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    <title type="text">Culture Making Articles items tagged vocation</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
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    <updated>2025-01-03T22:54:05Z</updated>
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    <entry>
      <title>From NASA to McDonald’s</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/from_nasa_to_mcdonalds" />
      <id>tag:culture-makers.com,2025:author/1.577</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?Performance artist Laurie Anderson on the importance of getting outside your own identity. I love her three-tiered description of how she sees the world.?</em><br />
		
		<p><strong>In 2002 you were NASA’s first artist in residence, Why you?</strong><br>Because I have a reputation for being a gear head and a wire head. It was a really great gig. I went to mission control in Pasadena, and I met the guy who figures out how to color the stars in the photos taken by the Hubble Space Telescope. </p>
<p>The opportunity came about completely out of the blue, as many things are in my life. Somebody called and said “Do you want to be the first artist in residence at NASA?” and I said “What does that mean in a space program?” and they said “ Well, we don’t know what that means. What does it mean to you?” I was like “Who are you people? What does it mean to me? What are you talking about?”</p>
<p><strong>You’ve also worked at McDonald’s.</strong><br>Yeah. I began to think, “How can I escape this trap of just experiencing what I expect?” I decided maybe I would just try to put myself in places where I don’t know what to do, what to say, or how to act. So, I did things like working at McDonald’s and on an Amish farm, which had no technology whatsoever.
</p>
<p><strong>What do you need to “escape” from?</strong><br />At heart, I’m an anthropologist. I try to jump out of my skin. I normally see the world as an artist first, second as a New Yorker and third as a woman. That’s a perspective that I sometimes would like to escape. It’s why in my performances I use audio filters to change my voice. That’s a way to escape as well.
</p><hr />
<div class="author" style="font-size: -1">from <a href="http://www.smithsonianmag.com/arts-culture/atm-qa-anderson.html?c=y&page=1">Laurie Anderson Q&A</a>, by Kenneth R. Fletcher, <a href="http://www.smithsonianmag.com/"><i>Smithsonian Magazine</i></a>, Auguest 2008 :: via <a href="http://www.boingboing.net/2008/07/29/laurie-anderson-inte.html">Boing Boing</a> :: first posted here 4 August 2008</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Heart of palm</title>
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      <id>tag:culture-makers.com,2025:author/1.1600</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b>Nate: </b><em>?I love how this careful schematic cross-section of a palm stem calls to mind, of all things, <a href="http://images.google.com/images?hl=en&um=1&q=haida+art&ie=UTF-8&ei=6zWYSp-3GoHssQPi5PH_AQ&sa=X&oi=image_result_group&ct=title&resnum=1">Indian/First Nations art</a> from the Pacific Northwest—about as un-palmy a place as you can go to. <a href="http://www.rarepalmseeds.com/pix/EugTri.shtml">About the palm</a>: "Large, ascending leaves to about 6 m (20 ft.) tall, with glossy green leaflets, spiny leafstalks and a mostly underground, clustering trunk characterize this unusual palm from the Malay Peninsula. It is found in disturbed, open areas in rainforests between sea level and 800 m (2700 ft.). The large, scaly fruit are edible when unripe and the leaves make excellent thatch. <a href="http://sciweb.nybg.org/Science2/Onlinexhibits/exhbtcata.html">About the man</a>: "The author of over 150 botanical titles, including the great flora of Brazil, Karl Friedrich Philipp von Martius also wrote the still-definitive three-volume treatise on the palm family, one of the first plant monographs. He developed his life-long fascination with palms during an expedition through Brazil from 1817 to 1820, and he worked nearly 30 years to prepare this grand summation, including palms found only as fossils."?</em><br />
		
