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    <title type="text">Culture Making Articles items tagged water</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
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    <updated>2025-01-03T22:54:05Z</updated>
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    <entry>
      <title>Six or more glasses daily!</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/six_or_more_glasses_daily" />
      <id>tag:culture-makers.com,2025:author/1.2007</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?Ephemera from the radium craze of the mid 1920s. A friend of mine wrote his <a href="http://www.mpiwg-berlin.mpg.de/en/research/projects/DeptIII_Campos_Radium">doctoral dissertation</a> on this stuff. In the first years after radium was discovered, the initial reaction on the part of both laypeople and scientists was basically, Wow this is amazing and powerful. It must be the stuff of life! Sure, a plant will die if you put it next to some of it, but that's just because it can't handle all the LIFE radiating out from it. There's a sobering lesson in this, but I can't quite decide if it's that wishful thinking (or perhaps duplicitousness) will conspire to foist all manner of perils upon the unsuspecting, or simply that even those of us who know better, don't always.?</em><br />
		
		<a href="http://vintage-ads.livejournal.com/3044547.html"><img src="http://www.culture-making.com/media/radium.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">from "<a href="http://vintage-ads.livejournal.com/3044547.html">vintage_ads: Today's radium WTF</a>," <a href="http://vintage-ads.livejournal.com/3044547.html">vintage_ads</a>, 9 December 2011 :: via <a href="http://boingboing.net/2011/12/09/radium-infuser-for-drinking-wa.html">boingboing.net</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Beach calligraphy by Andrew van der Merwe</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/beach_calligraphy_by_andrew_van_der_merwe" />
      <id>tag:culture-makers.com,2025:author/1.1614</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?South African calligrapher Andrew van der Merwe has developed various wedge- and scoop-shaped tools to allow him to carve letters out of beach sand. This is a picture of one of his creations, on a beach in Belgium.?</em><br />
		
		<a href="http://j-laf.org/2008/10/worlds-project-report-beach-ca.html"><img src="http://www.culture-making.com/media/beachscript.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">image from "<a href="http://j-laf.org/2008/10/worlds-project-report-beach-ca.html">Beach Calligraphy</a>," by Andrew van der Merwe, <a href="http://j-laf.org/2008/10/worlds-project-report-beach-ca.html">Japan Letter Arts Forum</a>, 21 October 2008 :: via <a href="http://ministryoftype.co.uk/words/article/andrew_van_der_merwe/">The Ministry of Type</a> :: first posted here 8 September 2009</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Washing away your sins</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/washing_away_your_sins" />
      <id>tag:culture-makers.com,2025:author/1.917</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?From an interview with Chen-Bo Zhong, who researches the link between abstract concepts and physical feelings—the deep cultural power of metaphor.?</em><br />
		
		<p><strong>LEHRER:</strong> What are some other examples of how seemingly abstract thoughts, such as feeling excluded, can have physical manifestations?</p><p><strong>ZHONG:</strong> Another example would be the relation between morality and physical cleanliness. In my early work “<a href="http://www.sciencemag.org/cgi/content/abstract/313/5792/1451">Washing Away Your Sins: Threatened Morality and Physical Cleansing</a>” in collaboration with Katie Liljenquist [a professor of organizational behavior at Brigham Young University], we discussed how metaphors such as “<em>dirty hands</em>” or “<em>clean records</em>” may have a psychological basis such that people make sense of morality through <a href="http://www.sciam.com/article.cfm?id=washing-hands-reduces-mor">physical cleanliness</a>.</p><p>When people’s <a href="http://www.sciam.com/article.cfm?id=thinking-about-morality">moral</a> self image is threatened, as when they think about their own unethical past behaviors, people literally experience the need to engage in physical cleansing, as if the moral stain is literally physical dirt. We tested this idea in multiple studies and showed that when reminded of their past moral transgressions, people were more likely to think about cleansing-related words such as <em>“wash”</em> and <em>“soap”</em>, expressed stronger preference for cleansing products (for instance, a soap bar), and were also more likely to accept an antiseptic wipe as a free gift (rather than a pencil with equal value).</p><p>Further, physical cleansing may actually be effective in mentally getting rid of moral sins. In another study, in which participants who recalled unethical behaviors were either given a chance to cleanse their hands or not, we found that washing hands not only assuaged moral emotions such as guilt and regret but also reduced participants’ willingness to engage in <a href="http://www.sciam.com/article.cfm?id=monkeys-experience-joy-of">prosocial behaviors</a> such as <a href="http://www.sciencemag.org/cgi/content/abstract/313/5792/1451">volunteering</a> Thus physical washing can actually wash away sins. Perhaps this effect is why most world religions practice some form of washing rituals to purify souls. We should be cautious, however, knowing that if our sins are so easily “washed away” we might not be as motivated to engage in actual compensatory behaviors to make up for our mistakes.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.sciam.com/article.cfm?id=metaphors-of-the-mind&print=true">Metaphors of the Mind: Why Loneliness Feels Cold and Sins Feel Dirty</a>," by Jonah Lehrer, <a href="http://www.sciam.com/article.cfm?id=metaphors-of-the-mind&print=true"><i>Scientific American</i></a>, 25 September 2008 :: via <a href="http://www.aldaily.com/">Arts & Letters Daily</a> :: first posted here 6 October 2008</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Astoria Pool, by Angie Smith</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/astoria_pool_by_angie_smith" />
      <id>tag:culture-makers.com,2025:author/1.1452</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?I've been waiting for the start of summertime so I could post this beautiful picture. Memorial Day counts, right??</em><br />
		
