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    <title type="text">Culture Making Articles items tagged transit</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
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    <updated>2025-01-03T22:54:05Z</updated>
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    <entry>
      <title>Chinatown bus geography</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/chinatown_bus_geography" />
      <id>tag:culture-makers.com,2025:author/1.1254</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?Telephone area codes provide an alternate means of envisioning the United States. And not just for Chinese restaurant workers: there's also <a href="http://strangemaps.wordpress.com/2008/03/09/254-ludacris-rap-map-of-us-area-codes/">Ludicris' Rap Map</a>.?</em><br />
		
		<p align="center"><img src="http://culture-making.com/media/3187200686_3cfe794cfb.jpg" alt="image"></p><p>These two are <a href="http://en.wikipedia.org/wiki/Chinatown_bus_lines">Chinatown bus</a> advertisements for routes that go to the more obscure regions of the eastern United States. (Chinatown bus goes all over, not just Boston, NYC, Philly and Washington). Notice how they emphasize the area codes.</p><p>That is because many Fujianese restaurant workers are not educated and thus don’t really read and write English. Given that. How do you divide the United States? Not through towns and states. You do it through numbers—hence the area codes.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.fortunecookiechronicles.com/blog/2009/01/17/the-chinese-restaurant-workers-view-of-america-through-area-codes/">The Chinese Restaurant Workers’ View of America: Through Area Codes</a>," by Jennifer 8. Lee, <a href="http://www.fortunecookiechronicles.com/blog/2009/01/17/the-chinese-restaurant-workers-view-of-america-through-area-codes/">The Fortune Cookie Chronicles</a>, 17 January 2009 :: first posted here 23 January 2009</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Everyday South Africans and their bicycles</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/everyday_south_africans_and_their_bicycles" />
      <id>tag:culture-makers.com,2025:author/1.1922</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?Upon viewing the new Shakira <a href="http://worldcup.vevo.com/?v=wakawaka">World Cup song's video</a>, an African historian friend of mine tweeted "Planning to cringe all month w/ South Africa standing in as the 'real Africa.' Drums + Feathers anyone?" Hopefully the soccer coverage will dig a bit deeper than that, or at least provide the world with a few urban African cliches to balance out the rural ones. On a more positive note, I really like these portraits of South African cyclists, which are paired with interviews about the pictured bikes and (as if they hadn't won my heart already), Google Maps pinpointing each photo's exact location. The photographers are <a href="http://www.kickstarter.com/projects/bicycleportraits/bicycle-portraits-everyday-south-africans-and-thei">raising money</a> to publish a hardcover book of the portraits.?</em><br />
		