		<a href="http://bibliodyssey.blogspot.com/2009/07/historia-naturalis-palmarum.html"><img src="http://culture-making.com/media/3769362320_81302097c3_o.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.flickr.com/photos/bibliodyssey/3769362320/sizes/o/">Eugeisona tristis (detail)</a>," from <a href="http://www.botanicus.org/bibliography/b12036171"><i>Historia Naturalis Palmarum (The Natural History of Palms</i></a> by Karl Friedrich Phillipp von Maritus, 1823–50 :: via <a href="http://bibliodyssey.blogspot.com/2009/07/historia-naturalis-palmarum.html">BibliOdyssey</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Mainly by way of mistakes and surprises</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/mainly_by_way_of_mistakes_and_surprises" />
      <id>tag:culture-makers.com,2025:author/1.1598</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Christy: </b><em>?I am deeply indebted to Steve Garber and Byron Borger for insisting that I get into Wendell Berry. At their urging, I have started with his novel <a href="http://www.amazon.com/dp/1582431604/cmcom-20"><i>Jayber Crow.</i></a> The following is just one of many, many nuggets from this agrarian author with an astounding awareness of what makes human beings fully human.?</em><br />
		
		<p>If you could do it, I suppose, it would be a good idea to live your life in a straight line—starting, say, in the Dark Wood of Error, and proceeding by logical steps through Hell and Purgatory and into Heaven. Or you could take the King&#8217;s Highway past appropriately named dangers, toils, and snares, and finally cross the River of Death and enter the Celestial City. But that is not the way I have done it, so far. I am a pilgrim, but my pilgrimage has been wandering and unmarked. Often what has looked like a straight line to me has been a circling or doubling back. I have been in the Dark Wood of Error any number of times. I have known something of Hell, Purgatory, and Heaven, but not always in that order. The names of many snares and dangers have been made known to me, but I have only seen them in looking back. Often I have not known where I was going until I was already there. I have had my share of desires and goals, but my life has come to me or I have gone to it mainly by way of mistakes and surprises. Often I have received better than I have deserved. Often my fairest hopes have rested on bad mistakes. I am an ignorant pilgrim, crossing a dark valley. And yet for a long time, looking back, I have been unable to shake off the feeling that I have been led—make of that what you will.</p><hr />
<div class="author" style="font-size: -1">from <a href="http://www.amazon.com/dp/1582431604/cmcom-20"><i>The life story of Jayber Crow, Barber, of the Port William Membership, as Written by Himself</i></a>, p.133, by Wendell Berry, 2000</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Not just optimistic</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/not_just_optimistic" />
      <id>tag:culture-makers.com,2025:author/1.1144</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b><p>Andy</p>: </b><em>?As an über-blogger, Seth Godin gets a special hyperbole permit not available to the rest of us. But I totally agree. We are exiting the consumption era, where people defined themselves by what they consumed (and took whatever job would pay for it) and entering the era of culture making, where people define themselves by what they contribute to the world. And, by the way, we don't have to "imagine" what would happen if 5,000 investment bankers were to put their talents to doing something else . . . the long-overdue Great Deleveraging will ensure that happens. Not without pain, to be sure, but I, like Seth, am hopeful.?</em><br />
		
		<p>Perhaps we&#8217;re on the verge at getting much better at making useful things, spreading ideas that matter and helping people, and not quite so good at leveraging capital for financial institutions. Imagine what would happen if 5,000 investment bankers or 500 M &amp; A lawyers put their talents to work doing something else&#8230;</p><p>As I look through all the notes and applications I received for the program I&#8217;m running next year, I&#8217;m not just optimistic. I&#8217;m thrilled. There must be hundreds of thousands of movers and shakers out there, people of all ages who are smart and get things done. And more and more, they&#8217;re being motivated by the quest, or the outcome, or the people they work with, not just the cash payout. It&#8217;s exciting beyond words. The ten people I&#8217;ve chosen are just astonishing, each and every one of them.</p><p>If you can&#8217;t find people like these, you&#8217;re not looking in the right places. And if you can&#8217;t figure out how to work with them, you&#8217;re missing out.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://sethgodin.typepad.com/seths_blog/2008/12/the-best-and-th.html">The best and the brightest</a>," by Seth Godin, <a href="http://sethgodin.typepad.com/">Seth's Blog</a>, 18 December 2008 :: via <a href="http://deetsjohn.blogspot.com/">Steve Johnson</a></div>		
	
			
			
			

		
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