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    <title type="text">Culture Making Articles items tagged massachusetts</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
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    <updated>2025-01-03T22:54:05Z</updated>
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    <entry>
      <title>Barksdale’s Pendulum</title>
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      <id>tag:culture-makers.com,2025:author/1.1970</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b>Nate: </b><em>?I wrote this long essay for Comment magazine's Fall 2010 "Getting the Most out of College" issue. I was pretty proud I was able to weave Herman Melville, Daniel Webster, Lief Erikson, the Massachusetts Society of Charitable Mechanics, and my 18-year-old self into a single narrative.?</em><br />
		
		<p>Foucault’s pendulum has fallen. On April 6, the steel cable snapped and sent it crashing onto the polished floor of the Musée des Artes et Metiers in Paris. The 28 kilogram brass weight ended its 159-year career—the dented bob is, a museum spokesperson affirmed, beyond repair—doing what it was meant to do: obeying the law of gravity. I have to admit I shed a tear (or at least the idea of a tear) for the fallen bit of scientific history, not because I&#8217;d visited the pendulum myself, or even read the 1988 Umberto Eco novel which takes its title and climax from the now-not-swinging orb. I have my own tangled history with pendulums—one stretching back, depending how you count it, decades, even centuries. It’s quite a bit of weight to bear, but a tale worth telling.</p><hr />
<div class="author" style="font-size: -1">Originally published as "<a href="http://www.cardus.ca/comment/article/2360/l">The Stories of Scientists</a>," by Nate Barksdale, <a href="http://www.cardus.ca/comment/article/2360/l">Comment</a>, Fall 2010, reprinted (with illustrations!) <a href="http://www.natebarksdale.com/2010/12/how-not-to-do-your-physics-homework.html">here</a></div>		
	
			
			
			

		
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      <title>Highland Light, North Truro, Massachusetts, by Edward Hopper</title>
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      <id>tag:culture-makers.com,2025:author/1.1663</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?This painting combines my favorite sides of Edward Hopper's work: somewhat desolate places (rather than somewhat desolate people), and quick outdoor sketching (rather than more formal and detailed composition). I love how many outbuildings this particular Cape Cod lighthouse has managed to attract—it looks more like the grain silo of a farm than an outpost against seas and storms.?</em><br />
		
		<a href="http://www.artmuseums.harvard.edu/collection/detail.dot?objectid=306540"><img src="http://culture-making.com/media/highlandlightedwardhopper.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.artmuseums.harvard.edu/collection/detail.dot?objectid=306540">Highland Light</a>" (North Truro, Massachusetts), watercolor over graphite on rough white wove paper, 1930, by Edward Hopper, <a href="http://www.artmuseums.harvard.edu/collection/detail.dot?objectid=306540">Harvard Art Museum</a> :: via "<a href="http://www.nytimes.com/interactive/2008/08/10/travel/20080810_HOPPER_FEATURE.html">Edward Hopper's Cape Cod: Then and Now</a>," NYTimes.com, 10 August 2009</div>		
	
			
			
			

		
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