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    <title type="text">Culture Making Articles items tagged netherlands</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
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    <updated>2025-01-03T22:54:05Z</updated>
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    <entry>
      <title>Are carrots protestant?</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/are_carrots_protestant" />
      <id>tag:culture-makers.com,2025:author/1.1772</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b>Nate: </b><em>?It's fun to be reminded how many of our 'natural' foods are in fact the result of a long collaboration between cultivator and cultivated, guided by the possibilities and limits of agriculture and by the choices and preferances of particular people in particular settings. According to the <a href="http://www.carrotmuseum.co.uk/">World Carrot Museum</a>—let me say that again: the <a href="http://www.carrotmuseum.co.uk/">World Carrot Museum</a>—the long orange carrot of supermarket and snowman-nose and Bugs Bunney fame was popularized by Dutch breeders in the 17th century, perhaps as a tribute to <a href="http://en.wikipedia.org/wiki/William_the_Silent">William of Orange</a>, the the Dutch independance leader who became a Calvinist and helped get the 80 years war started. His grandson <a href="http://en.wikipedia.org/wiki/William_III_of_England">William III</a> ruled the Netherlands and, later on, the British Isles, where he was responsible for the introduction of orange as the favored color of Irish protestants.?</em><br />
		
		<a href="http://www.nextnature.net/?p=3829"><img src="http://culture-making.com/media/carrots_of_many_colors_530.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.nextnature.net/?p=3829">Why are carrots orange? It is political</a>," by Koert van Mensvoort, <a href="http://www.nextnature.net/">Next Nature</a>, 16 August 2009 :: image via <a href="http://upload.wikimedia.org/wikipedia/commons/3/32/Carrots_of_many_colors.jpg">Wikipedia</a>, unattributed :: first posted here 4 January 2010</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Angel with a Mobile Phone, Sint&#45;Janskathederaal, by Ton Mooy</title>
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      <id>tag:culture-makers.com,2025:author/1.1991</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?As part of a recent twelve-year restoration of the 16th century cathedral in 's-Hertogenbosch in the Netherlands, the Dutch sculptor Ton Mooy was commissioned to create 25 new statues of angels to be added to the outside, including one of a jeans-wearing angel utilizing a thoroughly modern bit of technology. "'The phone has just one button,' says the artist. 'It dials directly to God.'" Make of it what you will.?</em><br />
		
		<a href="http://www.nextnature.net/2011/04/angel-with-cellphone-adorns-cathedral/"><img src="http://www.culture-making.com/media/742px-Angel_with_Mobile_Phone.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">photo from <a href="http://en.wikipedia.org/wiki/St._John's_Cathedral,_'s-Hertogenbosch">wikipedia</a> :: via <a href="http://www.nextnature.net/2011/04/angel-with-cellphone-adorns-cathedral/">Next Nature</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Early warning system</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/early_warning_system" />
      <id>tag:culture-makers.com,2025:author/1.1793</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?There's a lovely Dr. Seuss-ish quality to these physical amplifiers. Sometimes this is how I feel — one ear to the sky, one ear to the ground, listening for what's out there.?</em><br />
		
		<a href="http://butdoesitfloat.com/190819/For-the-world-to-be-interesting-you-have-to-be-manipulating-it-all"><img src="http://culture-making.com/media/goerz.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://butdoesitfloat.com/190819/For-the-world-to-be-interesting-you-have-to-be-manipulating-it-all">Acoustic listening devices developed for the Dutch army as part of air defense
systems research between World Wars 1 and 2</a>," <a href="http://butdoesitfloat.com/190819/For-the-world-to-be-interesting-you-have-to-be-manipulating-it-all">but does it float</a>, 16 December 2009 :: via <a href="http://feedproxy.google.com/~r/Swissmiss/~3/06eVXLxYipM/acoustic-listening-devices.html">swissmiss</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Ontbijtje, by Robert Amesbury</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/ontbijtje_by_robert_amesbury" />
      <id>tag:culture-makers.com,2025:author/1.1125</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b><p>Nate</p>: </b><em>?Last year I helped my friend Rob with the artist's statement to cover his then-latest gallery show, called "Pronk," an old Dutch word used to describe, among other things, a certain sort of exuberant, luxuruious still-life painting popular in the 17th century Netherlands (pronken being a verb that means "to strut"; ontbitje, "little breakfast," is generally food-related still life subcategory). It's been a great joy to have a personal front-row seat to Rob's continual vibrant exploration of the surprising intersection between old Dutch masters and contemporary pop and visual culture. Back in the day, Andy and I used one of Rob's early paintings for the very popular cover of <a href="http://yeedesign.com/portfolio/p_rq.html"><i>re:generation quarterly</i></a>'s "Evangelism" issue, linked here via the portfolio of our then-art directors (and designers of this very website), <a href="http://yeedesign.com/portfolio/p_rq.html">Yee Design</a>.?</em><br />
		
		<a href="http://www.bernardtoalegallery.com/"><img src="http://culture-making.com/media/Ontbijtje.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"Ontbijtje," gouache on paper, by Robert Amesbury,  from the 2007 show "Pronk" at the <a href="http://www.bernardtoalegallery.com/">Bernard Toale Gallery</a>, Boston, <a href="http://www.bernardtoalegallery.com/">Bernard Toale Gallery</a></div>		
	
			
			
			

		
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