		<a href="http://www.dayonepublications.com/Bicycle_Portraits/Index.html"><img src="http://culture-making.com/media/david_mufamadi_1652.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.dayonepublications.com/Bicycle_Portraits/David_Mufamadi.html">David Mufamadi, Charles St., Brooklyn, Pretoria</a>," by Nic Grobler, <a href="http://www.dayonepublications.com/Bicycle_Portraits/Index.html">Bicycle Portraits - everyday South Africans and their bicycles</a>, 2010 :: via <a href="http://www.wired.com/gadgetlab/2010/06/bike-portraits-a-fascinating-gallery-of-south-african-cyclists/#">Wired.com Gadget Lab</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>The bottom of the urban planning bag</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/the_bottom_of_the_urban_planning_bag" />
      <id>tag:culture-makers.com,2025:author/1.1909</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?These maps compare the possible routes of a one-kilometer walk in two neighborhoods in the Seattle area: the heavily cul-de-sac'd <a href="http://maps.google.com/maps?f=q&source=s_q&hl=en&geocode=&q=woodinville+seattle&sll=45.530145,-122.811566&sspn=0.011935,0.018797&ie=UTF8&hq=&hnear=Woodinville,+King,+Washington&ll=47.775271,-122.178397&spn=0,0.053945&t=h&z=15&layer=c&cbll=47.759964,-122.167316&panoid=2aMkF9v9a9KJSYbAXr7WUw&cbp=12,267.46,,0,1.32">Woodinville</a> and the gridded <a href="http://maps.google.com/maps?f=q&source=s_q&hl=en&geocode=&q=ballard+seattle&sll=47.759964,-122.167316&sspn=0.023022,0.053945&ie=UTF8&hq=&hnear=Seattle&ll=47.684777,-122.392116&spn=0,0.053945&t=h&z=15&layer=c&cbll=47.675104,-122.37888&panoid=XUNO3CkYJ-NBoAkQcim2GQ&cbp=12,168.27,,0,12.71">Ballard</a> neighborhood. Cul-de-sacs (or, if we're sticklers for French grammar in our loan-words, <a href="http://en.wikipedia.org/wiki/Cul-de-sac">culs-de-sac</a>, or if we're actual French, <a href="http://fr.wikipedia.org/wiki/Impasse">les impasses</a>) are designed, in part, to free residential suburbs from the noises and hazards of automobiles, with the side effect of making it nearly impossible to go anywhere without a car. I suppose a secondary effect of the culs was to mask the depersonalizing qualities of vast suburbs of near-identical houses all built over the course of a few months—again, at the depersonalizing cost of making coming and going by foot, bicycle, or public transit much more difficult. In an added layer of irony, the map on the right looks far more organic, almost lung-like, but (our shifting urban values tell us) the mathematical abstraction on the right is the one more suited to healthy city life.?</em><br />
		
		<a href="http://hbr.org/2010/05/back-to-the-city/sb1"><img src="http://culture-making.com/media/F1005B_A_lg.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">from "<a href="http://hbr.org/2010/05/back-to-the-city/sb1">The Unintended Consequences of Cul-de-sacs</a>," by Ania Wieckowski, <a href="http://hbr.org/2010/05/back-to-the-city/sb1"><i>Harvard Business Review</i></a>, May 2010 :: via <a href="http://www.infrastructurist.com/2010/05/07/how-cul-de-sacs-are-killing-your-community/">The Infrasructuralist</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Safety not fine? Install a shrine!</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/safety_not_fine_install_a_shrine" />
      <id>tag:culture-makers.com,2025:author/1.1865</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

			<b>Nate: </b><em>?Himalayan India has a rich tradition of humorous safety signs placed along precarious mountain roads (like <a href="http://www.richardsharp.co.uk/images/DSCF0015.JPG">AFTER WHISKY, DRIVING RISKY</a>, or <a href="http://www.howsmycycling.com/gallery/10%2013%2025%2006-12-03%20India%20road%20sign%20%27darling...%27.jpg">DARLING I WANT YOU, BUT NOT SO FAST</a>, or <a href="http://images.travelpod.com/users/anamcara/indianepal2005.1126323600.dsc01197.jpg">ROAD IS HILLY, DON'T DRIVE SILLY</a>), but apparently setting up traffic-slowing Hindu shrines at trouble-spots is far more effective. I wonder if Christian shrines at highway accident sites (designed to instill caution and remembrance, but not necessarily to get folks to stop) have anything like the same effect. I doubt it.?</em><br />

<div class="author" style="font-size: -1">a <a href="http://freakonomics.blogs.nytimes.com/2010/04/07/hindu-traffic-nudges/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed:+FreakonomicsBlog+(Freakonomics+Blog)&utm_content=Google+Reader">Freakonomics Blog</a> post, 7 April 2009</div><hr />		
		<p><b>Karan Talwar,</b> a blogger and Freakonomics reader, <a href="http://karantalwar.com/2010/04/07/shimla-accidents/">writes about an interesting traffic nudge near Shimla, India</a>.&nbsp; The roads into Shimla are notoriously dangerous, and traffic signs have done little to lessen the problem.&nbsp; So local authorities began constructing temple shrines at hot spots.&nbsp; The nudge worked like a charm: “Turns out even though the average Indian has no respect for traffic laws and signs, they will slow down before any place of worship and take a moment to ask for blessings!”</p>
		
	
			
			
			

