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    <title type="text">Culture Making Articles items tagged medicine</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
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    <updated>2025-01-03T22:54:05Z</updated>
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    <entry>
      <title>Mental illness and missing stories</title>
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      <id>tag:culture-makers.com,2025:author/1.1783</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?Alhough the standard psychiatric diagnostic manual relegates 'culture-bound' illnesses to an exotic appendix at the end of the book, Western conceptions of mental illness are themselves 'culture-bound'—an observation close to my historian-of-science's heart, and one well-explored in both Watters' article and in <a href="http://neuroanthropology.net/2010/01/10/exporting-american-mental-illness/">this thoughtful commentary</a>.?</em><br />
		
		<p>No one would suggest that we withhold our medical advances from other countries, but it’s perhaps past time to admit that even our most remarkable scientific leaps in understanding the brain haven’t yet created the sorts of cultural stories from which humans take comfort and meaning. When these scientific advances are translated into popular belief and cultural stories, they are often stripped of the complexity of the science and become comically insubstantial narratives. Take for instance this Web site text advertising the antidepressant Paxil: “Just as a cake recipe requires you to use flour, sugar and baking powder in the right amounts, your brain needs a fine chemical balance in order to perform at its best.” The Western mind, endlessly analyzed by generations of theorists and researchers, has now been reduced to a batter of chemicals we carry around in the mixing bowl of our skulls.</p><p>All cultures struggle with intractable mental illnesses with varying degrees of compassion and cruelty, equanimity and fear. Looking at ourselves through the eyes of those living in places where madness and psychological trauma are still embedded in complex religious and cultural narratives, however, we get a glimpse of ourselves as an increasingly insecure and fearful people. Some philosophers and psychiatrists have suggested that we are investing our great wealth in researching and treating mental illness — medicalizing ever larger swaths of human experience — because we have rather suddenly lost older belief systems that once gave meaning and context to mental suffering.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.nytimes.com/2010/01/10/magazine/10psyche-t.html?pagewanted=print">The Americanization of Mental Illness</a>," by Ethan Watters, <a href="http://www.nytimes.com/2010/01/10/magazine/10psyche-t.html?pagewanted=print"><i>The New York Times Magazine</i></a>, 10 January 2010 :: via <a href="http://www.3quarksdaily.com/3quarksdaily/2010/01/the-americanization-of-mental-illness.html">3quarksdaily</a> :: first posted here 15 January 2010</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>HIV, by Luke Jerram</title>
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      <id>tag:culture-makers.com,2025:author/1.1642</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?Nearly all the images we see of viruses use false coloration, either for illustrative or aesthetic purposes. Glass sculptor Luke Jerram makes clear, colorless models of viruses and bacteria, working in consultation with microbiologests and under the glass-given physical constraints of gravity and fragility. The resulting works (including all the big names: E. coli, swine flu, Ebola, smallpox, and HIV) are stunning and sobering. Jerret's website quotes a note he received from an unnamed viewer: "I just saw a photo of your glass sculpture of HIV. I can't stop looking at it. Knowing that millions of those guys are in me, and will be a part of me for the rest of my life. Your sculpture, even as a photo, has made HIV much more real for me than any photo or illustration I've ever seen. It's a very odd feeling seeing my enemy, and the eventual likely cause of my death, and finding it so beautiful."?</em><br />
		
		<a href="http://www.lukejerram.com/projects/glass_microbiology"><img src="http://culture-making.com/media/large_hiv_luke_jerram.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.lukejerram.com/projects/glass_microbiology">HIV</a>," 22cm, from the sculpture series <a href="http://www.lukejerram.com/projects/glass_microbiology">Glass Microbiology</a>, by Luke Jerram <a href="http://www.thesmithfieldgallery.com/">Smithfield Gallery, London</a>, 22 September–9 October 2009 :: via <a href="http://freakonomics.blogs.nytimes.com/2009/09/22/smallpox-as-art/">Freakonomics Blog</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Multi&#45;touching</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/multi-touching" />
      <id>tag:culture-makers.com,2025:author/1.1622</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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			<b>Nate: </b><em>?I wound up on this product's page in the iPhone App Store on a whim—wanting to see what exactly a $149.99 application was doing in a 99-cent ecosystem. I delved into the customer reviews (one of the rising literary forms of our era) and realized that: a) nearly every reviewer was giving the product five stars; b) nobody was mentioning the price except to say how cheap it was, and c) this may have been the first and only time the App Store has made me want to smile and to cry at the same time.?</em><br />

<div class="author" style="font-size: -1">customer review for <a href="http://www.proloquo2go.com/">Proloquo2Go</a> (<a href="
http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewSoftware?id=308368164&mt=8">itunes store link</a>), 4 August 2009 :: see also "<a href="http://www.nytimes.com/2009/09/15/technology/15speech.html?hpw">Insurers Fight Speech-Impairment Remedy</a>," by Ashlee Vance, <a href="http://www.nytimes.com/2009/09/15/technology/15speech.html?hpw"><i>The New York Times</i></a>, 14 September 2009</div><hr />		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/iPhone_Portrait_0708_227-dc896.jpg" alt="image"></div><p>????? My daughter is 23 and has been using augmentative communication devices since she was a little girl. We have used devices from several different companies, so we are pretty experienced. This is, by far, the easiest to program. There are lots of preprogrammed categories, so it is possible to start communicating right away, without doing anything other than downloading it. ... After years of dragging around a 4–7 pound communication device that looks sort of &#8216;clinical&#8217;, it&#8217;s really cool to have a small iPod touch and a speaker (all of 15 ounces!) to bring with us. ... My daughter has enough things to separate her from her peers. It&#8217;s nice to have something for a change that&#8217;s the same as other people are using. Can&#8217;t say enough good about it!!!</p>
		
