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    <title type="text">Culture Making Articles items tagged tools</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
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    <updated>2025-01-03T22:54:05Z</updated>
    <rights>Copyright (c) 2025, Andy Crouch</rights>
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    <entry>
      <title>Give me a lever long enough and I shall move the world</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/give_me_a_lever_long_enough_and_i_shall_move_the_world" />
      <id>tag:culture-makers.com,2025:author/1.1835</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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<b>Nate: </b><em>?A wonderful and simple student design for a wheelchair appropriate to the far-from-paved conditions of the developing world. It's a smart, simple design, and is made using standard bicycle parts, which should allow for easy repairs and creative modifications in the communities where they're used. In East Africa a few years back, the main wheelchair type I saw on the street were full tricycles with a longer wheelbase and an elevated bicycle crank turned by hand. The levers look to be a vast improvement, allowing the chair to be useful both indoors and out.?</em><br />
<hr /><span style="font-size: -1">from "<a href="http://www.fastcompany.com//1559885/mit-student-designs-all-terrain-wheelchair-for-the-poor">MIT Student Designs All-Terrain Wheelchair for the Poor</a>," by Cliff Kuang, <a href="http://www.fastcompany.com//1559885/mit-student-designs-all-terrain-wheelchair-for-the-poor"><i>Fast Company</i></a>, 23 February 2010 :: via <a href="#">The Morning News</a></span>
	
			
			
			

		
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    </entry>    <entry>
      <title>Tools = possibilities</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/tools_possibilities" />
      <id>tag:culture-makers.com,2025:author/1.1568</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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		<p>Often a great idea begins with the possibilities suggested by the existence of a tool.</p><br />
		<p><small>	&mdash;Kevin Kelly, on Garret Wade, purveyor of <a href="http://www.kk.org/cooltools/archives/003864.php">unusual hand tools</a></small></p>

	
			
			
			

		
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    </entry>    <entry>
      <title>Comforts and delights</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/comforts_and_delights" />
      <id>tag:culture-makers.com,2025:author/1.1387</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/commentlogo.jpg" alt="image"></div><p>Yesterday <a href="http://cardus.ca/comment/"><i>Comment Magazine</i></a> has posted an <a href="http://cardus.ca/comment/article/952/">interview</a> Gideon Strauss conducted with me over email a few weeks back, about my role as a curator for Culture-Making.com and, inevitably, my love of Swahili dictionaries. It’s part of their new “Comforts and Delights” feature; a few times a year I’ll be weighing in there with my thoughts about interesting cultural artifacts.</p><br />

	
			
			
			

		
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    </entry>    <entry>
      <title>Culture&#45;making, underwater edition!</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/culture_making_underwater_edition" />
      <id>tag:culture-makers.com,2025:author/1.1201</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?What happens when you team what are arguably the cutest marine vertebrate and invertebrate, respectively? A fascinating, not to mention fun-to-read-about example of non-human culture-making and -keeping.?</em><br />
		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/913_thumbnail.gif" alt="image"></div><p>Tool use is rare in wild animals, but of widespread interest because of its relationship to animal cognition, social learning and culture. Despite such attention, quantifying the costs and benefits of tool use has been difficult, largely because <i>if</i> tool use occurs, all population members typically exhibit the behavior. In Shark Bay, Australia, only a subset of the bottlenose dolphin population uses marine sponges as tools, providing an opportunity to assess both proximate and ultimate costs and benefits and document patterns of transmission. We compared sponge-carrying (sponger) females to non-sponge-carrying (non-sponger) females and show that spongers were more solitary, spent more time in deep water channel habitats, dived for longer durations, and devoted more time to foraging than non-spongers; and, even with these potential proximate costs, calving success of sponger females was not significantly different from non-spongers. We also show a clear female-bias in the ontogeny of sponging. With a solitary lifestyle, specialization, and high foraging demands, spongers used tools more than any non-human animal. We suggest that the ecological, social, and developmental mechanisms involved likely (1) help explain the high intrapopulation variation in female behaviour, (2) indicate tradeoffs (e.g., time allocation) between ecological and social factors and, (3) constrain the spread of this innovation to primarily vertical transmission.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.plosone.org/article/info:doi/10.1371/journal.pone.0003868">Why Do Dolphins Carry Sponges?</a>" (article abstract), by Janet Mann, Brooke L. Sargeant, Jana J. Watson-Capps, Quincy A. Gibson, Michael R. Heithaus, Richard C. Connor, and Eric Patterson, <a href="http://www.plosone.org/article/info:doi/10.1371/journal.pone.0003868">PLoS ONE</a>, 10 December 2008 :: via <a href="http://www.veryshortlist.com/science/daily.cfm/review/913/Other_print_publication/why-do-dolphins-carry-sponges/?tp">VSL: Science</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Out of that came the Googles of the world ...</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/out_of_that_came_the_googles_of_the_world" />
      <id>tag:culture-makers.com,2025:author/1.847</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b><p>Nate</p>: </b><em>?Forty years old, but only four years in publication, the Whole Earth Catalog—and, more to point, the community of its creators and early followers—certainly ranks as one of the more surprising and far-reaching centers of culture-making in recent decades. Not that there isn't ample room for hyperbole in the "oral history" format (which itself seems so ... Whole-Earthy).?</em><br />
		
		<p><b>John Perry Barlow:</b> Before the WEC came out, business was big and ugly. It was a kingdom of acronyms like IBM and GE. But Stewart saw sustainable small business as a virtue.</p><p><b>Lloyd Kahn:</b> This wasn’t business as usual. Backyard tool inventors are a real subculture, usually very apart from the mainstream. For these tool guys, the WEC wasn’t just their Bible; it was great advertising. I think we kept a lot of people in business over the years.</p><p><b>Kevin Kelly:</b> The WEC helped rid us of our allergy to commerce. Brand believed in capitalism, just not by traditional methods. He was the first person to embrace true financial transparency. His decision to disclose WEC’s finances in the pages of the catalog had a profound ripple effect. A lot of those hippies who dropped out and tried to live off the land decided to come back and start small companies because of it. And out of that came the Googles of the world.</p><p><b>Fred Turner:</b> The WEC set the stage for all of today’s social networks. This kind of collaborative communication and the emphasis on small-scale technology really hit home in early Silicon Valley. You have to remember that the first Xerox PARC [the Palo Alto Research Center, a division of Xerox credited with inventing laser printing and the Ethernet, among other things] library consisted of books selected from the WEC by computer guru Alan Kay.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.plentymag.com/magazine/the_whole_earth_effect.php?page=5">The Whole Earth Effect</a>," by Stephen Kotler, <a href="http://www.plentymag.com/magazine/the_whole_earth_effect.php?page=5"><i>Plenty Magazine</i></a>, October/November 2008 :: via <a href="http://www.boingboing.net/2008/09/15/oral-history-of-the.html">Boing Boing</a></div>		
	
			
			
			

		
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