Culture Making is now archived. Enjoy five years of reflections on culture worth celebrating.
For more about the book and Andy Crouch, please visit andy-crouch.com.

Nate:
"To Winter," by William Blake, from Poetical Sketches, 1783

O Winter! bar thine adamantine doors:
The North is thine; there hast thou built thy dark
Deep-founded habitation. Shake not thy roofs,
Nor bend thy pillars with thine iron car.

He hears me not, but o’er the yawning deep
Rides heavy; his storms are unchained, sheathed
In ribbed steel; I dare not lift mine eyes;
For he hath reared his sceptre o’er the world.

Lo! now the direful monster, whose skin clings
To his strong bones, strides o’er the groaning rocks:
He withers all in silence, and in his hand
Unclothes the earth, and freezes up frail life.

He takes his seat upon the cliffs,—the mariner
Cries in vain. Poor little wretch, that deal’st
With storms!—till heaven smiles, and the monster
Is driv’n yelling to his caves beneath Mount Hecla.

Christy:
Nate:
from "‘Whitening’ the Résumé," by Michael Luo, The New York Times, 5 December 2009

Nevertheless, the strategy of hiding race — in particular changing names — can be soul-piercing. It prompted one African-American reader of the article to write that he was reminded of the searing scene in the groundbreaking TV miniseries “Roots” when the runaway slave Kunta Kinte is whipped until he declares that his name is Toby, the name given to him by his master.

Black job seekers said the purpose of hiding racial markers extended beyond simply getting in the door for an interview. It was also part of making sure they appeared palatable to hiring managers once race was seen. Activism in black organizations, even majoring in African-American studies can be signals to employers. Removing such details is all part of what Ms. Orr described as “calming down on the blackness.”

In “Covering: the Hidden Assault on Our Civil Rights,” Kenji Yoshino, a law professor at New York University, wrote about this phenomenon not just among blacks but also other minority groups. “My notion of covering is really about the idea that people can have stigmatized identities that either they can’t or won’t hide but nevertheless experience a huge amount of pressure to downplay those identities,” he said. Mr. Yoshino says that progress in hiring has meant that “the line originally was between whites and nonwhites, favoring whites; now it’s whites and nonwhites who are willing to act white.”

image
from "Patent No. 383,817: Knitting-Machine," by Benjamin B. Lamprey and Almon C. Bugbee, 29 May 1888
Nate:
Nate:
from "All That," by David Foster Wallace, The New Yorker, 14 December 2009

At any rate, the best analogy for the experience of hearing these childhood “voices” of mine is that it was like going around with your own private masseur, who spent all his time giving you back—and shoulder—rubs (which my biological mother also used to do whenever I was sick in bed, using rubbing alcohol and baby powder and also changing the pillowcases, so that they were clean and cool; the experience of the voices was analogous to the feeling of turning a pillow over to the cool side). Sometimes the experience of the voices was ecstatic, sometimes so much so that it was almost too intense for me—as when you first bite into an apple or a confection that tastes so delicious and causes such a flood of oral juices that there is a moment of intense pain in your mouth and glands—particularly in the late afternoons of spring and summer, when the sunlight on sunny days achieved moments of immanence and became the color of beaten gold and was itself (the light, as if it were taste) so delicious that it was almost too much to stand, and I would lie on the pile of large pillows in our living room and roll back and forth in an agony of delight and tell my mother, who always read on the couch, that I felt so good and full and ecstatic that I could hardly bear it, and I remember her pursing her lips, trying not to laugh, and saying in the driest possible voice that she found it hard to feel too much sympathy or concern for this problem and was confident that I could survive this level of ecstasy, and that I probably didn’t need to be rushed to the emergency room, and at such moments my love and affection for my mother’s dry humor and love became, stacked atop the original ecstasy, so intense that I almost had to stifle a scream of pleasure as I rolled ecstatically between the pillows and the books on the floor. I do not have any real idea what my mother—an exceptional, truly lovable woman—made of having a child who sometimes suffered actual fits of ecstasy; and I do not know whether she herself had them. Nevertheless, the experience of the real but unobservable and unexplainable “voices” and the ecstatic feelings they often aroused doubtless contributed to my reverence for magic and my faith that magic not only permeated the everyday world but did so in a way that was thoroughly benign and altruistic and wished me well. I was never the sort of child who believed in “monsters under the bed” or vampires, or who needed a night-light in his bedroom; on the contrary, my father (who clearly “enjoyed” me and my eccentricities) once laughingly told my mother that he thought I might suffer from a type of benign psychosis called “antiparanoia,” in which I seemed to believe that I was the object of an intricate universal conspiracy to make me so happy I could hardly stand it.