	
			
			
			

		
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    </entry>    <entry>
      <title>The subtle clicks of N|uu</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/the_subtle_clicks_of_nuu" />
      <id>tag:culture-makers.com,2025:author/1.1545</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?"New high-speed, ultrasound imaging of the human tongue potentially could change how linguists describe 'click languages' and help speech scientists understand the physics of speech production. Here, Ouma Hannie Koerant, a speaker of N|uu, a severely endangered click language spoken by fewer than 10 people in the Northern Cape Province of South Africa, prepares to have her mouth and tongue imaged as she pronounces N|uu words." Hats off to this brave woman and her scientific collaborators in a bittersweet act of last-gasp culture-keeping. Incidentally, the | in N|uu is a dental click (written as c in major South African languages like Zulu and Xhosa; the sound is "comparable to a sucking of teeth"). Those so inclined can also practice their alveolar clicks (q or !), "comperable to a bottle top 'pop'", and their laterals (x or ?), "comparable to a click one may do for a walking horse". There are also lip-smacking bilabial clicks (?), and flat-tongued palatals (?). I did my best to learn basic Xhosa click pronunciation a few years ago when I was reading Zakes Mda's fine novel <a href="http://www.amazon.com/dp/0374528349/cmcom-20/">The Heart of Redness</a>, to make sense of names like Qolorha, Ximiya, and Nongqawuse. Less esoterically, most of us are familiar with the name and San-language voice of N!xau, the late star of the film <a href="http://en.wikipedia.org/wiki/The_Gods_Must_Be_Crazy">The Gods Must Be Crazy</a> and its four (!) sequels.?</em><br />
		
		<a href="http://www.sciencedaily.com/releases/2009/07/090715131551.htm"><img src="http://culture-making.com/media/090715131551-large.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">photo by Johanna Brugman and Bonny Sands, from "<a href="http://www.sciencedaily.com/releases/2009/07/090715131551.htm">Classifying 'Clicks' In African Languages To Clear Up 100-year-old Mystery</a>," <a href="http://www.sciencedaily.com/releases/2009/07/090715131551.htm">ScienceDaily</a>, 18 July 2009 :: additional <a href="http://en.wikipedia.org/wiki/Click_consonant">click info</a> from Wikipedia</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Music, walking, and the power of presence</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/music_walking_and_the_power_of_presence" />
      <id>tag:culture-makers.com,2025:author/1.1515</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?One of the paradoxes of Parkinson's disease is that it seems to build up in its sufferers both an extraordinary need to act, and a simultaneous blocking of action. Medications, like the L-DOPA made famous in Oliver Sacks' 1969 account <i>Awakenings</i>, can get many such patients 'unstuck' (though it's more harrowingly complex than just that). But sometimes the unblocking can be brought on by seemingly far subtler treatments: by music, by the visual cues of another person's normal gestures.?</em><br />
		
		<p>One patient, who was so eloquent on the subject of music, had a great difficulty in walking alone, but was always able to walk perfectly if someone walked with her. Her own comments on this are of very great interest: &#8216;When you walk with me,&#8217; she said, &#8216;I feel in myself your own power of walking. I <i>partake</i> of the power and freedom you have. I <i>share</i> your walking powers, your perceptions, your feelings, your existence. Without even knowing it, you make me a great gift.&#8217; This patient felt this experience as very similar to, if not identical with, her experiences with music: &#8216;I <i>partake</i> of other people, as I partake of music&#8230;&#8217;</p><hr />
<div class="author" style="font-size: -1">from <a href="http://www.amazon.com/Awakenings-Oliver-Sacks/dp/0375704051/cmcom-20"><i>Awakenings</i></a>, by Oliver Sacks, p.248 (1983 epilogue)</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Face time</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/face_time" />
      <id>tag:culture-makers.com,2025:author/1.1497</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b>Nate: </b><em>?It's fascinating how, along with their obviously useful applications, one thing diagnostic labs do is remove an element of human contact from the medical experience: just the facts of the case, no intuition or fuzzy stuff. You'd think that would be a boon for good medicine (in the way that double-blind studies are), but could it be that losing the face-to-face aspect actually makes for less meticulous diagnostics??</em><br />
		