		<a href="http://flak-photo.my-expressions.com/archives/6333_1646490288/327086"><img src="http://culture-making.com/media/1239713158.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1"><i><a href="http://flak-photo.my-expressions.com/archives/6333_1646490288/327086">Astoria Pool</a></i>, Astoria, Queens, New York, by <a href="http://www.angiesmithphotography.com/">Angie Smith</a>, 2005 :: via <a href="http://flak-photo.my-expressions.com/archives/6333_1646490288/327086">Flak Photo</a>, 14 April 2009</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Storm King Wavefield, by Maya Lin</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/storm_king_wavefield_by_maya_lin" />
      <id>tag:culture-makers.com,2025:author/1.1429</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?Earthworks beauty in upstate New York, from the architect of the Vietnam Veterans Memorial.?</em><br />
		
		<a href="http://www.stormking.org/2009_exhibition.html"><img src="http://culture-making.com/media/WAVE-FIELD-EB97_LG.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1"><i><a href="http://www.stormking.org/2009_exhibition.html">Storm King Wavefield</a></i> (2007–2008), 11 acres of earth and grass, by Maya Lin, part of the exhibition <i>Maya Lin: Bodies of Water</i> at the <a href="http://www.stormking.org/2009_exhibition.html">Storm King Art Center</a>, New Windsor, NY, 9 May–15 November 2009, photograph by Jerry L. Thompson :: via <a href="http://www.nytimes.com/2009/05/08/arts/design/08lin.html">NYTimes.com</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Ponte Vecchio 5, by Leigh Wen</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/ponte_vecchio_5_by_leigh_wen" />
      <id>tag:culture-makers.com,2025:author/1.1342</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Nate</p>: </b><em>?Taiwanese-American artist Leigh Wen paints beautiful mural-size works based around the traditional four elements. I think her water paintings are especially stunning, both deep and full of surface motion.?</em><br />
		
		<a href="http://www.riversandestuaries.org/events/LeighWen.php"><img src="http://culture-making.com/media/Ponte-Vecchio-5_largeweb.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"Ponte Vecchio 5" (36 by 60", 2007) by <a href="http://www.leighwen.net/">Leigh Wen</a>, from an 2008 exhibit at the <a href="http://www.riversandestuaries.org/events/LeighWen.php">Beacon Institute for Rivers and Estuaries</a> :: via <a href="http://www.newamericanpaintings.com/">New Aerican Paintings</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Cathedral, by David LaChapelle</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/cathedral_by_david_lachapelle" />
      <id>tag:culture-makers.com,2025:author/1.1288</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?As with many of LaChapelle's lavish staged photographic tableaux, this invites multiple (and probably contradictory, not to mention uncomfortable) readings. But I do like this piece: I'm always attracted to the imagery of churches as ships—every catherdal, after all, has its nave.?</em><br />
		
		<a href="http://www.davidlachapelle.com/home.html"><img src="http://culture-making.com/media/MexicoExhibition_SaveTheDate.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.davidlachapelle.com/home.html">Cathedral</a>" (2007), by David LaChapelle, from the exhibition <i>Delirios de razón</i>, at the <a href="http://www.sanildefonso.org.mx/">Antiguo Colegio de San Ildefonso</a>, Mexico City, 3 February—17 May 2009 :: via <a href="http://www.lensculture.com/lachapelle.html?thisPic=11">lens culture</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Slides, by Kirsten Tradowsky</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/slides_by_kirsten_tradowsky" />
      <id>tag:culture-makers.com,2025:author/1.1028</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?I like many of Tradowsky's paintings of band practices, swim lessons, and kids involved in other more or less extracurricular activities.?</em><br />
		
