[My relationships with artists] have been messy and, at times, unpleasant. I’ve struggled with patience, expected too much, pushed too far, and overstretched my own small spool of energies. But the use of a gentle, consistent hand is, despite my stumbling, effective. Why? Because the arts are made by people for people—each as intricate and organic as the corn my grandfather raised. In this very human endeavor, I have to continually remind myself that the arts are not buttons we push to enhance a sermon. They’re not levers we switch to intensify an evangelistic tactic. Art has to do with people we love, and this love bears witness to Christ. . . .

As farmer-pastors, we are lovers. We tenderly work the soil of our culture by identifying artistic gifts with discernment (pastoring). Then our joyful response to discovering the artists is to push their gifts outward in order to share their creativity with others (promoting). Finally, we prune the gifts and coach the artists to mature so that their fruit will be sustainable and long lasting (producing). . . .

How can the gospel find a vibrant witness through the arts to transform our neighborhoods and cities? We must begin with a renewal of our churches before we have anything to offer the culture outside the church. And we begin this renewal not by asking what the arts can do for the church, to vary on John F. Kennedy’s dictum, but how the church can serve the arts. As patient, careful stewards, we, as pastors and leaders, can nourish the soil of our culture by the way we love artists intentionally—loving not only their artwork, but who they are as persons in the process.