<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">

    <title type="text">Culture Making Articles items tagged ideas</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
    <link rel="alternate" type="text/html" href="http://culture-makers.com/" />
    <link rel="self" type="application/atom+xml" href="https://culture-making.com/tag/atom" />
    <updated>2025-01-03T22:54:05Z</updated>
    <rights>Copyright (c) 2025, Andy Crouch</rights>
    <generator uri="http://www.pmachine.com/" version="7.5.15">ExpressionEngine</generator>
    <id>tag:culture-makers.com,2025:01:02</id>

    <entry>
      <title>The hope of change</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/the_hope_of_change" />
      <id>tag:culture-makers.com,2025:author/1.1852</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b>Andy: </b><em>?Virginia Postrel has the knack of seeing depth where others only see the surface. This review of two recent books on glamour mostly serves to remind one how sharp her vision is compared to others', as in these paragraphs early on.?</em><br />
		
		<p>[G]lamour always contains an illusion. The word originally meant a literal magic spell, which made the viewer see something that wasn’t there. In its modern, metaphorical form, glamour usually begins with a stylized image—visual or mental—of a person, an object, an event, or a setting. The image is not entirely false, but it is misleading. Its allure depends on obscuring or ignoring some details while heightening others. We see the dance but not the rehearsals, the stiletto heels but not the blisters, the skyline but not the dirty streets, the sports car but not the gas pump. To sustain the illusion, glamour requires an element of mystery. It is not transparent or opaque but translucent, inviting just enough familiarity to engage the imagination and trigger the viewer’s own fantasies.</p><p>Glamour can, of course, sell evening gowns, vacation packages, and luxury kitchens. But it can also promote moon shots and “green jobs,” urban renewal schemes and military action. (The “glamour of battle” long preceded the glamour of Hollywood.) Californians once found freeways glamorous; today they thrill to promises of high-speed rail. “Terror is glamour,” said Salman Rushdie in a 2006 interview, identifying the inspiration of jihadi terrorists. New Soviet Man was a glamorous concept. So is the American Dream.</p>
<p>Glamour, in short, is serious stuff.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.weeklystandard.com/articles/power-persuade?nopager=1">A Power to Persuade</a>," by Virginia Postrel, <a href="http://www.weeklystandard.com/">The Weekly Standard</a>, 29 March 2010 :: via <a href="http://aldaily.com">Arts & Letters Daily</a></div>		
	
			
			
			

		
      ]]></content>
    </entry>    <entry>
      <title>Real simple</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/real_simple" />
      <id>tag:culture-makers.com,2025:author/1.1414</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b>Nate: </b><em>?This, like many of Wendell Berry's quotables, is very ponderable observation, though it raises some slippery questions: since everything around us reveals itself, under scrutiny, to be nearly botomlessly complex, ignoring most of that complexity is not just an unfortunate foible of the mind; it's its job. I suppose that sort of pruning is included in Berry's "just response." But is that just saying that the things worth staying connected to are worth staying connected to, and the things worth ignoring are indeed worth ignoring??</em><br />
		
		<p>Simplicity means that you have brought things to a kind of unity in yourself; you have made certain connections. That is, you have to make a just response to the real complexity of life in this world. People have tried to simplify themselves by severing the connections. That doesn&#8217;t work. Severing connections makes complication. These bogus attempts at simplification ignore or despise the real complexity of the world. And ignoring complexity makes complication—in other words, a mess.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://arts.envirolink.org/interviews_and_conversations/WendellBerry.html">Field Observations: An Interview with Wendell Berry</a>," by Jordan Fisher-Smith, <a href="http://www.orionmagazine.org/"><i>Orion Magazine</i></a>, Autumn 1993 :: via <a href="http://www.curatormagazine.com/lindsaycrandall/the-simple-complex-life/">The Curator</a></div>		
	
			
			
			

