently, that included her waistline—it’s smaller than Barbie’s! (Go download Snow White’s wallpaper and then ask yourself, are the dwarfs even feeding her?)

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a typography.com post by Jonathan Hoefler, 20 November 2008
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The struggle to adequately render letterforms on a pixel grid is a familiar one, and an ancient one as well: this bitmap alphabet is from La Vera Perfettione del Disegno di varie sorte di ricami, an embroidery guide by Giovanni Ostaus published in 1567.

Renaissance ‘lace books’ have much to offer the modern digital designer, who also faces the challenge of portraying clear and replicable images in a constrained environment. Ostaus’s alphabet follows the cardinal rule of bitmaps, which is to always reckon the height of a capital letter on an odd number of pixels. (Try drawing a capital E on both a 5×5 grid and a 6×6, and you’ll see.) Ostaus ignored the second rule, however, which is “leave space for descenders.”

I’d planned to introduce this item with a snappy headline that juxtaposed the old and the new — for your sixteenth-century Nintendo! — before reflecting on the pixel’s moribund existence. Pixels were the stuff of my first computer, which strained to show 137 of them in a square inch; my latest cellphone manages 32,562 in this same space, and has 65,000 colors to choose from, not eight. Its smooth anti-aliased type helps conceal the underlying matrix of pixels, which are nearly as invisible as the grains of silver halide on a piece of film. And its user interface reinforces this illusion using a trick borrowed from Hollywood: it keeps the type moving as much as possible.

Crisp cellphone screens aren’t the end of the story. There are already sharper displays on handheld remote controls and consumer-grade cameras, and monitors supporting the tremendous WQUXGA resolution of 3840×2400 are making their way from medical labs to living rooms. The pixel will never go away entirely, but its finite universe of digital watches and winking highway signs is contracting fast. It’s likely that the pixel’s final and most enduring role will be a shabby one, serving as an out-of-touch visual cliché to connote “the digital age.”

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from "For Sale: 200,000-Square-Foot Box," photo and text by Julia Christensen, Slate, 19 November 2008 :: via GOOD/blog
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The challenges of repurposing big-box stores are not limited to dealing with their unwieldy size. Often, the real estate can be tied up in complicated arrangements. The potential buyer of a big-box store might encounter any number of stipulations on what the building, parking lot, and land can be used for in the future. These stipulations can make it difficult for other businesses to move into an abandoned big-box—but they also open up such spaces for more creative use. The Calvary Chapel in Pinellas Park, Fla., purchased an abandoned Wal-Mart building across the street from its previous home. The deed specified that the structure could not be used by one of Wal-Mart’s various competitors for several decades. But for the moment, at least, churches aren’t on that list. Many former big-box stores have been reclaimed by civic institutions—a library, a courthouse—and by churches. Before moving into this old Wal-Mart, the Calvary Chapel had made its home in an abandoned Winn-Dixie grocery store across the highway.

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from "Life on the 5," drawings by Stephen Gardener, Urban Sketchers, 13 November 2008

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excerpt Beauty aid

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The police have tried doing outreach to victims by, among other things, setting up domestic violence education tables at community events, only to find that no one wants to be seen near them. But the atmosphere is different in the safety of a beauty salon.

“The salon may be one of the few places women might be without their abuser around,” said Laurie Magid, a former state prosecutor who is acting United States attorney for the Eastern District of Pennsylvania. “This program really addresses a need. You don’t have a case unless you have a crime reported in the first place and that is the difficult area of domestic violence.”

While Cut it Out trains stylists offsite, the Washington Heights workshops, conducted in Spanish, take place inside beauty parlors during the hours that clients are served, which not only makes it easier for people to participate, but also enhances the comfort factor.

“The salon is a place where everyone already feels at home,” said Sharon Kagawa of the Administration for Children’s Services, the agency that recruits salons for the program. “So they can be more honest.”

a kottke.org post, 20 October 2008

As part of the Japanese census, people were asked to keep a record of what they were doing in 15 minute intervals. The data was publicly released and Jonathan Soma took it and graphed the results so that you can see what many Japanese are up to during the course of a normal day.

“Sports: Women like swimming, but men eschew the water for productive sports, which is the most important Japanese invention.

