Culture Making is now archived. Enjoy five years of reflections on culture worth celebrating.
For more about the book and Andy Crouch, please visit andy-crouch.com.

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from "What Did you Buy Today?," by Kate Bingaman-Burt, Obsessive Consumption 13 March 2009 :: thanks Daniel A. Siedell

Andy

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Nate

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Ich steh’ auf Jeans und Country Music
Wenn es Nacht wird in Old Tuscon
Der wilde, wilde Westen
Hier spricht der Truck
Howdy, Howdy
Ich und mein Diesel
Sturm und Drang

Trucker, Cowboy, Mann
Mama steht auf Jesus
Die Cowboys der Nation
Highway Helden
Banditos der Liebe
Komm her du bist mein Cowboy
Ich bin CB-Funker
Cisco, Lucius, Erich, Uwe, Teddy und ich
Cowboys küssen besser
Keine Angst (die Nacht ist warm)
Blue Jeans, Rock ‘n’ Roll und Elvis
Mit dem Hammer in der Hand
Der Trabbi und der Truck
Transitcowboy
Dieselknecht
Darf mein Hund in die Himmel?
Cowboys und Texasboots
Danke, Johnny Cash
Hallo John Wayne
Hinnerk, der Supertrucker
Traktormann
Deine Freiheit heisst Whiskey
Doktor Countrymusic
Freizeit Cowboy
Ich hab’ den Honky Tonk Blues
Nashville Traum
Mit dem Jeep durch den Canyon
1000 und 1 Nacht (Zoom!)

Andy

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from "Obamas Prepare to Plant White House Vegetable Garden," by Marian Burros, NYTimes.com, 19 March 2009

layout of White House garden

The Obamas will feed their love of Mexican food with cilantro, tomatilloes and hot peppers. Lettuces will include red romaine, green oak leaf, butterhead, red leaf and galactic. There will be spinach, chard, collards and black kale. For desserts, there will be a patch of berries. And herbs will include some more unusual varieties, like anise hyssop and Thai basil. A White House carpenter who is a beekeeper will tend two hives for honey.

Total cost for the seeds, mulch, etc., is $200.

The plots will be in raised beds fertilized with White House compost, crab meal from the Chesapeake Bay, lime and green sand. Ladybugs and praying mantises will help control harmful bugs.

Andy

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Q: You sound like you’re able to handle the ups and downs of this job pretty well.

A: I think the key to doing this job, in addition to multitasking and speed of movement, is to be able to handle the emotional components. I’m good at it; I’m empathetic and I don’t take it home at the end of the day. I can talk about things like domestic violence; it’s just a reality.

Q: How long have you been doing this job?

A: I’ve been doing it for nine years. My job now is training supervisor, so I manage ongoing training. New trainees go through a nine-month process; we have an academy. They learn call-taking, radio dispatching, the medical aspect, interpersonal skills.

And you have to know geography. Geography is so important, because people can call and have no clue where they are.

The Velvet Underground did not sell many records, but everyone who bought one went out and started a band.

—Rock-n-roll truism, attributed variously to Lou Reed, Brian Eno, Courtney Love, etc.

excerpt Bring the noise

Nate

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from "The Sizzling Sound of Music," by Dale Dougherty, O'Reilly Radar, 1 March 2009 :: via Daring Fireball

[Stanford music professor Jonathan] Berger then said that he tests his incoming students each year in a similar way.   He has them listen to a variety of recordings which use different formats from MP3 to ones of much higher quality. He described the results with some disappointment and frustration, as a music lover might, that each year the preference for music in MP3 format rises.   In other words, students prefer the quality of that kind of sound over the sound of music of much higher quality.   He said that they seemed to prefer “sizzle sounds” that MP3s bring to music. It is a sound they are familiar with…

Our perception changes and we become attuned to what we like [...] The context changes our perception, particularly when it’s so obviously and immediately shared by others. Listening to music on your iPod is not about the sound quality of the music, and it’s more than the convenience of listening to music on the move.  It’s that so many people are doing it, and you are in the middle of all this, and all of that colors your perception. All that sizzle is a cultural artifact and a tie that binds us. It’s mostly invisible to us but it is something future generations looking back might find curious because these preferences won’t be obvious to them.

