Culture Making is now archived. Enjoy five years of reflections on culture worth celebrating.
For more about the book and Andy Crouch, please visit andy-crouch.com.

Andy:
from "Why Freakonomics Can't Beat Geekonomics," by Umair Haque, HarvardBusiness.org, 19 October 2009 :: via Dave Bruno

[O]ne of the fundamental problems with [economics] is this: “because it seeks to describe an ideal world, much of it has little relevance in terms of helping build a better one.” Take, for example, the famous observation in the first Freakonomics book that legalizing abortion led to a decrease in crime a generation later. What policy recommendations should we infer from this “relationship”? Should we strive to (ahem) minimize birth rates among the poor? Or should we shift to a Philip K Dickian precrime model, because we now “know” that children of poor mothers are likelier to be criminals? It’s a slippery slope, which leads ineluctably to criminalization or eugenics.

I enjoyed Freakonomics, as I enjoyed the fifty or so imitators that followed. Yet, they are to economics what Friends is to culture: pop. And ultimately, though Levitt’s academic work is stellar, the Freakonomics genre represents the trivialization of a great system of thought. Instead of improving that system of thought, it applies already questionable assumptions to what are socially the lowest-value uses.

Those assumptions are what demand reinvention — not broader application. Economics needs fundamental reinvention — not trivialization. That’s going to take a new era of geeking out, getting philosophical, and re-examining the basic assumptions on which econ is founded. Freaking out is fun, but getting constructive is where the future of economics lies.

Andy:
from "Where Home Is, the Heart Isn't," by Bill Kaufmann, WSJ.com, 20 October 2009

The town recently lost its school to consolidation, a dagger aimed at the heart of a small community, yet the authors mention it only in passing. Any revitalization of rural America must include deconsolidating its schools, breaking up the big education factories in favor of small academies in which each student matters. Numerous federal government policies—in education, national defense and transportation—subsidize hypermobility. Yet neither major political party shows the least inclination to change or even seriously rethink them.

“Hollowing Out the Middle” is a worthy contribution to a conversation we desperately need to have, but the language of policy (“invest more efficiently”) is inadequate to what is really a crisis of the soul. The solution to rural depopulation begins in relearning the value of that simple and underrated word: stay.

from "Two Weeks in Forever," by Peter van Agtmael, New York Times, 14 October 2009
Christy:
Andy:
from "There’s No Place Like Home," by Joel Kotkin, Newsweek.com, 9 October 2009 :: via Arts & Letters Daily

Perhaps nothing will be as surprising about 21st-century America as its settledness. For more than a generation Americans have believed that “spatial mobility” would increase, and, as it did, feed an inexorable trend toward rootlessness and anomie. This vision of social disintegration was perhaps best epitomized in Vance Packard’s 1972 bestseller A Nation of Strangers, with its vision of America becoming “a society coming apart at the seams.” In 2000, Harvard’s Robert Putnam made a similar point, albeit less hyperbolically, in Bowling Alone, in which he wrote about the “civic malaise” he saw gripping the country. In Putnam’s view, society was being undermined, largely due to suburbanization and what he called “the growth of mobility.”

Yet in reality Americans actually are becoming less nomadic. As recently as the 1970s as many as one in five people moved annually; by 2006, long before the current recession took hold, that number was 14 percent, the lowest rate since the census starting following movement in 1940. Since then tougher times have accelerated these trends, in large part because opportunities to sell houses and find new employment have dried up. In 2008, the total number of people changing residences was less than those who did so in 1962, when the country had 120 million fewer people. The stay-at-home trend appears particularly strong among aging boomers, who are largely eschewing Sunbelt retirement condos to stay tethered to their suburban homes—close to family, friends, clubs, churches, and familiar surroundings. . . .

Family, as one Pew researcher notes, “trumps money when people make decisions about where to live.” Interdependence is replacing independence. More parents are helping their children financially well into their 30s and 40s; the numbers of “boomerang kids” moving back home with their parents, has also been growing as job options and the ability to buy houses has decreased for the young. Recent surveys of the emerging millennial generation suggest this family-centric focus will last well into the coming decades.

Nate:
from "The Expat’s New Clothes," by Jill Wheeler, The Morning News, 6 October 2009

Most Indian men, at least those I see about town on the street, dress in what I call the “dude uniform”: a light-colored button-down long-sleeve shirt, slacks, and black sandals. As far as uniforms go, it’s pretty functional, working equally well for home and office, and requiring little in maintenance.

Younger guys, however, replace the sensible slacks with over-the-top denim: emulating their favorite Bollywood stars, they buy jeans that are dyed, streaked, distressed, and bedecked with clasps, latches, snaps, and pockets. Most of the time the pants are flared, giving them a bit of a disco feel.

On top, they wear a variety of shirts that make European clubwear appear dignified. Most are made of synthetic materials; gold lamé and neon orange are popular at the moment. Solid one-inch-wide black and orange vertical stripes were big in Fall 2008, but 2009 seems to favor a trompe l’oeil sweater-vest-over-T-shirt garment, usually in pastels. As far as I can tell, it’s the guys scraping by who wear the flashiest clothes. Too far down the socio-economic ladder and your duds turn to rags. Too far up and they become the dude uniform. Somewhere in between, though, is ‘70s gold.

