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    <title type="text">Culture Making Articles items tagged telephones</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
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    <updated>2025-01-03T22:54:05Z</updated>
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    <entry>
      <title>Chinatown bus geography</title>
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      <id>tag:culture-makers.com,2025:author/1.1254</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Nate</p>: </b><em>?Telephone area codes provide an alternate means of envisioning the United States. And not just for Chinese restaurant workers: there's also <a href="http://strangemaps.wordpress.com/2008/03/09/254-ludacris-rap-map-of-us-area-codes/">Ludicris' Rap Map</a>.?</em><br />
		
		<p align="center"><img src="http://culture-making.com/media/3187200686_3cfe794cfb.jpg" alt="image"></p><p>These two are <a href="http://en.wikipedia.org/wiki/Chinatown_bus_lines">Chinatown bus</a> advertisements for routes that go to the more obscure regions of the eastern United States. (Chinatown bus goes all over, not just Boston, NYC, Philly and Washington). Notice how they emphasize the area codes.</p><p>That is because many Fujianese restaurant workers are not educated and thus don’t really read and write English. Given that. How do you divide the United States? Not through towns and states. You do it through numbers—hence the area codes.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.fortunecookiechronicles.com/blog/2009/01/17/the-chinese-restaurant-workers-view-of-america-through-area-codes/">The Chinese Restaurant Workers’ View of America: Through Area Codes</a>," by Jennifer 8. Lee, <a href="http://www.fortunecookiechronicles.com/blog/2009/01/17/the-chinese-restaurant-workers-view-of-america-through-area-codes/">The Fortune Cookie Chronicles</a>, 17 January 2009 :: first posted here 23 January 2009</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Looks like work</title>
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      <id>tag:culture-makers.com,2025:author/1.1469</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?An astute, amusing overview of the various visual storytelling strategies and workarounds filmmakers have come up with to handle visually boring hi-tech interactions. It seems odd having to coax 24's drama out of actors going mano-a-mano with a speakerphone, but much cinematic dialogue, at least when cutting from one face to another, has always been filmed in a one-sided way, and spliced together only afterwards.?</em><br />
		
		<p>Anyone who has followed fantasy football or an eBay auction at the office — and gotten away with it — knows that many of our everyday activities now look like work. Typing and scrolling and peering at a computer, you could be doing anything: e-mail, accounting, short-selling, browsing porn, buying uranium, getting divorced.</p><p>This odd accident of life online — the increasing visual homogeneity of our behaviors — may be a boon to procrastinators, hobbyists and multitaskers. But it has some victims. I don’t mean bosses concerned with productivity (who cares about them?). The crowd truly stymied by the merging of human activities are filmmakers. If fighting now looks like making up now looks like booking travel, as it does when people conduct their affairs online, how do film directors make human action both dramatic to viewers and roughly true to life?</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.nytimes.com/2009/05/31/magazine/31wwln-medium-t.html?_r=1&pagewanted=print">Lights! Camera! Inaction!</a>," by Virginia Heffernan, <a href="http://www.nytimes.com/2009/05/31/magazine/31wwln-medium-t.html?_r=1&pagewanted=print"><i>The New York Times Magazine</i></a>, 29 May 2009</div>		
	
			
			
			

		
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