I remember reading a biographical sketch of the light verse poet Ogden Nash ("The one-L Lama, he's a priest / The two-L llama, he's a beast / And I would bet a silk pyjama / There isn't any three-L lllama"), in which he commented how early in his writing life he realized he had enough talent to be either a bad good poet or a good bad poet; he chose the latter, and I'd say was (as are we) the better for it.