<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">

    <title type="text">Culture Making Articles items tagged nigeria</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
    <link rel="alternate" type="text/html" href="http://culture-makers.com/" />
    <link rel="self" type="application/atom+xml" href="https://culture-making.com/tag/atom" />
    <updated>2025-01-03T22:54:05Z</updated>
    <rights>Copyright (c) 2025, Andy Crouch</rights>
    <generator uri="http://www.pmachine.com/" version="7.5.15">ExpressionEngine</generator>
    <id>tag:culture-makers.com,2025:01:02</id>

    <entry>
      <title>The problem with stereotypes is not that they are untrue, but that they are incomplete</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/the_problem_with_stereotypes_is_not_that_they_are_untrue_but_that_they_are_" />
      <id>tag:culture-makers.com,2025:author/1.1837</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

			<p align="center"><object width="420" height="253"><param name="movie" value="http://www.youtube.com/v/D9Ihs241zeg&amp;hl=en_US&amp;fs=1&amp;"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/D9Ihs241zeg&amp;hl=en_US&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="420" height="253"></embed></object></p><br />
<b>Christy: </b><em>?I first discovered Nigerian author <a href="http://en.wikipedia.org/wiki/Chimamanda_Ngozi_Adichie">Chimamanda Ngozi Adichie</a> when she was featured on the cover of my copy of <a href="http://www.pw.org/content/julyaugust_2009">Poets and Writers</a> magazine. She was so striking on the cover, with her bold red head wrap and beautiful gaze, and her interview revealed a very intelligent, inspiring woman—I couldn't wait to read her work. In this video, Ms. Adichie talks about the danger of hearing only a single story about another person or country, risking a critical misunderstanding about their depth, beauty, intelligence, and humanity.?</em><br />
<hr /><span style="font-size: -1">from "<a href="http://www.ted.com/talks/chimamanda_adichie_the_danger_of_a_single_story.html">The danger of a single story</a>," by Chimamanda Adichie, <a href="http://www.ted.com/talks/chimamanda_adichie_the_danger_of_a_single_story.html">TED.com</a>, July 2009</span>
	
			
			
			

		
      ]]></content>
    </entry>    <entry>
      <title>Life and taxes</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/life_and_taxes" />
      <id>tag:culture-makers.com,2025:author/1.1710</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b>Nate: </b><em>?A fascinating look at the birth and life of policies and institutions, and of their surprising multigenerational effects.?</em><br />
		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/Nigeria_710_250.jpg" alt="image"></div><p>In colonial Nigeria in the last years of the 19th century, a strange quirk of history led the British rulers to draw an arbitrary boundary line along the 7?10? N line of latitude, separating the population into two separate administrative districts.</p>
<p>Below the line, the colonial government raised money by levying taxes on imported alcohol and other goods that came through Southern Protectorate’s sea ports. Above the line, the administrators of the landlocked Northern Protectorate had no sea ports, and instead raised money through direct taxes. In the areas near the border, this took the form of a simple poll tax, where tax officials collected from each citizen the equivalent of between $4 and $20 in today’s dollars.</p>
<p>Could this seemingly minor difference—created over a century ago by a long-defunct colonial administration, and long ago erased by subsequent administrative divisions—possibly still matter today?</p>
<p>Yes, it could, according to Daniel Berger, a PhD student in politics at NYU.&nbsp; Berger’s paper, <a href="http://homepages.nyu.edu/~db1299/Nigeria.pdf">Taxes, Institutions and Local Governance: Evidence from a Natural Experiment in Colonial Nigeria</a>, finds that the “simple act of having to collect taxes caused governments to be forced to build the capacity which can now provide basic government services.” As a result, governance today is “significantly better” in areas just above the line than in those just below it.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://aidwatchers.com/2009/11/history-matters-if-you-paid-a-4-poll-tax-in-1910-your-great-grandchild-gets-a-polio-vaccine-today/">History Matters: If you paid a $4 poll tax in 1910, your great-grandchild gets a polio vaccine today</a>," <a href="http://aidwatchers.com/2009/11/history-matters-if-you-paid-a-4-poll-tax-in-1910-your-great-grandchild-gets-a-polio-vaccine-today/">Aid Watch</a>, 9 November 2009 :: thanks Koranteng</div>		
	
			
			
			

		
      ]]></content>
    </entry>    <entry>
      <title>The Shettima Kagu Qur’an</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/the_shettima_kagu_quran" />
      <id>tag:culture-makers.com,2025:author/1.1574</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b>Nate: </b><em>?A linguist friend of mine doing a bit of work on archaic Saharan languages sent me a link to this site at the School of Oriental and African Studies in London, full of lovely scans of annotated Qur'an pages from northeastern Nigeria. The manuscripts, which date from the 16th to 18th centuries, feature Qur'anic texts and commentaries (<a href="http://en.wikipedia.org/wiki/Tafsir">tafs?r</a>) in Arabic along with extensive glosses—the more odd-angled jottings—in "archaic Kanembu," which bears roughly the same relation, my friend notes, to the currently-spoken Kanuri language as does Middle English to that of today. All of which makes for a beautiful piece of parchment, full of layers and meanings.?</em><br />
		