		<p>When Dr. Yehonatan N. Turner began his residency in radiology, he was frustrated that the CT scans he analyzed revealed nothing about the patients behind them — only their internal organs. So to make things personal, he imagined each patient was his father.</p><p>But then he had a better idea: attach a photograph of the actual patient to each file.</p><p>“I was looking for a way to make each case feel unique and less abstract,” said Dr. Turner, 36, now a third-year resident at Shaare Zedek Medical Center here. “I thought having a photo of the patient would help me relate in a deeper way.”</p><p>Dr. Turner’s hunch turned into an unusual medical study. Its  preliminary findings, presented in Chicago last December at a conference of the Radiological Society of North America,&nbsp; suggested that when a digital photograph was attached to a patient’s file, radiologists provided longer, more meticulous reports. And they said they felt more connected to the patients, whom  they seldom meet face to face.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.nytimes.com/2009/04/07/health/07pati.html?ref=health">For Radiologist, Patient Photos Make Scans More Personal</a>," by Dina Kraft, <a href="http://www.nytimes.com/2009/04/07/health/07pati.html?ref=health"><i>The New York Times</i></a>, 6 April 2009 :: via <a href="http://nudges.wordpress.com/2009/04/07/the-power-of-putting-a-face-with-a-name/">Nudges</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Neither shall there be any more pain</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/neither_shall_there_be_any_more_pain" />
      <id>tag:culture-makers.com,2025:author/1.1472</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b>Nate: </b><em>?When I worked in downtown Boston one of my favorite lunchtime outings was a walk to the corner of the Public Garden where stands the lovely and oddly orientalist <a href="http://en.wikipedia.org/wiki/Ether_Monument">Ether Monument</a>, commemorating the pioneering demonstration of the surgical anesthetic at the Massachusetts General Hospital in the mid-1840s. Ether had been around and in use for a long time, but had previously been condemned by the medical establishment. Its "discovery" represented a cultural rather than technological innovation—perhaps rendering the monument (and MGH's preserved <a href="http://en.wikipedia.org/wiki/Ether_Dome">Ether Dome</a> museum) more crucial than it might at first seem. Indeed, its use of Biblical texts from Isaiah ("This also cometh forth from the Lord of Hosts which is wonderful and excellent in working") and Revelation (see title) presumably was intended to undermine the lingering view that dulling physical pain contradicted God's intentions.?</em><br />
		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/300px-Ether_Monument_Overview.jpg" alt="image"></div><p>What the great moment in the Ether Dome really marked was something less tangible but far more significant: a huge cultural shift in the idea of pain. Operating under anesthetic would transform medicine, dramatically expanding the scope of what doctors were able to accomplish. What needed to change first wasn&#8217;t the technology - that was long since established - but medicine&#8217;s readiness to use it.</p><p>Before 1846, the vast majority of religious and medical opinion held that pain was inseparable from sensation in general, and thus from life itself. Though the idea of pain as necessary may seem primitive and brutal to us today, it lingers in certain corners of healthcare, such as obstetrics and childbirth, where epidurals and caesarean sections still carry the taint of moral opprobrium. In the early 19th century, doctors interested in the pain-relieving properties of ether and nitrous oxide were characterized as cranks and profiteers. The case against them was not merely practical, but moral: They were seen as seeking to exploit their patients&#8217; base and cowardly instincts. Furthermore, by whipping up the fear of operations, they were frightening others away from surgery and damaging public health.</p><p>The &#8220;eureka moment&#8221; of anesthesia, like the seemingly sudden arrival of many new technologies, was not so much a moment of discovery as a moment of recognition: a tipping point when society decided that old attitudes needed to be overthrown. It was a social revolution as much as a medical one: a crucial breakthrough not only for modern medicine, but for modernity itself. It required not simply new science, but a radical change in how we saw ourselves.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.boston.com/bostonglobe/ideas/articles/2009/06/07/the_day_pain_died_what_really_happened_during_the_most_famous_moment_in_boston_medicine/">The day pain died: What really happened during the most famous moment in Boston medicine</a>," by Mike Jay, <a href="http://www.boston.com/bostonglobe/ideas/articles/2009/06/07/the_day_pain_died_what_really_happened_during_the_most_famous_moment_in_boston_medicine/"><i>The Boston Globe</i></a>, 7 June 2009; image: <a href="http://en.wikipedia.org/wiki/Ether_Monument#cite_note-6">wikipedia</a> :: via <a href="http://jamesjchoi.blogspot.com/2009/06/evolution-of-pain-mores.html">The .Plan</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>From professional to provider</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/from_professional_to_provider" />
      <id>tag:culture-makers.com,2025:author/1.1470</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Andy: </b><em>?This excerpt by the amazing Richard Posner is heavier sledding than most of what we post here. But it neatly ties together a theme that has woven through my reading in the past week, which included Atul Gawande's <a href="http://www.newyorker.com/reporting/2009/06/01/090601fa_fact_gawande">investigation of the highest health-care-cost city in the nation</a>, Hugh Heclo's elegant book <a href="http://www.amazon.com/Thinking-Institutionally-Politics-Hugh-Heclo/dp/1594512965/cmcom-20">On Thinking Institutionally</a>, and Matthew B. Crawford's aforelinked <a href="http://www.amazon.com/Shop-Class-Soulcraft-Inquiry-Value/dp/1594202230/cmcom-20">Shop Class as Soulcraft</a>. What happens when "professionals"—people whose identity is invested in work conceived as both a calling and a community—become "service providers"? We need to recover a deeper sense of calling, not just for doctors but for "health-care consumers" as well, if we are to have any hope of slowing the rising cost of medicine.?</em><br />
		