		
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    </entry>    <entry>
      <title>The Jolly Flatboatmen (detail), by George Caleb Bingham</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/the_jolly_flatboatmen_detail_by_george_caleb_bingham" />
      <id>tag:culture-makers.com,2025:author/1.1853</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b>Nate: </b><em>?This 19th century slice-of-riparian-life manages to combine joyous abandon with highly stylized composition. I love its mannered glimpse at labor, camaraderie, and do-it-yourself entertainment.?</em><br />
		
		<a href="http://www.metmuseum.org/special/americanstories/objectView.aspx?oid=9&sid=3"><img src="http://culture-making.com/media/flatboatmen2.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.metmuseum.org/special/americanstories/objectView.aspx?oid=9&sid=3">The Jolly Flatboatmen</a>" (detail), oil on canvas, 1846, by George Caleb Bingham, from the exhibition <a href="http://www.metmuseum.org/special/americanstories/objectView.aspx?oid=9&sid=3">American Stories: Paintings of Everyday Life</a>, at the <a href="http://www.metmuseum.org/home.asp">Metropolitan Museum of Art</a>, 12 October 2009–24 January 2010 :: via <a href="http://coudal.com/archives/2010/02/american_storie.php?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+CoudalFreshSignals+%28Coudal%3A+Fresh+Signals%29&utm_content=Google+Reader">Coudal Partners</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Skateland, by Christian Patterson</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/skateland_by_christian_patterson" />
      <id>tag:culture-makers.com,2025:author/1.1707</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?I love the cheery desolation in this photo. And, of course, the wings on the roller boot (or maybe it's the wheels on the winged boot). I always wondered how Mercury would come in for a smooth landing.?</em><br />
		
		<a href="http://christianpatterson.com/"><img src="http://culture-making.com/media/sound_affects_003.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://christianpatterson.com/">Skate Land</a>" (2003), by <a href="http://christianpatterson.com/">Christian Patterson</a>, from the portfolio series <i>Sound Affects 2002–2005</i> :: via <a href="http://www.booooooom.com/2009/11/02/christian-patterson-photographer/">BOOOOOOOM!</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Highland Light, North Truro, Massachusetts, by Edward Hopper</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/highland_light_north_truro_massachusetts_by_edward_hopper" />
      <id>tag:culture-makers.com,2025:author/1.1663</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b>Nate: </b><em>?This painting combines my favorite sides of Edward Hopper's work: somewhat desolate places (rather than somewhat desolate people), and quick outdoor sketching (rather than more formal and detailed composition). I love how many outbuildings this particular Cape Cod lighthouse has managed to attract—it looks more like the grain silo of a farm than an outpost against seas and storms.?</em><br />
		
		<a href="http://www.artmuseums.harvard.edu/collection/detail.dot?objectid=306540"><img src="http://culture-making.com/media/highlandlightedwardhopper.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.artmuseums.harvard.edu/collection/detail.dot?objectid=306540">Highland Light</a>" (North Truro, Massachusetts), watercolor over graphite on rough white wove paper, 1930, by Edward Hopper, <a href="http://www.artmuseums.harvard.edu/collection/detail.dot?objectid=306540">Harvard Art Museum</a> :: via "<a href="http://www.nytimes.com/interactive/2008/08/10/travel/20080810_HOPPER_FEATURE.html">Edward Hopper's Cape Cod: Then and Now</a>," NYTimes.com, 10 August 2009</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Vector portraits, by Andrew Bush</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/vector_portraits_by_andrew_bush" />
      <id>tag:culture-makers.com,2025:author/1.1651</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b>Nate: </b><em>?I've seen Andrew Bush's freeway photographs here and there before (there's even a book of them, <a href="http://www.amazon.com/dp/030013648X/cmcom-20">Drive</a>), and every time I catch a glimpse I'm more intrigued. The composition is always the same: a car door, a driver, a bit of landscape, and a simultaneous velocity and stillness, the striking (and vaguely unsettling) intermixing of private and public spaces and moments—of life in the <a href="http://www.thisamericanlife.org/Radio_Episode.aspx?sched=822">million bubbles</a> of our highway culture.?</em><br />
		