		<a href="http://kanurimanuscripts.soas.ac.uk/pages/preview/589.jpg"><img src="http://culture-making.com/media/589.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">from the "<a href="http://kanurimanuscripts.soas.ac.uk/Manuscript2.html">Shettima Kagu Qur'an</a>," <a href="http://kanurimanuscripts.soas.ac.uk/pages/preview/589.jpg">Early Nigerian Qur'anic Manuscripts</a> :: thanks Andrew!</div>		
	
			
			
			

		
      ]]></content>
    </entry>    <entry>
      <title>Man on Flying Machine, by Yinka Shonibare</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/man_on_flying_machine_by_yinka_shonibare" />
      <id>tag:culture-makers.com,2025:author/1.1509</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b>Nate: </b><em>?The Nigerian-British artist Yinka Shonibare has made a whole fascinating series of race/class remix sculptures featuring mannequins of 18th-century European dandies dressed in period clothing cut from "African" Dutch-wax fabrics (made in Manchester and the Netherlands, purchased by the artist in Brixton Market, London). He's currently got a big exhibition up at the <a href="http://www.brooklynmuseum.org/exhibitions/yinka_shonibare_mbe/">Brooklyn Museum</a>.?</em><br />
		
		<a href="http://www.jamescohan.com/artists/yinka-shonibare-mbe/selected-works-all/"><img src="http://www.culture-making.com/media/e3154742.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.jamescohan.com/artists/yinka-shonibare-mbe/selected-works-all/">Man on Flying Machine</a>" (2008), by Yinka Shonibare, <a href="http://www.jamescohan.com/artists/yinka-shonibare-mbe/selected-works-all/">James Cohan Gallery</a> :: via <a href="#">Daily Serving</a></div>		
	
			
			
			

		
      ]]></content>
    </entry>    <entry>
      <title>Obey</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/obey" />
      <id>tag:culture-makers.com,2025:author/1.1129</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b><p>Nate</p>: </b><em>?<div style="float:right; padding:5px 5px 5px 5px"><img src="http://culture-making.com/media/470_20906.jpg" alt="image"></div>Though he's now more known for his earnest interpretations of old-school political posters, designer <a href="http://en.wikipedia.org/wiki/Shepard_Fairey">Shepard Fairey</a> first, of course, gained noteriety with his ironic/absurdist interpretations of authoritarian propaganda, with his <a href="http://en.wikipedia.org/wiki/Andr%C3%A9_the_Giant_Has_a_Posse">Obey Giant</a> viral campaign. Ironic and cool, in a particularly American sense that I both find attractive and uncomfortable, kind of the way I feel about ironic t-shirts after travelling in Africa and seeing them everywhere, courtesy bales of donated and resold used American clothing (shirt on a kid begging from me at the bus depot in Vilankulos, Mozambique: "There's only one thing to make for dinner: Reservations!"). The more I learn, the more I wonder about the effort we put into being connoisseurs of manufactured irony. There's real stuff out there that's so much more amazing.?</em><br />
		
		<p align="center"><img src="http://culture-making.com/media/obeymiliki.jpg" alt="image"></p><p><b><a href="http://media.libsyn.com/media/awesometapesfromafrica/EbenezerObeyMiliki_Side1.mp3" length="28118360">Side 1</a></b><br>Alowo Majaiye<br>Aiye Laba Ohun Gbogbo<br>Rora<br>Gba Mi Lowo Ota<br>Ma Di Oni Kanra<br>Ile Baba MI<br><br><b><a href="http://media.libsyn.com/media/awesometapesfromafrica/EbenezerObeyMiliki_Side2.mp3" length="27611793">Side 2</a></b><br>Miliki<br>Pepeiye Bimo<br>Maje Nyo Aiye Wa<br>Baiye Nsata</p><hr />
<div class="author" style="font-size: -1"><i><a href="http://awesometapesfromafrica.blogspot.com/2008/10/chief-commander-ebenezer-obey-and-his.html">Chief Commander Ebenezer Obey and his Miliki Sound</a></i>, cassette from Nigeria, posted to <a href="http://awesometapesfromafrica.blogspot.com/2008/10/chief-commander-ebenezer-obey-and-his.html">Awesome Tapes from Africa</a>, 4 October 2008</div>		
	
			
			
			

		
      ]]></content>
    </entry>

</feed>