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"????????????? (Fujimori Festival/Every 10 Years/8th Century" from the Miyako Nenju Gyoji Gajo (Picture Album of the Annual Festivals in the Miyako), hand-painted on silk by Nakajima Soyo (1928) :: via Bibliodyssey

Nate

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Andy

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from "The Patrick Paradox," by Dana L. Robert, The Christian Vision Project, July 2007

The importance of St. Patrick to growing Irish self-confidence was expressed in 1921 by Seumas MacManus, author of the sentimental favorite Story of the Irish Race: “What Confucius was to the Oriental, Moses to the Israelite, Mohammed to the Arab, Patrick was to the Gaelic race. And the name and power of those other great ones will not outlive the name and the power of our Apostle.”

The irony of MacManus’ paean to Patrick as the emblematic Irish religio-political race warrior is that Patrick himself was a “Brit,” born into a Christian family in the Roman colony of Britannia. Even though the Britons and the Irish shared a Celtic cultural heritage, they were historical enemies who raided each other’s territories and enslaved the vanquished. Young Patrick was such a slave. He escaped from an Irish master after six years of harsh servitude. Later in life, as a Christian priest, he returned to Ireland to share his faith as a missionary.

Why did a former slave risk his life to teach his captors what he believed about God? How did he become the beloved St. Patrick, the “Apostle of Ireland”? Why would the Irish—or any other group of people, for that matter—accept a former slave in their midst and then be willing to be transformed by his message? These questions uncover an essential, and paradoxical, lesson about the practice of Christian mission. The more deeply Patrick engaged the particularities of Irish culture and identified himself as Irish, the more authentic and believable was his expression of the ideals of a universal community in which there is no longer “Jew or Greek,” “slave or free,” “male and female” (Gal 3:28). . . . The paradox of St. Patrick’s Day is that in celebrating the creation of Irish identity, it also commemorates the incorporation of a particular people into a vision of universal and multi-cultural community.

Nate

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We’ve been using “Minority Report” as shorthand to explain the device, or the heads-up screen in “Robocop.” But was this device influenced by science fiction

I’m not a very big fan of science fiction. I think that I’m a very big fan of living in the physical world. I’m good with digital technology, but I start to miss the physical world. I miss riding my bike, talking to friends. Technology now separates us from the physical world more and more. Even social networking sites are taking us away from the physical world.

At the lab, we like making things that we can touch, we can feel, we can take with us wherever we want to go, that we know how to interact with. The digital world has power because it has dynamic information, but it’s important that we stay human instead of being another machine sitting in front of a machine.

Whatever science fiction movies we watch now, we can make the technology real in two days. What we can do is not important. What we should do is more important.

"David Taylor - In His Own Words," by The Austin Stone, 6 March 2009

Andy

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excerpt Biophilia

Andy

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from "Videophilia replacing love of nature," by Rusty Pritchard, The Earth is the Lord's, 16 March 2009

Loving nature, it turns out, is not just an instinct but a virtue. Like nature itself, the virtue of loving it requires cultivation. There’s no question that the trait of biophilia is good for us and good for God’s garden, but we aren’t able to retain a love for nature simply because it’s built in. We must actively create, and re-create, every generation, a culture that loves, and therefore tends and keeps, God’s garden.

To quote researcher Zaradic:

“We need environmental stewards now more than ever. Yet we are raising a generation of young people whose primary experience with nature is virtual. Real nature is a full sensory experience, with frequent open-ended problem-solving opportunities and no off switch. We should all make outdoor play a priority for our children and ourselves. Nature: use it or lose it.”

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"Ponte Vecchio 5" (36 by 60", 2007) by Leigh Wen, from an 2008 exhibit at the Beacon Institute for Rivers and Estuaries :: via New Aerican Paintings

Nate

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Andy

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“If the old model is broken, what will work in its place?” To which the answer is: Nothing. Nothing will work. There is no general model for newspapers to replace the one the internet just broke.