Author Donald Miller, interviewed by Christy Tennant, IAM Conversations, 15 October 2009
Christy:
image
from "The Gospel According to Tacoma, June 2007," Beautiful Angle
Andy:
Nate:
from "Walking," by Henry David Thoreau, The Atlantic Monthly, June 1862

I have met with but one or two persons in the course of my life who understood the art of Walking, that is, of taking walks,— who had a genius, so to speak, for sauntering: which word is beautifully derived “from idle people who roved about the country, in the Middle Ages, and asked charity, under pretence of going à la Sainte Terre,” to the Holy Land, till the children exclaimed, “There goes a Sainte-Terrer,” a Saunterer,—a Holy-Lander. They who never go to the Holy Land in their walks, as they pretend, are indeed mere idlers and vagabonds; but they who do go there are saunterers in the good sense, such as I mean. Some, however, would derive the word from sans terre, without land or a home, which, therefore, in the good sense, will mean, having no particular home, but equally at home everywhere. For this is the secret of successful sauntering. He who sits still in a house all the time may be the greatest vagrant of all; but the saunterer, in the good sense, is no more vagrant than the meandering river, which is all the while sedulously seeking the shortest course to the sea. But I prefer the first, which, indeed, is the most probable derivation. For every walk is a sort of crusade, preached by some Peter the Hermit in us, to go forth and reconquer this Holy Land from the hands of the Infidels.

It is true, we are but faint-hearted crusaders, even the walkers, nowadays, who undertake no persevering, never-ending enterprises. Our expeditions are but tours, and come round again at evening to the old hearth-side from which we set out. Half the walk is but retracing our steps. We should go forth on the shortest walk, perchance, in the spirit of undying adventure, never to return,—prepared to send back our embalmed hearts only as relics to our desolate kingdoms. If you are ready to leave father and mother, and brother and sister, and wife and child and friends, and never see them again,—if you have paid your debts, and made your will, and settled all your affairs, and are a free man, then you are ready for a walk.

from "Single Ladies - Beyonce," by Pomplamoose, 17 September 2009 :: via kottke.org (how does he find all this incredible stuff anyway?)
Andy:
embed Straw sounds


"etude no.7" (English here) by Mamoru, 2009
Christy:
image
"Highland Light" (North Truro, Massachusetts), watercolor over graphite on rough white wove paper, 1930, by Edward Hopper, Harvard Art Museum :: via "Edward Hopper's Cape Cod: Then and Now," NYTimes.com, 10 August 2009
Nate:
Andy:
from "Sari Bari," by Jason Byassee, Faith & Leadership, 13 October 2009

Sari Bari grew out of years of workers from the Word Made Flesh mission organization listening to women in the commercial sex industry in the south of India. As WMF befriended the women they would ask, “What would freedom look like for you? How would you like to attain that?” Based on their responses, a WMF field director in Kolkata, Sarah Lance, and a former WMF staffer, Kristin Keen, came up with an idea to recycle used saris, the traditional clothing Indian women wear. The saris could be sewn into quilts or purses and sold. The required speed-sewing skills were hard-won, requiring six months or more to learn. During that time, WMF also offers therapy, math and literacy instruction. But once the women finish the training, they can leave the sex trade and experience something more like freedom.

And the bags and quilts they produced were beautiful—so beautiful that the women realized they were making art, not just textiles. So they began to sign their work. In the sex trade these women often go by a false name that helps them disassociate from what they have to go through. But when they signed their artwork they used their real, given names.

Nate:
from "Michael Pollan's Favorite Food Rules," illustrated and designed by Roger Kent and Zahra Sethna, The New York Times Magazine, 11 October 2009 :: via kottke.org

“When drinking tea, just drink tea.” I find this Zen teaching useful, given my inclination toward information in the morning, when I’m also trying to eat breakfast, get the dog out, start the fire and organize my day. I believe that it’s so much better for our bodies when we are present to our food. Perhaps a bit of mindfulness goes a long way first thing in the morning. (Of course, some time ago, I came across a humorous anecdote about a hapless Zen student whose teacher taught him the aphorism and then was discovered by the same student, drinking tea and reading the paper. When confronted, the teacher said, “When drinking tea and reading the paper, just drink tea and read the paper!”)

—Michelle Poirot

Nate:
from "When Old School Tech is Better," by Corrina Lawson, GeekDad, 7 October 2009

I’ve been trying to teach him the nuances of the NFL. He likes watching the games on television, he loves the New England Patriots–particularly Tom Brady–but he gets confused a great deal because the television announcers do a lousy job of explaining on what the play is, who’s in the game, and how the defense is set.

We tried computers. I bought an old Madden game as a learning tool but that also assumes a great deal of knowledge about the game.

Then this Sunday, we had to take an hour-long drive to meet my mother and do some shopping. We were driving back during the fourth quarter of the game between the Patriots and the Baltimore Ravens. I was dying to know the score, so I tuned into the our local radio broadcast.

And my son became enthralled ... what he loved was that the announcers actually told him what was going on in the game. “Brady’s in the shotgun, three receiver set to his right, Kevin Faulk in the backfield, defense is stacking eight men on the line…Faulk goes in motion leaving an empty backfield…”

Television announcers seem to assume you can see everything in the game.  Or they’re flat out not as good. Take you pick.

from "Culture-Making.com's Nate Barksdale," interviewed by Christy Tennant, IAM Conversations, 08 October 2009
Christy:

The quotations, images, and embedded media in this blog are the work of the credited authors, artists, and publications, and are employed in the spirit of fair use, commentary, and criticism. We always link to the original source of material we cite. If you think we’ve missed something, let us know. The inclusion of media on this site should not imply its owners’ endorsement (or for that matter awareness) of this book, blog, or the blog’s curators and commentators. Though we hope they’d like us.

I can’t recall a time when I’ve had to read anything other than the Scriptures so slowly and deliberately—Culture Making was that thought provoking.


?

Ben, professor of management
living in Winneconne, Wisconsin

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