		
      ]]></content>
    </entry>    <entry>
      <title>The counter&#45;intuitive comparison of all things</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/the_counter_intuitive_comparison_of_all_things" />
      <id>tag:culture-makers.com,2025:author/1.994</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

			<b><p>Nate</p>: </b><em>?The video, for all its self-knowingly unironic earnestness (parse that!) is a little longwinded, and at times sounds like an unedited section of a Wes Anderson opening act—but I must say it fared exceedingly well with the small test audience I forwarded the link to yesterday. And, as Andy points out in the book, culture making is all about not just creating new stuff, but about careful and thoughtful cultivation and celebration of the good stuff that's already there.?</em><br />

<div class="author" style="font-size: -1">a <a href="http://www.kottke.org/08/10/the-counterintuitive-comparison-of-all-things">kottke.org</a> post, 29 October 2008</div><hr />		
		<p>The goal of the creators of The Big Chart, The Counter-Intuitive Comparison Institute of North America (CICINA), is to find the single best thing in the world through an NCAA basketball tournament-style bracketing system. <a href="http://homepage.mac.com/clintwynn/thebigchart/thebigchart.html">This video explains their plans</a>.</p><p>&#8220;Is the Bilbao Guggenheim better than McDonald&#8217;s french fries?Are penguins better than Miracle Grow? Can anything beat heated seats on a cold November day?&#8221;</p><p>(via <a href="http://designobserver.com/">design observer</a>)</p>
		
	
			
			
			

		
      ]]></content>
    </entry>    <entry>
      <title>Glamour and grace</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/glamour_and_grace" />
      <id>tag:culture-makers.com,2025:author/1.949</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

			<p align="center"><object classid="clsid:d27cdb6e-ae6d-11cf-96b8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=8,0,0,0" width="420" height="270" id="VE_Player" align="middle"><param name="movie" value="http://static.videoegg.com/ted2/flash/loader.swf"><PARAM NAME="FlashVars" VALUE="bgColor=FFFFFF&amp;file=http://static.videoegg.com/ted/movies/VirginiaPostrel_2004-embed_high.flv&amp;autoPlay=false&amp;fullscreenURL=http://static.videoegg.com/ted/flash/fullscreen.html&amp;forcePlay=false&amp;logo=&amp;allowFullscreen=true"><param name="quality" value="high"><param name="allowScriptAccess" value="always"><param name="bgcolor" value="#FFFFFF"><param name="scale" value="noscale"><param name="wmode" value="window"><embed src="http://static.videoegg.com/ted2/flash/loader.swf" FlashVars="bgColor=FFFFFF&amp;file=http://static.videoegg.com/ted/movies/VirginiaPostrel_2004-embed_high.flv&amp;autoPlay=false&amp;fullscreenURL=http://static.videoegg.com/ted/flash/fullscreen.html&amp;forcePlay=false&amp;logo=&amp;allowFullscreen=true" quality="high" allowScriptAccess="always" bgcolor="#FFFFFF" scale="noscale" wmode="window" width="420" height="270" name="VE_Player" align="middle" type="application/x-shockwave-flash" pluginspage="http://www.macromedia.com/go/getflashplayer"></object></p><br />
<b><p>Nate</p>: </b><em>?This is a fascinating word- and image-history of the idea of glamour, from renaissance saints to high-speed trains to Hollywood starlets to the fancy hats of African-American woman at church.?</em><br />
<hr /><span style="font-size: -1">"<a href="http://www.ted.com/index.php/talks/virginia_postrel_on_glamour.html">Virginia Postrel on glamour</a>," <a href="http://www.ted.com/index.php/talks/virginia_postrel_on_glamour.html">TED.com</a>, February 2004</span>
	
			
			
			

		
      ]]></content>
    </entry>    <entry>
      <title>Out of that came the Googles of the world ...</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/out_of_that_came_the_googles_of_the_world" />
      <id>tag:culture-makers.com,2025:author/1.847</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b><p>Nate</p>: </b><em>?Forty years old, but only four years in publication, the Whole Earth Catalog—and, more to point, the community of its creators and early followers—certainly ranks as one of the more surprising and far-reaching centers of culture-making in recent decades. Not that there isn't ample room for hyperbole in the "oral history" format (which itself seems so ... Whole-Earthy).?</em><br />
		