With the old economics destroyed, organizational forms perfected for industrial production have to be replaced with structures optimized for digital data. It makes increasingly less sense even to talk about a publishing industry, because the core problem publishing solves — the incredible difficulty, complexity, and expense of making something available to the public — has stopped being a problem.

newsAnnouncing ROUND TRIP

Culture is changed when we create more culture. And for two and a half years, I’ve been working with some amazing friends and colleagues to change culture in a crucial area: the way the North American church does short-term mission trips overseas. The result is our brand new DVD Round Trip, a documentary film-based curriculum for short-term mission teams.

I’m incredibly proud of this project. I don’t think anyone has done this before: document not just an North American team going to Kenya, but a Kenyan short-term team coming to America. We got some of the best thinkers and teachers on the planet to give us deep insights into the best way to build lasting partnerships in short trips: Lisa Espineli Chinn, Tim Dearborn, David Livermore, Oscar Muriu, and Ruth Padilla DeBorst. We worked with two churches, Mavuno Downtown in Narobi and Chapel Hill Bible Church in North Carolina, who have learned deep lessons about partnership in mission, not least because of the leadership of a UNC professor named Jim Thomas who has founded an innovative nonprofit called Africa Rising.

Behind the scenes, I got to work again with Nate Clarke of Fourth Line Films and director of photography Jeffrey Pohorski (who both worked with me on Where Faith and Culture Meet), plus an amazing crew including a great Kenyan cameraman we met named Ken Oloo. And the soundtrack was produced by one of my musical heroes, Charlie Peacock. The Leadership Media Group at Christianity Today International created outstanding leaders’ and participants’ guides for short-term teams to use in the months before, and after, their trip.

If your Christian community is seeking to build deeper international partnerships, if you want short-term trips to be more than just “Christian tourism,” if you are curious about the promise and peril of the short-term trips that millions of Americans take each year—check out Round Trip, and spread the word!

—Andy Crouch

Andy

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from "THE GOOD BISHOP WEIGHS IN--TOM WRIGHT ON 'SURPRISED BY HOPE'," by Ben Witherington, 13 March 2009 :: all excess capital letters supplied by Ben Witherington

We are not building the kingdom by our own efforts, no. The Kingdom remains God’s gift, new creation, sheer grace. But, as part of that grace already poured out in Jesus Christ and by the Spirit, we are building for the kingdom. I use the image of the eleventh-century stonemason, probably illiterate, working away on one or two blocks of stone according to the orders given to him. He isn’t building the Cathedral; he is building for the Cathedral. When the master mason/architect gathers up all the small pieces of stone at which people have been working away, he will put them into the great edifice which he’s had in mind all along and which he alone can build—but for which we can and must build in the present time. Note 1 Corinthians 3, the Temple-building picture, and the way it relates directly to 1 Cor 15.58: what you do in the Lord is not in vain, because of the resurrection.

I have absolutely no idea how it might be that a great symphony or painting, or the small act of love and gentleness shown to an elderly patient dying in hospital, or Wilberforce campaigning to end the slave trade, or the sudden generosity which makes a street beggar happy all day—how any or all of those find a place in God’s eventual kingdom. He’s the architect, not me. He has given us instructions on the little bits of stone we are meant to be carving. How he puts them together is his business.

The quotations, images, and embedded media in this blog are the work of the credited authors, artists, and publications, and are employed in the spirit of fair use, commentary, and criticism. We always link to the original source of material we cite. If you think we’ve missed something, let us know. The inclusion of media on this site should not imply its owners’ endorsement (or for that matter awareness) of this book, blog, or the blog’s curators and commentators. Though we hope they’d like us.

I can’t recall a time when I’ve had to read anything other than the Scriptures so slowly and deliberately—Culture Making was that thought provoking.


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Ben, professor of management
living in Winneconne, Wisconsin

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