		<p>A deep problem is the replacement, in the medical profession as in the legal profession, of a professional model of service with a business model. In the professional model, the service provider is assured a good but not extravagant income by limitations on competition, and in exchange he is expected to avoid exploiting the ignorance of patients as he could do by performing unnecessary or low-value procedures. In the business model, the service provider endeavors to maximize his net revenues. In the case of medicine, the disparity of knowledge between provider and patient, coupled with the fear and desperation that serious illness (or just the possibility of it) engenders, enables the profit-maximizing provider often to convince the patient to undergo costly low-value treatments. Certainly the profit-maximizing health-care provider will be very relucant to refuse to provide a treatment that the patient insists upon, his insistence being made convincing by the fact that insurance will pay all or most of the cost. Insurers do try to limit their costs by refusing to approve low-value procedures&#8212;but in the face of combined pressure by provider and patient, the insurer is often forced to back down.</p><p>To return to the initial puzzle of why our peer nations are able to provide what seems, judging by outcomes, a level of health equal or superior to that of Americans at far lower cost, the only convincing answer is that the health-care providers in those nations limit treatment. I am not sure of the explanation, but the possibilities include: the professional model is more tenacious in societies less committed to free markets and a commercial culture than the United States; more of their hospitals are public and more of their doctors are public employees, who are therefore salaried rather than entrepreneurial; and Americans, being less fatalistic than most other peoples, have a more intense demand for life-extending procedures.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.becker-posner-blog.com/archives/2009/06/the_administrat.html">The Administration's Health Care Plan--Posner</a>," by Richard Posner, <a href="http://www.becker-posner-blog.com/">The Becker-Posner Blog</a>, 7 June 2009</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>A tale of two counties</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/a_tale_of_two_counties" />
      <id>tag:culture-makers.com,2025:author/1.1460</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?This is an anonymized excerpt from a chat two good friends of mine found themselves having the other night, which touches on the utter importance of local cultures, and the mysterious matter of what makes the difference between those that are helpful and those that aren't. R. is a native Kansan physician, educated on the coasts but now working at a clinic in a sub-1000-population town in her home state; D. is a law student. (See also Atul Gawande's inevitably fascinating <a href="http://www.newyorker.com/reporting/2009/06/01/090601fa_fact_gawande">New Yorker piece</a> about how differences in local medical culture make healthcare in some places less effective and much more costly.)?</em><br />
		
		<p><b>D:</b> So the problem isn&#8217;t small-town Kansas—it&#8217;s a toxic mixture of small-town Kansas plus adolescence?</p>
<p><b>R:</b> I think so. I like the small-town Kansas where we are now but, believe it or not, small-town Kansas is very heterogeneous. The town where we live now and where I grew up have a lot of significant differences in culture.</p>
<p><b>D:</b> Tell me more&#8230;</p>
<p><b>R:</b> Mainly it has to do with how people treat each other and how people approach problems. Here, problems are meant to be solved and people have a lot of respect for one another. We have &#8220;community conversations&#8221; when there&#8217;s something that impacts the whole town, and everyone who wants to speak can have their say. Where I grew up, on the other hand, people say all manner of things about other people, and if there&#8217;s a problem that affects the town everyone just complains to everyone else. The population even since I left has declined really sharply
and everyone just says, &#8220;Oh, poor us, look at our dying town, who will save it?&#8221; Whereas here they formed an economic development commission and went out looking for new businesses to bring to the community. Some problems are similar, but by and large I think this is a positive place to grow up, and the graduating seniors we know well have said so too.</p><p> The other great example of small-town heterogeneity is to look at the counties to the north and south of us. To the north we have County A, where people routinely farm well into their 80&#8217;s, have active sex lives into their 90&#8217;s, and there has not been a teen pregnancy in almost 10 years. These are the ruddy-cheeked insanely healthy country folk you may have read about. To the south, then, we have County B, where everyone over 40 has diabetes, the obesity rate seems like it&#8217;s about 90%, STI&#8217;s are rampant and there are currently 8 pregnant girls in the high school. What&#8217;s the difference? I have been trying to figure this out. The medical care is exactly the same (it&#8217;s our group). The physical infrastructure is not that different. But culturally, people in County B have this victimizing, back-biting mentality.</p><p><b>D:</b> It&#8217;s that stark a difference, huh? That&#8217;s astonishing.</p>
<p><b>R:</b> It really and truly is.</p><hr />
<div class="author" style="font-size: -1"></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Nothing succeeds like failure?</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/nothing_succeeds_like_failure" />
      <id>tag:culture-makers.com,2025:author/1.1446</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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			<b>Nate: </b><em>?I find this hypothesis to be a little too clean, a bit of wishfully rationalistic sleight of hand that ignores the huge role that psychology, folklore, and culture in general play in forming people's approaches to medicine. Incidentally, <a href="http://www.scientificamerican.com/article.cfm?id=snake-oil-salesmen-knew-something">snake oil has gotten a bad rap</a>, says <i>Scientific American</i>.?</em><br />