		<a href="http://andrewbush.net/vectors 2-10-08/index.htm#4"><img src="http://culture-making.com/media/020.045cc.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://andrewbush.net/vectors%202-10-08/pages/020.045cc.htm">Woman taking her time rambling south at 63 mph on the Hollywood Freeway near the Vine Street exit in Los Angeles on a Saturday afternoon in 1991</a>," from the series <i><a href="http://andrewbush.net/vectors%202-10-08/index.htm#4">Vector Portraits</a></i>, by Andrew Bush, at <a href="http://www.mbfala.com/exhibitions/">M+B Gallery</a>, Los Angeles, 12 September–15 October :: via <a href="#">We can shoot too</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Soft Serve, by Kevin Cyr</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/soft_serve_by_kevin_cyr" />
      <id>tag:culture-makers.com,2025:author/1.1548</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?It's above 100 degrees this afternoon in Portland. I could really go for one of these right now. The artist's site includes a bunch of lovingly observed vehicle portraits in this vein. Bonus link: "<a href="http://www.youtube.com/watch?v=Z9BkmMjgrwM">Ice Cream Man</a>," by Jonathan Richman and The Modern Lovers.?</em><br />
		
		<a href="http://www.kevincyr.net/index.php?/ongoing/2009/"><img src="http://culture-making.com/media/6_softserve.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.kevincyr.net/index.php?/ongoing/2009/">Soft Serve</a>," painting by <a href="http://www.kevincyr.net/">Kevin Cyr</a>, 2009 :: via <a href="http://www.booooooom.com/2009/05/29/kevin-cyr-illustrations/">BOOOOOOOM!</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Parking is such sweet sorrow</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/parking_is_such_sweet_sorrow" />
      <id>tag:culture-makers.com,2025:author/1.1546</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b>Nate: </b><em>?Fascinating example of infrastructure mandating (and at the same time limiting) the culture of a particular place, from the journal of the University of California's Transportation Center. Includes this quote from urban historian Lewis Mumford: "The right to access every building in the city by private motorcar, in an age where everyone owns such a vehicle, is actually the right to destroy the city."?</em><br />
		
		<p>Disney Hall’s six-level, 2,188-space underground garage cost $110 million to build (about $50,000 per space). Financially troubled Los Angeles County, which built the garage, went into debt to ?nance it, expecting that parking revenues would repay the borrowed money. But the garage was completed in 1996, and Disney Hall—which suffered from a budget less grand than its vision—became knotted in delays and didn’t  open until late 2003. During the seven years in between, parking revenue fell far short of debt payments (few people park in an underground structure if there is nothing above it) and the county, by that point nearly bankrupt, had to subsidize the garage even as it laid off employees.</p><p>The county owns the land beneath Disney Hall, and its lease for the site specifies that Disney Hall must schedule at least 128 concerts each winter season. Why 128? That’s the minimum number of concerts that will generate the parking revenue necessary to pay the debt service on the garage. And in its ?rst year, Disney Hall scheduled exactly 128 concerts. The parking garage, ostensibly designed to serve the Philharmonic, now has the Philharmonic serving it; the minimum parking requirements have led to a minimum concert requirement.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.uctc.net/access/25/Access 25 - 02 - People, Parking, and Cities.pdf">People, Parking, and Cities</a>," by Michael Manville and Donald Shoup, <a href="http://www.uctc.net/access/access25.shtml"><i>Access</i></a>, Fall 2004 :: via <a href="http://delicious.com/amaah">Koranteng's bookmarks</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Descending like a dove</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/descending_like_a_dove" />
      <id>tag:culture-makers.com,2025:author/1.1332</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?WIRED and artist Aaron Koblin created a Google map representing air traffic across the United States over a 24-hour period. It's fascinating how all the major flight hubs have such unique and geometric approach and departure patterns. In a weird visual convergence, the flights over Atlanta trace a symmetrical figure that reminded me of the standard stained-glass iconography for the Holy Spirit descending on Jesus after his baptism. Insert Bible Belt / Giant Face Found on Mars joke here.?</em><br />
		