		<a href="http://www.kirstentradowsky.com/2007.html"><img src="http://culture-making.com/media/slides.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.kirstentradowsky.com/2007.html">Slides</a>," painting by <a href="http://www.kirstentradowsky.com/">Kirsten Tradowsky</a>, 2007 :: via <a href="http://www.newamericanpaintings.com/">New American Paintings</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Extravagant gestures</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/extravagant_gestures" />
      <id>tag:culture-makers.com,2025:author/1.928</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Nate</p>: </b><em>?This just sings.?</em><br />
		
		<p>At the time of Lewis and Clark, setting the prairies on fire was a well-known signal that meant, “Come down to the water.” It was an extravagant gesture, but we can’t do less. If the landscape reveals one certainty, it is that the extravagant gesture is the very stuff of creation. After one extravagant gesture of creation in the first place, the universe has continued to deal exclusively in extravagances, flinging intricacies and colossi down aeons of emptiness, heaping profusions on profligacies with ever-fresh vigor. The whole show has been on fire from the word go. I come down to the water to cool my eyes. But everywhere I look I see fire; that which isn’t flint is tinder, and the whole world sparks and flames.</p><hr />
<div class="author" style="font-size: -1">from <i><a href="http://books.google.com/books?id=82mHTKXpSl0C&printsec=frontcover&dq=pilgrim+at+tinker+creek&ei=VavvSJqmMYKgswPCjICeBQ&sig=ACfU3U0kNk3F4qD9lZgKBrNQspnWRtsZ9w#PPA11,M1">Pilgrim at Tinker Creek</a></i>, by Annie Dillard, 1974</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Living waters (slightly) reinterpreted</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/living_waters_slightly_reinterpreted1" />
      <id>tag:culture-makers.com,2025:author/1.875</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?An example of a deep cultural practice that seems to be—like many deep cultural practices, actually—able to make a rich and creative rebound from rejection and critique.?</em><br />
		
		<p>In the late ’60s and early ’70s, Jewish feminists claimed that the mikveh and other laws dealing with niddah, or menstruation, deemed women’s natural cycles unclean. (Under rabbinical law, married couples are forbidden to have sexual relations during the woman’s menstrual period and for seven days after menstruation has ceased. Some couples even sleep in separate beds during that time.) Objecting to what they saw as the patriarchal concept of &#8216;family purity,&#8217; many feminists rejected the mikveh and the rituals that surround it. Mikveh continued, of course, but mostly among Conservative and Orthodox Jews.</p><p>&#8216;Early feminists were very negative about the mikveh, seeing it as a denigration of women, a focus on ‘cleanliness’ and ‘impurity’ that seemed to be a way of keeping women from tainting men,&#8217; says Shuly Rubin Schwartz, assistant professor of American Jewish history at Jewish Theological Seminary in New York City. &#8216;Now women are saying, ‘Wait a minute. This is a tradition that was an important part of Judaism for our foremothers. Let’s look at the deeper meaning.’&#8217;</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.utne.com/2001-11-01/TakeMetotheMikveh.aspx">Take Me to the Mikveh</a>," by Andy Steiner, <a href="http://www.utne.com/2001-11-01/TakeMetotheMikveh.aspx"><i>Utne Reader</i></a>, November/December 2001</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Chand Baori (stepwell), India, by Doron</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/chand_baori_stepwell_india_by_doron" />
      <id>tag:culture-makers.com,2025:author/1.659</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?This is a 9th-century stepwell in western India, 100 feet deep, with 3500 steps in 13 tiers. Though it would take some sort of Q-bert-style planning to actually go up and down all 3500. The multiple approaches to the water source hint at the well's social function -- lots of people can descend at once to the cool (and, perhaps in its day somewhat less greenish) waters.?</em><br />
		
		<a href="http://en.wikipedia.org/wiki/Image:ChandBaori.jpg"><img src="http://culture-making.com/media/ChandBaori.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"Chand Baori (stepwell), Abhaneri, Rajasthan, India," by <a href="http://commons.wikimedia.org/wiki/User:Doron">Doron</a>, September 2003 :: via <a href="http://www.darkroastedblend.com/2008/08/love-song-italy.html">Dark Roasted Blend</a></div>		
	
			
			
			

		
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