		<p><b>John Perry Barlow:</b> Before the WEC came out, business was big and ugly. It was a kingdom of acronyms like IBM and GE. But Stewart saw sustainable small business as a virtue.</p><p><b>Lloyd Kahn:</b> This wasn’t business as usual. Backyard tool inventors are a real subculture, usually very apart from the mainstream. For these tool guys, the WEC wasn’t just their Bible; it was great advertising. I think we kept a lot of people in business over the years.</p><p><b>Kevin Kelly:</b> The WEC helped rid us of our allergy to commerce. Brand believed in capitalism, just not by traditional methods. He was the first person to embrace true financial transparency. His decision to disclose WEC’s finances in the pages of the catalog had a profound ripple effect. A lot of those hippies who dropped out and tried to live off the land decided to come back and start small companies because of it. And out of that came the Googles of the world.</p><p><b>Fred Turner:</b> The WEC set the stage for all of today’s social networks. This kind of collaborative communication and the emphasis on small-scale technology really hit home in early Silicon Valley. You have to remember that the first Xerox PARC [the Palo Alto Research Center, a division of Xerox credited with inventing laser printing and the Ethernet, among other things] library consisted of books selected from the WEC by computer guru Alan Kay.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.plentymag.com/magazine/the_whole_earth_effect.php?page=5">The Whole Earth Effect</a>," by Stephen Kotler, <a href="http://www.plentymag.com/magazine/the_whole_earth_effect.php?page=5"><i>Plenty Magazine</i></a>, October/November 2008 :: via <a href="http://www.boingboing.net/2008/09/15/oral-history-of-the.html">Boing Boing</a></div>		
	
			
			
			

		
      ]]></content>
    </entry>    <entry>
      <title>Not in my intellectual back yard</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/not_in_my_intellectual_back_yard" />
      <id>tag:culture-makers.com,2025:author/1.634</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b><p>Nate</p>: </b><em>?Why an overzealous approach to intellectual property my hamper both cultural creation and cultivation.?</em><br />
		
		<p>We hear a lot about the “tragedy of the commons”: if a valuable asset (a grazing field, say) is held in common, each individual will try to exploit as much of it as possible. Villagers will send all their cows out to graze at the same time, and soon the field will be useless. When there’s no ownership, the pursuit of individual self-interest can make everyone worse off. But Heller shows that having too much ownership creates its own problems. If too many people own individual parts of a valuable asset, it’s easy to end up with gridlock, since any one person can simply veto the use of the asset.</p><p>The commons leads to overuse and destruction; the anticommons leads to underuse and waste. In the cultural sphere, ever tighter restrictions on copyright and fair use limit artists’ abilities to sample and build on older works of art. In biotechnology, the explosion of patenting over the past twenty-five years—particularly efforts to patent things like gene fragments—may be retarding drug development, by making it hard to create a new drug without licensing myriad previous patents. Even divided land ownership can have unforeseen consequences. Wind power, for instance, could reliably supply up to twenty per cent of America’s energy needs—but only if new transmission lines were built, allowing the efficient movement of power from the places where it’s generated to the places where it’s consumed. Don’t count on that happening anytime soon. Most of the land that the grid would pass through is owned by individuals, and nobody wants power lines running through his back yard.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.newyorker.com/talk/financial/2008/08/11/080811ta_talk_surowiecki">The Permission Problem</a>, by James Surowiecki, <i><a href="http://www.newyorker.com/">The New Yorker</a></i>, 11 August 2008 :: via <a href="http://www.aldaily.com/">Arts & Letters Daily</a></div>		
	
			
			
			

		
      ]]></content>
    </entry>

</feed>