According to all of the roboticists and computer scientists we interviewed, the uncanny is in short supply during face-to-face contact with robots. Two of the robots that inspire the most terror—and accompanying YouTube comments—are Osaka University’s CB2, a child-like, gray-skinned robot, and KOBIAN, Waseda University’s hyper-expressive humanoid. In person, no one rejected the robots. No one screamed and threw chairs at them, or smiled politely and slipped out to report lingering feelings of abject horror. In one case, a local Japanese newspaper tried to force the issue, bringing a group of seniors to visit the full-lipped, almost impossibly creepy-looking KOBIAN. One senior nearly cried, claiming that she felt like the robot truly understood her. A previously skeptical journalist wound up smiling and cuddling with the ominous little CB2. The only exception was a princess from Thailand, who couldn’t quite bring herself to help CB2 to its robotic feet.

Royalty notwithstanding, the uncanny effect appears to be an incredibly specific and specialized phenomenon: It seems to happen, when it does, remotely. In person, the uncanny vanishes. There’s nothing in the way of peer-reviewed evidence to support this, but then, there’s almost nothing to confirm the uncanny effect’s existence in the first place. As an unsupported theory that has morphed into a nerdy breed of urban legend, anecdotes are all we have to work with.

One patient, who was so eloquent on the subject of music, had a great difficulty in walking alone, but was always able to walk perfectly if someone walked with her. Her own comments on this are of very great interest: ‘When you walk with me,’ she said, ‘I feel in myself your own power of walking. I partake of the power and freedom you have. I share your walking powers, your perceptions, your feelings, your existence. Without even knowing it, you make me a great gift.’ This patient felt this experience as very similar to, if not identical with, her experiences with music: ‘I partake of other people, as I partake of music…’