<div class="author" style="font-size: -1">"<a href="http://ideas.blogs.nytimes.com/">Quack Cures Live On by Failing</a>," the <a href="http://ideas.blogs.nytimes.com/">NYTimes.com Idea of the Day Blog</a> post for 19 May 2009</div><hr />		
		<p><b>Behavior | </b>From eating vultures to clear up syphilis to treating H.I.V. with garlic and beetroot, quack medicine persists in folk remedies around the world, <a href=\"http://www.newscientist.com/article/dn17064-quack-remedies-spread-by-virtue-of-being-useless.html\">writes</a> Ewen Callaway in New Scientist.&nbsp; Now an Australian study describes the cascades of human gullibility that help explain why.</p>
<p>Put simply, person X uses snake oil to treat her goiter, arthritis or what have you. Seeing this, friends assume snake oil works and more follow suit. Since it doesn’t work and X persists in using snake oil, more gullible people are exposed to the folly and fall for it than if X had been quickly cured with effective treatment. </p>
<p>Four out of five hucksters couldn’t have done better. [<a href=\"http://www.newscientist.com/article/dn17064-quack-remedies-spread-by-virtue-of-being-useless.html\">New Scientist</a>]</p>
		
	
			
			
			

		
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    </entry>    <entry>
      <title>Who was that masked man?</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/who_was_that_masked_man" />
      <id>tag:culture-makers.com,2025:author/1.1419</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?Masks are an abiding human fascination, offering the possibility of transformation, anonymity, aggression, or protection. Or, in the case of the current swine flu outbreak, something more akin to pseudo-protection. The government-issued surgical masks in Mexico City make going out in public without as much fear possible, but perhaps at the cost of easier communication. I once asked a surgeon friend of mine whether he thought communication might work better in the OR if the medical team wore transparent surgical masks. He said he didn't think so—though I couldn't see his face at the time, so who knows??</em><br />
		
		<p>I can tell you from my experience in Beijing that having an entire city of masked people is devastating to the social fabric. It is hard to have conversation through a mask—you can’t see smiles or frowns. Also, not all masks are equal. A good mask, well fitted and worn properly, is uncomfortable and hard to breathe through. And wearing a mask casually draped over your ears is more of a totem against disease than a scientifically valid form of protection.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.nytimes.com/2009/05/03/weekinreview/03rosenthal.html?hp">Swine Flu - First, Sow No Panic</a>," by Elizabeth Rosenthal, <a href="http://www.nytimes.com/2009/05/03/weekinreview/03rosenthal.html?hp"><i>The New York Times</i></a>, 2 May 2009</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Steeling their courage</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/steeling_their_courage" />
      <id>tag:culture-makers.com,2025:author/1.1308</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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			<p align="center"><embed src="http://services.brightcove.com/services/viewer/federated_f8/271552990" bgcolor="#FFFFFF" flashVars="videoId=13796845001&amp;playerId=271552990&amp;viewerSecureGatewayURL=https://console.brightcove.com/services/amfgateway&amp;servicesURL=http://services.brightcove.com/services&amp;cdnURL=http://admin.brightcove.com&amp;domain=embed&amp;autoStart=false&amp;" base="http://admin.brightcove.com" name="flashObj" width="420" height="550" seamlesstabbing="false" type="application/x-shockwave-flash" swLiveConnect="true" pluginspage="http://www.macromedia.com/shockwave/download/index.cgi?P1_Prod_Version=ShockwaveFlash"></embed>
</p><br />
<b><p>Nate</p>: </b><em>?Ironworkers expanding the the Dana-Farber Cancer Center have resumed a unique tradition—painting the names of young cancer patients on the girders as they go up. I love this sort of soon-hidden graffiti, and it's nice to see there's more than one way to get your name on a big new medical building.?</em><br />
<hr /><span style="font-size: -1">from "<a href="http://www.boston.com/news/local/massachusetts/articles/2009/02/21/steeling_their_courage/">Ironworkers at Dana-Farber resume a beloved ritual, providing moments of joy for young cancer patients</a>," by Michael Levenson, <a href="http://www.boston.com/news/local/massachusetts/articles/2009/02/21/steeling_their_courage/"><i>The Boston Globe</i></a>, 21 February 2009 :: via <a href="http://www.tomorrowmuseum.com/2009/02/22/graffiti-cancer-boston/">Tomorrow Museum</a></span>
	
			
			
			

		
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    </entry>    <entry>
      <title>The Hawthorne effect</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/the_hawthorne_effect" />
      <id>tag:culture-makers.com,2025:author/1.1267</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Andy</p>: </b><em>?A fascinating example of the power of a very simple cultural artifact to move the horizons of the possible. (Though it seems clear that the debates about exactly how checklists work, and how well, will go on for quite some time.)?</em><br />
		