		<a href="http://www.wired.com/special_multimedia/2009/ff_airspace_map_1703"><img src="http://culture-making.com/media/atlantadove.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">montage from "<a href="http://www.wired.com/special_multimedia/2009/ff_airspace_map_1703">Interact: Watch 24 Brilliant Hours of U.S. Flights</a>," <a href="http://www.wired.com/special_multimedia/2009/ff_airspace_map_1703"><i>WIRED</i></a>, 23 February 2009, and <a href="http://www.sainti.org/church/stainedglass/index.htm">The Stained Glass of St. Ignatius of Loyola</a>, Cincinnati, Ohio :: via <a href="http://googlemapsmania.blogspot.com/2009/03/google-maps-friday-fun.html">Google Maps Mania</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Hallelujah for the Walt Whitman Rest Stop, by Maria Kalman</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/hallelujah_for_the_walt_whitman_rest_stop_by_maria_kalman" />
      <id>tag:culture-makers.com,2025:author/1.1277</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?A bit of culture-keeping by the <a href="http://www.newjersey.gov/turnpike/nj-vcenter-whitman.htm">New Jersey Turnpike Authority</a>, captured in one of a series of paintings, documenting an inauguration-day trip down to Washington, from Maira Kalman's new blog at NYTimes.com. I believe Whitman would approve.?</em><br />
		
		<a href="http://kalman.blogs.nytimes.com/2009/01/29/the-inauguration-at-last/"><img src="http://culture-making.com/media/03.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">from "<a href="http://kalman.blogs.nytimes.com/2009/01/29/the-inauguration-at-last/">The Inauguration. At Last</a>," by Maira Kalman, <a href="http://kalman.blogs.nytimes.com/2009/01/29/the-inauguration-at-last/">And the Pursuit of Happiness</a>, 29 January 2009</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Shipping the fridge</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/shipping_the_fridge" />
      <id>tag:culture-makers.com,2025:author/1.1253</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?Today, the nation’s rail network is just 94,942 miles, less than half of what it was in 1970. Pity that, as there are a lot of things trains did faster, cheaper, and more cleanly than the trucks that by and large replaced them.?</em><br />
		
		<p>In the first half of the last century,&nbsp;  railroads used these and other advantages of steel wheel technology to provide services we tend to think of as modern, or in some cases even futuristic. The Pacific Fruit Growers Express delivered fresh California fruits and vegetables to the East Coast using far less energy and labor than today’s truck fleets. The rhythmically named Chicago, Milwaukee, St. Paul, and Pacific (a.k.a. the Milwaukee Road) hauled hundred-car freight trains over the Cascade and Rocky Mountains using electric engines drawing on the region’s abundant hydropower. The Railway Express Agency, which attached special cars to passenger trains, provided Americans with a level of express freight service that cannot be had for any price today, offering door-to-door delivery of everything from canoes to bowls of tropical fish to, in at least one instance, a giraffe. Into the 1950s, it was not uncommon for a family to ship its refrigerator to and from a lakeside cabin for the summer via the REA; thanks to the physics of steel-on-steel conveyance, appliance-sized items could be moved for trivially larger amounts of &nbsp; money than smaller goods (think about that the next time you shell out an extra $50 to check a suitcase of dirty clothes on a domestic flight).</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.washingtonmonthly.com/features/2009/0901.longman.html">Back on Tracks</a>," by Phillip Longman, <a href="http://www.washingtonmonthly.com/features/2009/0901.longman.html"><i>Washington Monthly</i></a>, January/February 2009 :: via <a href="http://ideas.blogs.nytimes.com/2009/01/19/on-track-to-the-19th-century/">NYTimes.com Ideas Blog</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Use, storage, and sale</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/use_storage_and_sale" />
      <id>tag:culture-makers.com,2025:author/1.1247</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Nate</p>: </b><em>?The Indian capital bans plastic bags—just like San Francisco, except the regulation seems to be a lot further-reaching (besides covering millions more residents). Evidently Rwanda, Bhutan, and Bangladesh already have similar laws.?</em><br />
		