Early to bed and early to rise… and early to bed: People start waking up at 5 AM, but are taking naps by 7:30 AM.”

Fascinating.

"HIV/AIDS episode compilation," The Station Nigeria, produced by Common Ground Productions, Lagos, Nigeria

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from "On the Vital Role of Hermits," by Joel, Far Outliers, 15 November 2008

Buddhist-Christian dialogue seems awfully passé to me in an era when positive dialogue seems all too scarce among Muslims, Christians, and Jews, on the one hand, and between crusading atheists and theists of all stripes, on the other. But I do appreciate Thomas Merton’s appreciation of the hermit life—the need to get away from it all—even though he may have been one of the most outspoken Trappists who ever lived (as my father is one of the more talkative Quakers I’ve ever met). The editor of Buddhist-Christian Studies, however, thinks Merton ignored one vital class of hermits (p. viii, n. 5):

“Merton’s model of the hermit life does not exhaust the phenomenon within Western Christianity. Historically speaking, the hermit life was embraced by far more people than the limited number of professed monks whose spiritual growth had taken them beyond the life of the coenobium. For example, hermit shrine keepers were numerous throughout Christian cultures for centuries; most of these were simple laity without whom many pilgrimage sites would simply not have existed, and their identity has not yet found a modern voice. The massively popular pilgrimage churches of traditional Catholicism had at their heart the hermit-sacristan who tended the lamps and swept the floors. The professed hermit monk, the monastic hermit order, and the shrine hermit all found expression in the legal and the architectural boundaries of medieval and early modern societies.”

Perhaps lay bloggers, photographers, and Wikipedists can be considered the hermit-sacristans of this information age, quietly tending our quirky little shrines that attract pilgrims who seek to escape the self-referential obsessions of the cloistered academies and the hourly tolling of alarm bells from the cathedrals of the major media.

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"Bean Broker Coffee Shop," Chadron, Nebraska, 2008, photo by Jake Stangel, from the series Transamerica :: via Flak Photo, 18 November 2008

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The teardown may represent a kind of progress: the new house is superior in nearly every technological way to the building it replaced. But it also represents a kind of cultural failure—the failure to make something of the world that was given to the owners of that piece of property. Such failure is sometimes inevitable—the world we must make something of includes, for better or worse, the economic realities of the real estate markets and the construction business, the unwise and slipshod architectural choices of previous generations, and laws governing land use that impose relatively stiff taxes on small buildings. But while the responsibility for the cultural failure that is a teardown may be shared by many parties, it is a failure still.

Culture Making, p.55

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photo by Thomas Locke Hobbs, 19 March 2007

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Also noteworthy, according to Wray, is the finding that if you live in Las Vegas, but travel away from home, your risk for suicide decreases. “So, one conclusion we might draw from this fact is that something about the place is toxic or ‘suicidogenic,’ and that there is something about reduced exposure to Las Vegas that is beneficial,” said Wray.

excerpt More light!

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E: The beginning of daylight savings and the realization that it won’t be lighter than it is now until sometime in February has me looking for “light in the darkness.” I saw this auto store last night, and liked it.

N: Did you know that Goethe’s last words were “More light!”?

E: Oh, how wonderful! The only Goethe quote I know is “everything is a leaf”

N: The really funny part is, you see it quoted like that, but I looked it up and evidently his final sentence was “Could you open up the shade in the window so as to let in more light?”

E: That’s so much better! Less mystical, and therefore more so.

Coda: Of course now I had to look it all up again. Goethe’s last words, like those of many a famous person, are contested. The top alternate contendor is, “Come, my little daughter, and give me your little paw.” The original German version of More Light is, ”Macht doch den zweiten Fensterladen in der Stube auch auf, damit mehr Licht hereinkomme.” Pesky German habit of ending the sentence with a verb! Well, “Come in here!” has its own mystical charm too.

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Viewing the City's Places of Interest in Springtime, digitally manipulated photograph, by Yao Lu, 798 Photo Galley, Beijing :: via artdaily.org

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This is must-read stuff, and not just for artists. It’s food for thought for any Christian wishing to make a meaningful contribution to their world.


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Jennifer, professional soprano living in Madison, Wisconsin

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