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    <title type="text">Culture Making Articles items tagged haiti</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
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    <updated>2025-01-03T22:54:05Z</updated>
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      <title>Church of the Immaculate Conception, Port&#45;au&#45;Prince, by Allison Shelley</title>
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      <id>tag:culture-makers.com,2025:author/1.1863</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b>Nate: </b><em>?From a beautiful and moving <a href="http://www.allisonshelley.com/">series of post-earthquake photos</a> by a Washington, D.C.-based photojournalist.?</em><br />
		
		<a href="http://vervephoto.wordpress.com/2010/04/05/allison-shelley/"><img src="http://culture-making.com/media/sheely_haiti.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://vervephoto.wordpress.com/2010/04/05/allison-shelley/">Church of the Immaculate Conception, Port-au-Prince, Haiti</a>," by <a href="http://www.allisonshelley.com/">Allison Shelley</a>, 2010 :: via <a href="http://vervephoto.wordpress.com/2010/04/05/allison-shelley/">The New Breed of Documentary Photographers</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Giving during disasters</title>
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      <id>tag:culture-makers.com,2025:author/1.1785</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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			<b>Andy: </b><em>?My friend Mark Petersen is a radically committed, thoughtful Christian donor. His words are what I would write almost word for word about the best approach to giving (including the specific organizations he mentions, World Vision and Haiti Partners/Beyond Borders, both of which Catherine and I have supported for many years with deep appreciation). Disaster relief is the one thing to which Americans actually give generously, so for those of us who want to be lifelong, sacrificial givers, making long-term investments is by far the wiser choice.?</em><br />

<div class="author" style="font-size: -1">from "<a href="http://markpetersen.wordpress.com/2010/01/17/giving-during-disasters/#comment-3780">Giving during disasters</a>," by Mark Petersen, <a href="http://markpetersen.wordpress.com/">Open hands</a>, 17 January 2010</div><hr />		
		<p>My preference in giving is not to give quickly nor in times of disaster.  There are plenty of people doing that and you don’t have to join the bandwagon.  So stop feeling guilty and don’t give to get that monkey off your back.  Instead, carefully investigate options and choose to make a longer-term, more strategic decision to truly partner with an organization.</p>
<p>Some have asked me who they should consider giving to following the Haiti earthquake.  If you want to provide immediate assistance, send your funding through large corporate charities that had a well-established presence on the ground for years prior to the quake.  I specifically recommend <a href="http://www.worldvision.ca"><strong>World Vision Canada</strong></a> with whom we’ve had a long term successful partnership.  Their reputation speaks for itself.  They specialize in disaster relief and their logistical ability to respond effectively is unequaled.   CEO Dave Toycen is on the ground there now, and is tweeting his thoughts at <strong><a href="http://twitter.com/toycenontheroad">@toycenontheroad</a></strong>.  You can know that even though your immediate funding can be used for an urgent disaster, that WV will be present in Haiti for the long term.  Poverty isn’t solved in a week.</p>
<p>For those who prefer a smaller, grassroots response my choice would be <a href="http://www.haitipartners.ca/"><strong>Haiti Partners</strong></a>.  They have a significant history as a Florida-based charity focused on building schools and training teachers as a long term investment in the next generation of Haitians.  They aren’t new to Haiti like some other agencies seeking funding for the Haiti quake.  They speak Creole, their staff are Haitians.  They’re now expanding their support base to offer Canadian donors an ability to partner with them.  In fact, for months they’ve been planning that <strong>Sunday, January 24</strong> would be the launch of their first Canadian fundraiser in Toronto.</p>
<p>You can follow co-director John Engle at twitter (<a href="http://www.twitter.com/haitipartners"><strong>@haitipartners</strong></a>) as well as <a href="http://www.haitipartners.org/?page_id=30"><strong>their blog</strong></a> or <strong><a href="http://www.youtube.com/user/englejohnny">YouTube</a></strong> with frequent, informative video updates.</p>
		
	
			
			
			

		
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    </entry>    <entry>
      <title>Bound up with the human condition</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/bound_up_with_the_human_condition" />
      <id>tag:culture-makers.com,2025:author/1.1720</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Christy: </b><em>?Sister Helen David Brancato is part of the Senior Artists Initiative, a wonderful group that exists to "assist senior artists in understanding the need for, and processes involved in, organizing their life's work, and to develop programs that provide recognition for senior artists." In this award-winning mixed-media piece, the artist presents Jesus as a grieving Haitian woman. In an interview, she said the piece was inspired by a news photograph of a Haitian woman "who had just learned that five members of her family were among 400 who perished in a ferry accident. . . . The photo led me to recall things I had seen in Haiti during a visit there in 1989. It was like nothing I had ever seen before. I saw [in it] the ongoing Passion of Christ."?</em><br />
		
		<a href="http://www.seniorartistsinitiative.org/00_images_sai/art_images/brancato/brancato3_lge.jpg"><img src="http://www.culture-making.com/media/brancato3_lge.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.seniorartistsinitiative.org/00_images_sai/art_images/brancato/brancato3_lge.jpg">Haitian Crucifixion 2000</a>," by Sister Helen David Brancato, via <a href="http://www.seniorartistsinitiative.org">Senior Artists Initiative</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Eating clay in Haiti</title>
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      <id>tag:culture-makers.com,2025:author/1.759</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?On the one hand this is simple—a heartbreaking example of how rising food prices squeeze out the poorest. But something is lost in the cultural translation, I think—or at least, what's being described is a very culturally specific (and culturally creative) response to local hunger, one involving a complex mini-industry of manufacture and distribution that was around before food costs went up and ushered in a grimmer consumer demand.?</em><br />
		
		<p>At first sight the business resembles a thriving pottery. In a dusty courtyard women mould clay and water into hundreds of little platters and lay them out to harden under the Caribbean sun. The craftsmanship is rough and the finished products are uneven. But customers do not object. This is Cité Soleil, Haiti’s most notorious slum, and these platters are not to hold food. They are food. Brittle and gritty—and as revolting as they sound—these are “mud cakes”. For years they have been consumed by impoverished pregnant women seeking calcium, a risky and medically unproven supplement, but now the cakes have become a staple for entire families.</p><p>It is not for the taste and nutrition—smidgins of salt and margarine do not disguise what is essentially dirt, and the Guardian can testify that the aftertaste lingers - but because they are the cheapest and increasingly only way to fill bellies. “It stops the hunger,” said Marie-Carmelle Baptiste, 35, a producer, eyeing up her stock laid out in rows. She did not embroider their appeal. “You eat them when you have to.”</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.guardian.co.uk/world/2008/jul/29/food.internationalaidanddevelopment">Haiti: Mud cakes become staple diet as cost of food soars beyond a family's reach</a>," by Rory Carroll, <a href="http://www.guardian.co.uk/">Guardian.co.uk</a>, 29 July 2008 :: via <a href="http://ideas.blogs.nytimes.com/2008/08/25/haitis-mud-cakes/">NYTimes.com Ideas Blog</a></div>		
	
			
			
			

		
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