		<p>Carry a plastic bag in Delhi and you could be imprisoned for five years. Officials in India’s capital have decided that the only way to stem the rising tide of poly­thene is to outlaw the plastic shopping bag.</p><p>According to the official note, the “use, storage and sale” of plastic bags of any kind or thickness will be banned. The new guideline means that customers, shopkeepers, hoteliers and hospital staff face a 100,000 rupee fine (£1,370) and a possible jail sentence for using non-biodegradable bags&#8230;.</p><p>Civil servants said that punitive measures were needed after a law prohibiting all but the thinnest plastic bags – no thicker than 0.04mm – was ignored.</p><p>Although the government had originally concluded that plastic bags were too cheap and convenient to be disposed of, the authorities appear to have been swayed by environmentalists who pointed out that used bags were clogging drains and so providing breeding grounds for malaria and dengue fever. There is evidence that prohibition of plastic bags can work. Countries such as Rwanda, Bhutan and Bangladesh have all had bans enforced.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.guardian.co.uk/world/2009/jan/16/plastic-bags-india-delhi-ban">Delhi to outlaw plastic bags</a>," by Randeep Ramesh, <a href="http://www.guardian.co.uk/world/2009/jan/16/plastic-bags-india-delhi-ban">guardian.co.uk</a>, 16 January 2009</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Love plus boredom</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/love_plus_boredom" />
      <id>tag:culture-makers.com,2025:author/1.1246</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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			<b><p>Nate</p>: </b><em>?What having to wait through thousands and thousands of red lights can make possible.?</em><br />

<div class="author" style="font-size: -1">a <a href="http://www.fedbybirds.com/2009/01/please_respond_to_my_enquiries.html">Fed by Birds</a> post, 17 January 2009</div><hr />		
		<div style="float:right; padding:15px 10px 5px 5px"><img src="http://culture-making.com/media/pc2_front.jpg" alt="image"></div><p><a href="http://www.transom.org/shows/2003/200307.gutel.postcards.html">1,000 Postcards</a> is a short radio piece by Rene Gutel, about how her father, a bus driver, finding his job sometimes dull, decided to write her a postcard every day while she was away at college. I like the fact that after a while the whole campus became fascinated by the postcards, and she found herself having to read that day’s instalment to student after envious student. Funny and sweet.</p>
		
	
			
			
			

		
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    </entry>    <entry>
      <title>Bodies in motion and at rest</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/bodies_in_motion_and_at_rest" />
      <id>tag:culture-makers.com,2025:author/1.1058</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Nate</p>: </b><em>?OK, so I stole this post's title from Galileo via Thomas Lynch's lovely (though off-topic) <a href="http://www.amazon.com/Bodies-Motion-Rest-Metaphor-Mortality/dp/0393321649">book</a>. Let's resume the thread with the artist's own statement: "Subway drawings have become a big part of my sketching life, I used to read on my commute to the city but if you've read one Grisham you've read 'em all. I live out in Crown Heights, Brooklyn and take the <a href="http://www.mta.info/nyct/service/fiveline.htm">5 train</a> into the city, as any commuter will tell you, you see the same people time and time again."?</em><br />
		
		<a href="http://www.urbansketchers.com/2008/11/life-on-5.html"><img src="http://culture-making.com/media/subway+5.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.urbansketchers.com/2008/11/life-on-5.html">Life on the 5</a>," drawings by Stephen Gardener, <a href="http://www.urbansketchers.com/2008/11/life-on-5.html">Urban Sketchers</a>, 13 November 2008</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>That’s progress for you</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/thats_progress_for_you" />
      <id>tag:culture-makers.com,2025:author/1.821</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Nate</p>: </b><em>?New automotive technology expands, and simultaneously contracts the horizons of the possible. The place to find more fuel-efficient cars? The future ... and the past.?</em><br />
		
