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    <title type="text">Culture Making Articles items tagged parks</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
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    <updated>2025-01-03T22:54:05Z</updated>
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    <entry>
      <title>Neither shall there be any more pain</title>
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      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
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            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b>Nate: </b><em>?When I worked in downtown Boston one of my favorite lunchtime outings was a walk to the corner of the Public Garden where stands the lovely and oddly orientalist <a href="http://en.wikipedia.org/wiki/Ether_Monument">Ether Monument</a>, commemorating the pioneering demonstration of the surgical anesthetic at the Massachusetts General Hospital in the mid-1840s. Ether had been around and in use for a long time, but had previously been condemned by the medical establishment. Its "discovery" represented a cultural rather than technological innovation—perhaps rendering the monument (and MGH's preserved <a href="http://en.wikipedia.org/wiki/Ether_Dome">Ether Dome</a> museum) more crucial than it might at first seem. Indeed, its use of Biblical texts from Isaiah ("This also cometh forth from the Lord of Hosts which is wonderful and excellent in working") and Revelation (see title) presumably was intended to undermine the lingering view that dulling physical pain contradicted God's intentions.?</em><br />
		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/300px-Ether_Monument_Overview.jpg" alt="image"></div><p>What the great moment in the Ether Dome really marked was something less tangible but far more significant: a huge cultural shift in the idea of pain. Operating under anesthetic would transform medicine, dramatically expanding the scope of what doctors were able to accomplish. What needed to change first wasn&#8217;t the technology - that was long since established - but medicine&#8217;s readiness to use it.</p><p>Before 1846, the vast majority of religious and medical opinion held that pain was inseparable from sensation in general, and thus from life itself. Though the idea of pain as necessary may seem primitive and brutal to us today, it lingers in certain corners of healthcare, such as obstetrics and childbirth, where epidurals and caesarean sections still carry the taint of moral opprobrium. In the early 19th century, doctors interested in the pain-relieving properties of ether and nitrous oxide were characterized as cranks and profiteers. The case against them was not merely practical, but moral: They were seen as seeking to exploit their patients&#8217; base and cowardly instincts. Furthermore, by whipping up the fear of operations, they were frightening others away from surgery and damaging public health.</p><p>The &#8220;eureka moment&#8221; of anesthesia, like the seemingly sudden arrival of many new technologies, was not so much a moment of discovery as a moment of recognition: a tipping point when society decided that old attitudes needed to be overthrown. It was a social revolution as much as a medical one: a crucial breakthrough not only for modern medicine, but for modernity itself. It required not simply new science, but a radical change in how we saw ourselves.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.boston.com/bostonglobe/ideas/articles/2009/06/07/the_day_pain_died_what_really_happened_during_the_most_famous_moment_in_boston_medicine/">The day pain died: What really happened during the most famous moment in Boston medicine</a>," by Mike Jay, <a href="http://www.boston.com/bostonglobe/ideas/articles/2009/06/07/the_day_pain_died_what_really_happened_during_the_most_famous_moment_in_boston_medicine/"><i>The Boston Globe</i></a>, 7 June 2009; image: <a href="http://en.wikipedia.org/wiki/Ether_Monument#cite_note-6">wikipedia</a> :: via <a href="http://jamesjchoi.blogspot.com/2009/06/evolution-of-pain-mores.html">The .Plan</a></div>		
	
			
			
			

		
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      <title>São Paulo, Brazil, by Carlos Cazalis</title>
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      <id>tag:culture-makers.com,2025:author/1.1443</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b>Nate: </b><em>?Photo of the Minhocão elevated expressway in central São Paulo, built in the 1970s to relieve congestion but only uncongested itself on Sundays, when it's closed for traffic and becomes a sort of public park. <a href="http://www.youtube.com/watch?v=jh_m88dujnk">Here's a video</a> of what it looks like on weekdays. I'd heard that the name just meant "big worm" in Portuguese, but it turns out there's a whole bigfoot-type legend of a truly giant <a href="http://en.wikipedia.org/wiki/Minhoc%C3%A3o">minhocão</a> tunneling somewhere in the jungles of South America. The photographer is originally from Mexico and has worked extensively there and in Europe and Brazil.?</em><br />
		
		<a href="http://vervephoto.wordpress.com/2009/05/15/carlos-cazalis/"><img src="http://culture-making.com/media/cazilis_brazil.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://vervephoto.wordpress.com/2009/05/15/carlos-cazalis/">Sáo Paulo, Brazil</a>," photograph by <a href="http://www.cazalis.org/default.htm">Carlos Cazalis</a>, <a href="http://vervephoto.wordpress.com/2009/05/15/carlos-cazalis/">The New Breed of Documentary Photographers</a>, 15 May 2009</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Outdoor bookcases in Bonn, Germany</title>
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      <id>tag:culture-makers.com,2025:author/1.808</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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			<b><p>Nate</p>: </b><em>?Of course we can (and should) also ask, what forms of community trust do we have here in the States that you wouldn't expect to see elsewhere??</em><br />

<div class="author" style="font-size: -1">a <a href="http://freakonomics.blogs.nytimes.com/2008/09/05/you-cant-have-outdoor-bookshelves-in-every-city/">Freakonomics</a> post by Daniel Hamermesh, 5 September 2008</div><hr />		
		<div style="float:right; padding:5px"><img src="http://culture-making.com/media/pubcase_210.jpg" alt="quoted from nytimes.com"></div><p>In Bonn, Germany, I noticed a bookcase full of books in the public park where I run, with a young woman removing one book and returning another. These are used books that make up essentially a free voluntary lending library.</p><p>Would this cabinet last undamaged in a U.S. city one day? I doubt it. Similar things exist elsewhere — such as outdoor vending machines for DVD’s in Kyoto, Japan. Both of these indicate a certain level of mutual trust in the population and a certain level of civility; both reduce the transactions costs of daily living: easier access to books in one case, 24-hour DVD availability in the other.</p><p>Mutual trust is important in reducing transactions costs, and this aspect of culture has been viewed by economists as helping to determine some economic outcomes. (Although how different levels of trust arise has not been considered by the mostly macroeconomists who worry about this; it’s creating trust that seems to me to be the central issue.)</p><p>How many other examples like the books and the DVD’s are there in foreign countries that we don’t see at home?</p>
		
	
			
			
			

		
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