		<p><a href="http://www.who.int/patientsafety/safesurgery/tools_resources/SSSL_Checklist_finalJun08.pdf"><img src="http://www.culture-making.com/media/surgicalchecklist.png" /></a></p><p>Sticks and stones may break your bones — but if you need surgery, the right words used in the operating room can be more powerful than many drugs. New research published today in the <i>New England Journal of Medicine</i> found that when surgical teams heeded <a href="http://www.who.int/patientsafety/safesurgery/tools_resources/SSSL_Checklist_finalJun08.pdf">a simple checklist</a> — as pilots do before takeoff — patient-mortality rates were cut nearly in half and complications fell by more than a third. . . .</p><p>Whether these changes can be sustained over time is another question. Gawande and his colleagues note in the study that a phenomenon called the “Hawthorne effect” may be largely responsible for the checklist’s success. The effect was named for a series of experiments designed to determine how to increase productivity at a factory in Chicago. All of the tactics implemented by the study leaders improved worker output during the experiments — but researchers realized that the effect they were really measuring was a boost in motivation among workers who knew others were watching.</p><p>“The checklist is kind of an effort to produce a consistent Hawthorne effect,” says Gawande. “It is intended to make people aware that other people expect these things to be done.”</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.time.com/time/health/article/0,8599,1871759,00.html?imw=Y">Study: A Simple Surgery Checklist Saves Lives - TIME</a>," by Maya Szalavitz, <a href="http://www.time.com/">TIME</a>, 14 January 2009 :: via <a href="http://www.37signals.com/svn/posts/1547-verify-your-work-with-checklists">Signal vs. Noise</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Glasses for the masses</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/glasses_for_the_masses" />
      <id>tag:culture-makers.com,2025:author/1.1181</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?In the US there is one optometrist for every 8,700 people, in sub-Saharan Africa the ratio is 1:1,000,000. One way to address the disparity: make cheap glasses that can be calibrated by their users.?</em><br />
		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/A-Zulu-man-wearing-adapti-001_210.jpg" alt="image"></div><p>Some 30,000 pairs of his spectacles have already been distributed in 15 countries, but to Silver that is very small beer. Within the next year the now-retired professor and his team plan to launch a trial in India which will, they hope, distribute 1 million pairs of glasses. The target, within a few years, is 100 million pairs annually. With the global need for basic sight-correction, by his own detailed research, estimated at more than half the world’s population, Silver sees no reason to stop at a billion.</p><p>If the scale of his ambition is dazzling, at the heart of his plan is an invention which is engagingly simple. Silver has devised a pair of glasses which rely on the principle that the fatter a lens the more powerful it becomes. Inside the device’s tough plastic lenses are two clear circular sacs filled with fluid, each of which is connected to a small syringe attached to either arm of the spectacles. </p><p>The wearer adjusts a dial on the syringe to add or reduce amount of fluid in the membrane, thus changing the power of the lens. When the wearer is happy with the strength of each lens the membrane is sealed by twisting a small screw, and the syringes removed. The principle is so simple, the team has discovered, that with very little guidance people are perfectly capable of creating glasses to their own prescription.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.guardian.co.uk/society/2008/dec/22/diy-adjustable-glasses-josh-silver">Inventor's 2020 vision: to help 1bn of the world's poorest see better</a>," by Esther Addley, <a href="http://www.guardian.co.uk/society/2008/dec/22/diy-adjustable-glasses-josh-silver"><i>The Guardian</i></a>, 22 December 2008 :: via <a href="http://3quarksdaily.com/">3quarksdaily</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Baby on board</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/baby_on_board" />
      <id>tag:culture-makers.com,2025:author/1.1140</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b><p>Nate</p>: </b><em>?Here's an innovative approach to creating lifesaving medical equipment that can work well (and be repaired) in conditions often found in the developing world. The article, I suppose in <i>New York Times</i> fashion, complicates the issue with quotes from doubtful experts who have their own, largely behavioral programs for reducing infant mortality. It's heartbreaking that it's presented as a one-or-the-other sort of choice.?</em><br />
		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/16incubator_190_210.jpg" alt="image"></div><p>In truth, experts say, the developing world doesn’t need more incubators. It needs incubators that work. Over the years, thousands have been donated from rich nations, only to end up in “incubator graveyards” — most broken, some never opened. According to a 2007 study from Duke University, 96 percent of foreign-donated medical equipment fails within five years of donation — mostly because of electrical problems, like voltage surges or brownouts or broken knobs, or because of training problems, like neglecting to send user manuals along with the devices.</p><p>To compensate for this philanthropic shortsightedness, medical staffs either crank up the temperature in “incubator rooms” to 100 degrees or more, or swaddle babies in plastic to hold in body heat. Such makeshift solutions led the Boston team to ask: How can we make an incubator for the developing world that will get fixed? . . .</p><p>In his discussions with doctors who practice in impoverished settings, Dr. Rosen learned that no matter how remote the locale, there always seemed to be a Toyota 4Runner in working order. It was his “Aha!” moment, he recalled later: Why not make the incubator out of new or used car parts, and teach local auto mechanics to be medical technologists?
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.nytimes.com/2008/12/16/health/16incubators.html">Looking Under the Hood and Seeing an Incubator</a>," by Madeline Drexler, <a href="http://www.nytimes.com/2008/12/16/health/16incubators.html">NYTimes.com</a>, 15 December 2008</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>We cannot know what to expect</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/we_cannot_know_what_to_expect" />
      <id>tag:culture-makers.com,2025:author/1.1094</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?From an email exchange between blogger-professor Michael Bérubé (the father of a child with Down syndrome) and ethicist Peter Singer (who, in the course of a 1994 argument linking our duty not to kill something with its cognitive ability, rattled off a list of limitations parents of Down's kids must expect: never "to play the guitar, to develop an appreciation of science fiction, to learn a foreign language, to chat with us about the latest Woody Allen movie, or to be a respectable athlete, basketballer or tennis player"). But wait, Bérubé wrote, my son can do most of those things! Singer eventually got in touch to say that he'd been wrong in this particular case, but a couple exceptional individuals shouldn't change our general expectations for people with Down's. Bérubé replies here with some very telling comments about expectations and how they really do make and remake the horizons of the possible.?</em><br />
		