		<p>“In the 1970s, ‘80s and ‘90s, carmakers all offered super-high-efficiency cars,” says Eric Noble, president of the Car Lab, an auto industry research and consulting group. “Now that consumers are clamoring for them, those cars are pretty much all gone.”</p><p>For the 1992 model year, car buyers had the choice of 33 cars that had a combined city and highway EPA rating of at least 30 miles per gallon. For the current model year, there are 12. And though the 1990s had its share of gas guzzlers, it’s notable that the two-wheel-drive Ford Explorer from 1992 had better fuel efficiency (17 mpg) than the same model in 2008 (which gets 16).</p><p>With demand for efficiency surging, carmakers are racing to improve their lineups. General Motors Corp., which currently doesn’t have any cars that top 30 mpg combined, said last month that it would spend $500 million to produce a new compact car for 2011, the Cruze, that would reach 45 mpg on the highway. That’s about 13 mpg below the rating for its most fuel-efficient Geo Metro 14 years ago.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.latimes.com/la-fi-ultramile9-2008sep09,0,3857338,full.story">A race to use less gas in the long haul</a>," by Ken Bensinger, <a href="http://www.latimes.com/"><i>Los Angeles Times</i></a>, 8 September 2008</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>The meals on the bus go round and round</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/the_meals_on_the_bus_go_round_and_round" />
      <id>tag:culture-makers.com,2025:author/1.662</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?A great example of making the most of a captive audience (and somewhat lax boarding and vending rules). I recall similar parades (but with beggars and musicians included) on Indian trains and -- do I remember right? -- New York subways.?</em><br />
		
		<p>In <a href="http://travel.nytimes.com/travel/guides/central-and-south-america/ecuador/overview.html?inline=nyt-geo" title="Go to the Ecuador Travel Guide.">Ecuador</a>, the sources of some of the best bargain eating can’t be marked in a guidebook or circled on a map. In fact, even a well-versed local won’t be able to tell you exactly when and where to find these particular meals. Mostly, you just have to sit back until they find you, which they inevitably do, courtesy of a series of one-person mobile-food-stand entrepreneurs who hop aboard public buses, sell their delicious and amazingly varied wares and hop out until the next group of captive diners rolls by. </p><p>These gray-market vendors thrive on the ridership on Ecuador’s efficient and extensive bus system. In Cumandá terminal in <a href="http://travel.nytimes.com/travel/guides/central-and-south-america/ecuador/quito/overview.html?inline=nyt-geo" title="Go to the Quito Travel Guide.">Quito</a>, more than 30 competing bus companies vie for customers, shouting impending departures from their ticket windows, so the wait is never long and the price is right. Even at the extranjeros, or foreigners’, price, tickets average $1 per hour of travel (the American dollar has been the official currency since 2000). Besides the <a href="http://travel.nytimes.com/travel/guides/music/overview.html?inline=nyt-classifier" title="">music</a>, all buses come with air-conditioning — and a chance to acquaint yourself with local culture and cuisine.</p><p>On my recent three-and-a-half-hour bus journey down the Pan-American Highway, the ice-cream man was only one of dozens of people who jumped aboard at various stops as we beat a path southward from the capital city of Quito to the nation’s adventure mecca, Baños, through the valley known as Avenue of the Volcanoes. The vendors hawked everything from herbal cures to watches, but the real one-of-a-kind items were brought aboard by people clutching baskets or coolers, like the helado man. The homemade sweets and snacks they sell, along with the fast food cooked up at stands around markets and bus stations, offered a thorough sampling of regional specialties.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://travel.nytimes.com/2008/08/17/travel/17journeys.html?ex=1376625600&en=d48ee2b240d50b3e&ei=5124&partner=permalink&exprod=permalink">Meals and Wheels on Ecuador’s Avenue of Volcanoes</a>," by Martina Sheehan, <a href="http://travel.nytimes.com/"><i>New York TImes</i></a>, 17 August 2008</div>		
	
			
			
			

		
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