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    <title type="text">Culture Making Articles items tagged missions</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
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    <updated>2025-01-03T22:54:05Z</updated>
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    <entry>
      <title>Africa and missionaries, pt. 1</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/africa_and_missionaries_pt_1" />
      <id>tag:culture-makers.com,2025:author/1.1196</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Nate</p>: </b><em>?Reading this, I find my usual lines of agreement and objection a bit confounded: heartened by his admiration and conclusions but offended by his logic, which sweeps and oversimplifies to say the least.?</em><br />
		
		<p>Now a confirmed atheist, I&#8217;ve become convinced of the enormous contribution that Christian evangelism makes in Africa: sharply distinct from the work of secular NGOs, government projects and international aid efforts. These alone will not do. Education and training alone will not do. In Africa Christianity changes people&#8217;s hearts. It brings a spiritual transformation. The rebirth is real. The change is good. </p><p>I used to avoid this truth by applauding - as you can - the practical work of mission churches in Africa. It&#8217;s a pity, I would say, that salvation is part of the package, but Christians black and white, working in Africa, do heal the sick, do teach people to read and write; and only the severest kind of secularist could see a mission hospital or school and say the world would be better without it. I would allow that if faith was needed to motivate missionaries to help, then, fine: but what counted was the help, not the faith. </p><p>But this doesn&#8217;t fit the facts. Faith does more than support the missionary; it is also transferred to his flock. This is the effect that matters so immensely, and which I cannot help observing. </p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.timesonline.co.uk/tol/comment/columnists/matthew_parris/article5400568.ece?print=yes&randnum=1230419042141">As an atheist, I truly believe Africa needs God</a>," by Matthew Parris, <a href="http://www.timesonline.co.uk/tol/comment/columnists/matthew_parris/article5400568.ece?print=yes&randnum=1230419042141"><i>The Times</i></a>, 27 December 2008 :: thanks Ben!</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Africa and missionaries, pt. 2</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/africa_and_missionaries_pt_2" />
      <id>tag:culture-makers.com,2025:author/1.1197</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b><p>Nate</p>: </b><em>?From a three-article series that the <i>New York Times</i> ran Christmas week. A lovely portrait of the sort of exchange that plays to the needs and strengths of both the sending and receiving cultures: priests come to the US to serve understaffed dioceses, whose members can then be brought into partnership to support development projects in their priests' home countries.?</em><br />
		
		<p>Majestic in a green chasuble, Father Ibemere delivered his homily strolling up and down the aisle. When it was time to distribute the eucharist, he  bent down to give communion to a man he knew was too ill to stand. </p><p>After the Mass, however, one member of the congregation, Virginia Ballard, gestured toward the Nigerian priest and confided in Father Venters, “I can’t understand what he said, but he’s a sweet young man.”</p><p>Mrs. Ballard went on to praise Father Ibemere’s knowledge of the Bible, his capacity to remember the names of congregants, his willingness to teach the Americans about his home in Nigeria. “He is a holy man,” she concluded, “and we are honored to have him.”</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.nytimes.com/2008/12/28/us/28priest.html?pagewanted=4">Serving U.S. Parishes, Fathers Without Borders</a>," by Laurie Goodstein, <a href="http://www.nytimes.com/2008/12/28/us/28priest.html?pagewanted=4"><i>The New York TImes</i></a>, 27 December 2008</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Beyond Bollywood: Shillong’s love affair with western music</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/beyond_bollywood_shillongs_love_affair_with_western_music" />
      <id>tag:culture-makers.com,2025:author/1.453</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?Many of the early missionaries to this corner of NE India were Welsh — I suspect being from a non-dominant culture of their own may have made Christianity seem more understandable than in the rest of India, where many of the missionaries were of (and often used by) the dominant English colonial culture. Of course there's also just the excellent Welsh choral tradition which may have helped it all sound that much better too.?</em><br />
		
		<p>This annual incantation is more than one man’s act of madcap devotion. It is also a peephole into the love affair with Western music that goes on every day in this pine-wooded outpost in India’s northeast. Shillong, a British-era hill town that is now home to dozens of boarding schools and colleges, is its hub, especially when it comes to rock.</p><p>On Mr. Dylan’s birthday weekend a visitor could drive down a narrow, rain-soaked road and hear young men with guitars serenading, or stumble upon thousands gathered under a Christian revival tent, singing modern gospel in their native Khasi. On a football field, at twilight, you might be pulled into a mosh pit of teenagers dancing to a Naga tribal blues guitarist, or on a Sunday morning find schoolchildren in a chorus of 19th-century hymns in a prim Presbyterian church.</p><p>“God has given us a special gift — the gift of singing,” marveled the Rev. J. Fortis Jyrwa of the Khasi Jaintia Presbyterian Assembly here.</p><p>Many theories are offered for Shillong’s fascination with rock and the blues. Some argue that the area’s indigenous Khasi traditions are deeply rooted in song and rhyme. Some credit the 19th-century Christian missionaries who came from Britain and the United States, introduced the English language, hymns and gospel music and in turn made the heart ripe for rock. Some say the northeast, remote and in many pockets, gripped by anti-Indian separatist movements, has not been as saturated by Hindi film music as the rest of India.
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<div class="author" style="font-size: -1">from "<a href="http://www.nytimes.com/2008/06/23/arts/music/23dylan.html">Town in India Rocks (No Use to Wonder Why, Babe)</a>," by Somini Sengupta, <a href="http://www.nytimes.com/"><i>The New York Times</i></a>, 23 June 2008</div>		
	
			
			
			

		
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