		<p>The larger point of my argument with your claim is that we <i>cannot</i> (I use the term advisedly) know what to expect of children with Down syndrome. Early-intervention programs have made such dramatic differences in their lives over the past few decades that we simply <i>do not know</i> what the range of functioning looks like, and therefore do not rightly know what to expect. <i>That</i>, Professor Singer, is the real challenge of being a parent of a child with Down syndrome: it’s not just a matter of contesting other people’s low expectations of your child, it’s a matter of recalibrating your own expectations time and time again—and not only for your own child, but for Down syndrome itself. I’ll never forget the first time I saw a young man with Down syndrome playing the violin—quite competently, at that, with delicacy and a sense of nuance. I thought I was seeing a griffin. And who could have imagined, just forty or fifty years ago, that the children we were institutionalizing and leaving to rot could in fact grow up to become actors?  Likewise, this past summer when I remarked to Jamie that time is so strange that nobody really understands it, that we can’t touch it or see it even though we watch the passing of every day, and that it only goes forward like an arrow, and Jamie replied, “except with Hermione’s Time-Turner in Harry Potter,” I was so stunned I nearly crashed the car. I take issue with your passage, then, not because I’m a sentimental fool or because I believe that one child’s surprising accomplishments suffice to win the argument, but because as we learn more about Down syndrome, we honestly—if paradoxically—don’t know what constitutes a “reasonable expectation” for a person with Down syndrome.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://crookedtimber.org/2008/12/01/more-on-peter-singer-and-jamie-berube/">More on Peter Singer and Jamie Bérubé</a>," by Michael Bérubé, <a href="http://crookedtimber.org/2008/12/01/more-on-peter-singer-and-jamie-berube/">Crooked Timber</a>, 1 December 2008 :: via <a href="http://www.boston.com/bostonglobe/ideas/brainiac/2008/12/back_in_septemb.html">Brainiac</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Med students, majority culture, and alternative medicine</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/med_students_majority_culture_and_alternative_medicine" />
      <id>tag:culture-makers.com,2025:author/1.1073</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b><p>Nate</p>: </b><em>?What might be behind non-white medical students being proportionally less interested in studying contemporary alternative medicine? Perhaps the cultural leap of signing on to western/majority-culture medical orthodoxy inherently involves leaving minority-culture views and techniques behind. Or perhaps, too, there's just the fact that, for many minority-background med students, alternative medicine lacks the exotic allure it might hold, at least these days, for their white counterparts.?</em><br />
		
		<p>Non-white medical students are more likely to embrace orthodox medicine and reject therapies traditionally associated with their cultures. That is one finding from an international study that measures the attitudes of medical students toward complementary and alternative medicine (CAM). While seemingly counter-intuitive, white students view CAM more favorably than their non-white counterparts, the study authors say&#8230;.</p>
<p><i>n the first study, U.S. medical students wanted more courses about CAM than students in Hong Kong, for example. (The Hong Kong school was not included in the 2nd survey of fourth year students.) The second study continued to support that trend with the least interest in CAM measured in Asian and black students.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.sciencedaily.com/releases/2008/11/081117153205.htm">Non-white Med Students Reject Therapies Associated With Their Culture, Study Finds</a>," <a href="http://www.sciencedaily.com/releases/2008/11/081117153205.htm">Science Daily</a>, 21 November 2008</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>The dead among us</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/the_dead_among_us" />
      <id>tag:culture-makers.com,2025:author/1.1068</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?I don't know if there's any city in North America that has its own catacombs, at least in the European sense. My impression is that our old urban graves tend to be dealt with as a rarity: something to be either quietly obliterated, whisked away to pathology departments, or turned into permanent <a href="http://www.africanburialground.gov/ABG_Main.htm">memorials</a>. But those measures don't seem like the same sort of cultural coexistance with the dead in number as described in this book review. I find the idea of taking an escalator up through the former site of a plague-pit to be particularly exciting.?</em><br />
		
		<p>That is why the Great Plague of 1665 has been largely understood as a London phenomenon. The sites of old plague pits are now pointed out with understandable pride. Richard Barnett reveals that the escalator at Camden Town Underground station passes through a vast grave for plague victims, and that a “massive plague pit” is responsible for the low ceiling of the basement of Harvey Nichols. It would be fair to say that he takes a certain, rather morbid, pleasure in compiling this Baedeker of disease and suffering. But why not? This is London&#8217;s real heritage. Together with this volume are a glossary and six maps, so that the reader can make his or her way down the various roads to oblivion. If you wish to follow the course of tropical disease as it ate its way to the heart of the metropolis, you can do so; you can follow the route of the plague, or the life of an 18th-century medical student. All human life, and human death, is here.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/books/book_reviews/article5153780.ece">Sick City: 2,000 Years of Life and Death in London</a>," by Richard Barnett, <a href="http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/books/book_reviews/article5153780.ece">Times Online</a>, 14 November 2008 :: via <a href="http://ayjay.tumblr.com/post/61225829/the-black-death-of-1348-was-only-the-most">more than 95 theses</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Crazy in the same way?</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/crazy_in_the_same_way" />
      <id>tag:culture-makers.com,2025:author/1.1017</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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			<b><p>Nate</p>: </b><em>?This reminds me of a very fascinating/disturbing piece, "<a href="http://www.theatlantic.com/doc/200012/madness">A New Way to Be Mad</a>," that ran in the Atlantic a few years back. When I think about these instances of disease (or description of disease) as a deeply cultural phenomenon, the phrase that invariably springs to mind is, "The Spirit of the Age." It seems apt.?</em><br />

