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    <title type="text">Culture Making Articles items tagged scale</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
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    <updated>2025-01-03T22:54:05Z</updated>
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    <entry>
      <title>Dollar 009, by lolay</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/dollar_009_by_lolay" />
      <id>tag:culture-makers.com,2025:author/1.1778</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b>Christy: </b><em>?This picture was taken by IAM's <a href="http://www.internationalartsmovement.org/bangkok">Bangkok</a> liaison during a recent gallery tour in Thailand, and I found it to be quite startling. At first glance, the sculpture by Thai artist Lolay of a futuristic female figure sitting on a bucket like a <a href="http://en.wikipedia.org/wiki/Busking">busker</a> was pretty interesting to me on its own. But then I noticed the little people walking around under her and realized the huge scale of this piece, which stands over twenty feet tall at the <a href="http://www.bacc.or.th/">Bangkok Arts and Culture Center</a>. According to the artist's statement, she represents human beings adapting to unpredictable changes in the economy, environment, politics, technology, etc., and the 'Dollar' name pertains to the United States and how it affects the rest of the world in so many aspects.?</em><br />
		
		<a href="http://lolaytoon.exteen.com/"><img src="http://culture-making.com/media/dollar009_lolay_photo_tim-mills.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"Dollar 009," fiberglass and coated enamel, 6.3 by 2.6 meters, by <a href="http://lolaytoon.exteen.com/">lolay</a>, photo by Tim Mills, IAM Bangkok</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>The Matthew effect</title>
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      <id>tag:culture-makers.com,2025:author/1.1166</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Andy</p>: </b><em>?I've been following the "long tail" debate with great interest, and this article in <i>New Scientist</i> sums up the research as well as any I've seen. It confirms my growing suspicion that far from being a paradise of user-created content, the Web (versions 2.0, 2.5, 3.0 and beyond) will in fact reinforce the dominance of a few blockbuster properties (and Web sites), just as new communication technologies and transportation patterns are consolidating American Christianity into the blockbusters of the church world: megachurches. Could it be that the more interconnected we are, the more homogenous we become??</em><br />
		
		<p>So why, with the cornucopia of goodies now available to us, are blockbusters not just still here, but getting bigger? On the face of it, Anderson’s idea of a divergence of tastes in the digital era is logical. But if the long tail effect does not exist, or is not as pronounced as was thought, what is really going on?</p><p>Elberse says it’s a bit like the influence of multichannel television on the economics of sport. In the old days, if you wanted to watch soccer, you went to watch your local team in the flesh. Now, she says, in the UK you are more likely to decide to stay at home and watch Chelsea play Arsenal. This change of allegiance cuts the cash flowing into the ticket office of your local club while boosting advertising revenues for TV, which accrue disproportionately in favour of the already wealthy top clubs.</p><p>It is a phenomenon known to economists as the Matthew effect, after a quotation from the gospel of that name: “For unto every one that hath shall be given.” Just as for the long tail effect, there is a plausible explanation of why it should be happening in the modern media environment: easy digital replication and efficient communication through cellphones, email and social networking sites encourage fast-moving, fast-changing fads. The result is a homogenisation of tastes that boosts the chances of popular things becoming blockbusters, making the already successful even more successful.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.newscientist.com/article/mg20026873.300-online-shopping-and-the-harry-potter-effect.html?full=true">Online shopping and the Harry Potter effect</a>," by Richard Webb, <a href="http://www.newscientist.com/">New Scientist</a>, 22 December 2008</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Whiskey Devil, decor crew, Burning Man Center Camp</title>
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      <id>tag:culture-makers.com,2025:author/1.665</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?Somewhere out in the Nevada desert, Black Rock City is under (re)construction for the soon-to-start <a href="http://burningman.com/">Burning Man 2008</a>, which runs Aug 25 - Sep 1. In an earlier <a href="http://blog.burningman.com/?p=2205#more-2205">post</a>, John talks about the little-known "pre Burn" where the folks who've been working all week to set up the Burning Man encampment, getting ready for the crazy masses to arrive for the festival proper, burn their own mini-Burning-Man (or three of them). "I feel like I’ve been to Burning Man, circa 1993."?</em><br />
		
		<a href="http://blog.burningman.com/?p=2233"><img src="http://culture-making.com/media/_mg_8263.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"Whiskey Devil and the Decor crew were getting going at Center Camp," photo from a <a href="http://blog.burningman.com/?p=2233">Burning Blog</a> post by John Curley, 19 August 2008</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>You can call me Al</title>
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      <id>tag:culture-makers.com,2025:author/1.477</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?I wonder how well these new parental nicknames will age? Also ... it's not clear from the article whether there's any racial diversity in their interview pool, or whether everyone's white. African American and many Latino/a cultures have long had a much more fluid sense of names, nicknames, diminutives, etc. so I doubt they'd be as surprised by this new "trend".?</em><br />
		
		<p>The change in the way these children address their parents probably stems from baby boomers’ less authoritarian child-raising practices. Technology is a factor, too, given the offhand style that people use in instant messages and cellphone texts. The Internet has made people comfortable using names that are not their own  - in particular, the frequent use of screen names online has made naming a bit more elastic, said Cleveland Evans, a psychology professor at Bellevue University in Nebraska who is a former president of the American Name Society, a group that studies the cultural significance of names. Screen names, he said, “might have made people freer to think of the same person addressed by multiple names, and that’s what nicknaming is.”
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.boston.com/news/local/articles/2008/06/28/not_your_fathers_nicknames_when_teens_talk_to_parents/">Not your father's nicknames when teens talk to parents</a>," by Ellen Freeman Roth, <a href="http://www.boston.com/bostonglobe/"><i>The Boston Globe</i></a>, 28 June 2008</div>		
	
			
			
			

		
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