"Mankind Is No Island" by Jason van Genderen, 29 September 2008 :: via Richard Law, 7th grade English teacher at Strath Haven Middle School (not the last time my son will introduce me to significant cultural works!)
Andy:
photo
Storage jar, ceramic "White Mountain Red Ware," Anasazi culture, c.1125–1200, collection of the Dallas Museum of Art
Nate:

"Low Rising," from the album Strict Joy, by The Swell Season, 2009 :: via Boing Boing
Nate:
photo
photo by Mary Amor, from her "lifestyle" portfolio :: via BOOOOOOOM!
Nate:
Nate:

[Advent Conspiracy’s] slogan was “Spend Less, Give More,” and the idea is to give gifts of time, things that you make yourself, things that require a little more thought but often less money. And maybe Advent, and Christmas, will be a little less miserable. Start some traditions that don’t make the holidays simply something that adds to the stress, and leave behind the lesson that the best thing to ask a kid about Christmas is “What do you want?

I know, not all of our readers are Christians or celebrate Christmas: on behalf of those of us who have been in-your-face with our “Reason-for-the-Season” buttons (while elbowing you aside for the cheap foreign-made crap at the big box stores), I apologize, and I hope that this year maybe a small percentage of people will start a new holiday tradition for their families, making Christmas just a little more enjoyable for everyone—especially those who can’t stand it.

Nate:
from "Christmas is NOT Too Consumeristic!," by Jeff Heidkamp, Not The Religious Type, 30 November 2009

Third of all, at Christmas, people spend a lot of time and money on getting together with other people to eat and celebrate together.  This is one of the healthiest things in the world to spend time and money on.  Again, people complain about the stress of putting together nice Christmas events.  But I would argue that love is usually costly- it isn’t easy to love well.  And there is nothing unspiritual about good hospitality and great times of being connected to friends and family. As far as all the commercial accouterments- well, it’s America.  I would simply suggest that attacking Christmas is attacking consumerism in the wrong place.  People dump tons of money on themselves ALL the time.  Christmas is the one shot we get at encouraging people to spend money to show love to other people and spend time being connected to the people that matter most.  If that means I have to listen to the Chipmunks Christmas album at the grocery store in October, so be it.

excerpt Look at the one
Andy:
from "How to Save the World," by Nicholas Kristof, Outside Magazine, December 2009

A classic experiment involved asking people to donate to help hungry children in West Africa. One group was asked to help a seven-year-old girl named Rokia, in the country of Mali. A second was asked to donate to help millions of hungry children. A third was asked to help Rokia but was provided with statistical information that gave them a larger context for her hunger. Not surprisingly, people donated more than twice as much to help Rokia as to help millions of children. But it turned out that even providing background information on African hunger diminished empathy, so people were much less willing to help Rokia when she represented a broader problem. Donors didn’t want to help ease a crisis personi fied by a child; they just wanted to help one person—and to hell with the crisis.

As we all vaguely know, one death is a tragedy, a million deaths is a statistic. As Mother Teresa said, “If I look at the mass, I will never act. If I look at the one, I will.” Professor Slovic calls the first reaction “psychic numbing.” But Slovic wanted to know at what point the number of victims triggers psychic numbing. He set out to find out, and his findings were deeply depressing.

In one of Slovic’s experiments, people were asked to donate to Rokia or, in other cases, to a similar hungry boy, Moussa. In each case, research subjects were quite willing to help and donated generously either to Rokia or to Moussa. But when people were asked to donate to Rokia and Moussa together, with their photographs side by side, donations decreased. Slovic found that our empathy begins to fade when the number of victims reaches just two. As he puts it: “The more who die, the less we care.”

A practical application of these concepts came during the struggle against apartheid in South Africa. The white government there had imprisoned many brave activists, and there was a global campaign focusing on freeing these political prisoners. It never gained traction, however, until the organizers had the idea of refocusing it on an individual and came up with the slogan “Free Mandela!” Once there was a face on the movement, it resonated far more widely—and, ultimately, helped topple apartheid.

photo None alike
photo
from "The Unbelievable World of Snowflakes," TreeHugger.com (presentation based on photos from "SnowCrystals.com") :: via Daring Fireball
Andy:

I can’t write about heroes seven feet tall and invincible. I write about people five feet eight and nervous.

—Elmer Kelton, late author of westerns :: WSJ.com

"Home Movie Reconstructions 1974 / 2004," by Elliott Malkin :: via The Morning News
Nate:

The quotations, images, and embedded media in this blog are the work of the credited authors, artists, and publications, and are employed in the spirit of fair use, commentary, and criticism. We always link to the original source of material we cite. If you think we’ve missed something, let us know. The inclusion of media on this site should not imply its owners’ endorsement (or for that matter awareness) of this book, blog, or the blog’s curators and commentators. Though we hope they’d like us.

This is must-read stuff, and not just for artists. It’s food for thought for any Christian wishing to make a meaningful contribution to their world.


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Jennifer, professional soprano living in Madison, Wisconsin

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