<div class="author" style="font-size: -1">"<a href="http://www.veryshortlist.com/science/daily.cfm/review/761/Other_print_publication/psychopathology-of-schizophrenia/?tp">The Evolution of Delusions</a>," the <a href="http://www.veryshortlist.com/science/daily.cfm/review/761/Other_print_publication/psychopathology-of-schizophrenia/?tp">VSL Science</a> post for 5 November 2008</div><hr />		
		<p>Does the nature of psychotic delusions change over the centuries? Or are “crazy” people crazy in the same ways regardless of where and when they lived and died?</p><p>Slovenian researchers analyzed more than 120 years’ worth of patient reports from the Ljubljana mental hospital, and their findings suggest that <a href="http://www.scribd.com/doc/7620960/Psychopathology-of-schizophrenia-in-Ljubljana-Slovenia-from-1881-to-2000-changes-in-the-content-of-delusions-in-schizophrenia-patients-related-to-v">psychotic delusions are profoundly shaped by contemporary society, with the technology of the day—be it the telegraph or the television—playing a prominent role.</a> The researchers also found that the “persecution delusion” (a paranoid narrative in which the subject feels hounded by evildoers) is a relatively modern phenomenon: a reaction to the possibility of nuclear war and to Cold War conspiracy flicks like <i>The Manchurian Candidate.</i> In this sense, schizophrenic delusions are a twisted mirror to the world we live in.</p>
		
	
			
			
			

		
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    </entry>    <entry>
      <title>To make common cause with the losers</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/to_make_common_cause_with_the_losers" />
      <id>tag:culture-makers.com,2025:author/1.939</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?Wonderful commentary on a quote from Tracy Kidder's book <a href="http://www.amazon.com/exec/obidos/ASIN/0812973011/partnersinhea-20">Mountains Beyond Mountains</a>, about doctor and anthropologist Paul Farmer and the organization he founded, <a href="http://www.pih.org/home.html">Partners in Health</a>, which works in Haiti and half a dozen other countries to provide "a preferential option for the poor in health care."?</em><br />
		
		<p>Late in the book, when Kidder begins — and very skillfully too — to draw together the threads of his narrative and to sum up (as best he can) his understanding of Farmer, he notes Farmer’s fondness for a particular phrase: “the long defeat.” At one point Farmer says to Kidder,</p><p>“I have fought the long defeat and brought other people on to fight the long defeat, and I’m not going to stop because we keep losing. Now I actually think sometimes we may win. I don’t dislike victory. ... You know, people from our background — like you, like most <span class="caps">PIH</span>-ers, like me — we’re used to being on a victory team, and actually what we’re really trying to do in <span class="caps">PIH</span> is to make common cause with the <i>losers</i>. Those are two very different things. We want to be on the winning team, but at the <i>risk</i> of turning our backs on the losers, no, it’s not worth it. So you fight the long defeat.”</p><p>In an <a href="http://www.huffingtonpost.com/mark-klempner/a-conversation-with-tracy_b_91799.html">interview</a> Kidder gave earlier this year about the book, he commented on the phrase, and says that Farmer “probably picked [it] up from reading Camus.” But that’s not right: he got it from what we learn in <i>Mountains Beyond Mountains</i> is his favorite book: <i>The Lord of the Rings</i>. Galadriel says it: “Through the ages of the world we have fought the long defeat.” And Tolkien himself, in letters, adopted and endorsed the phrase: “I am a Christian, and indeed a Roman Catholic, so that I do not expect ‘history’ to be anything but a ‘long defeat’ — though it contains (and in a legend may contain more clearly and movingly) some samples or glimpses of final victory.”</p><p>It seems to me that this philosophy of history, if we may call it that, is the ideal one for anyone who has exceptionally difficult, frustrating, even agonizing, but nevertheless vitally important work to do. For such people, the expectation of victory can be a terrible thing — it can raise hopes in (relatively) good times only to shatter them when the inevitable downturn comes. Conversely, the one who fights the long defeat can be all the more thankful for victories, even small ones, precisely because (as St. Augustine said about ecstatic religious experiences) he or she does not expect them and is prepared to live without them.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://theamericanscene.com/2008/10/13/the-long-defeat">The Long Defeat</a>," by Alan Jacobs, <a href="http://theamericanscene.com/2008/10/13/the-long-defeat">The American Scene</a>, 12 October 2008</div>		
	
			
			
			

		
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