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    <title type="text">Culture Making Articles items tagged gold</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
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    <updated>2025-01-03T22:54:05Z</updated>
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    <entry>
      <title>Golden idol fails to deliver on promise, again</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/golden_idol_fails_to_deliver_on_promise_again" />
      <id>tag:culture-makers.com,2025:author/1.1141</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Nate</p>: </b><em>?For some reason the <i>LA Times</i> has categorized this story under "Science &amp; Medicine." Curiouser and curiouser.?</em><br />
		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/marypickford_academyaward_oscarphoto_210.jpg" alt="image"></div><p>And the Oscar for best Hollywood courtroom drama goes to . . . the Academy of Motion Picture Arts and Sciences. The golden statuette was awarded Monday by a Los Angeles Superior Court jury, which ruled that if Mary Pickford&#8217;s heirs want to sell it, they have to offer it to academy officials for $10 instead of auctioning it off for as much as $800,000. Academy leaders took a Rancho Mirage woman, her daughter and a cousin to court after the women announced plans to sell the Oscar presented in 1930 to the silent-movie star known as &#8220;America&#8217;s sweetheart&#8221; and donate the proceeds to charity.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.latimes.com/news/science/la-me-pickford16-2008dec16,0,2092583.story?track=rss">Jury bars auction of Mary Pickford's Oscar</a>," by Bob Pool, <a href="http://www.latimes.com/news/science/la-me-pickford16-2008dec16,0,2092583.story?track=rss"><i>Los Angeles Times</i></a>, 16 December 2008</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>One thing you cannot do with gold</title>
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      <id>tag:culture-makers.com,2025:author/1.585</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Andy</p>: </b><em>?A moment of Columbian candor. Kind of puts Columbus Day into perspective . . . if it weren't in perspective already.?</em><br />
		
		<p>The explosion of maritime exploration, which Catholic Spain and Portugal led, to be joined later by Protestant England and the Netherlands, created the shift from land-based power to sea-based power. . . .</p><p>The social revolution attendant on such a major shift of power arrangements brought into play a new mercantile class whose entrepreneurial spirit sent them looking for wealth and profit in hitherto unknown or unexplored lands. As one such adventurer expressed it, they crossed the seas &#8220;to serve God and His majesty, to give light to those who were in darkness,&#8221; but most emphatically &#8220;to grow rich, as all men desire to do.&#8221; Or, as Columbus expressed it, &#8220;Gold, what an excellent product! It is from gold that riches come. He who has gold can do whatever he pleases in this world. With gold one can even bring souls into Paradise.&#8221;</p><hr />
<div class="author" style="font-size: -1">from Lamin Sanneh, <a href="http://www.amazon.com/gp/product/0195189612?ie=UTF8&amp;tag=cmcom-20&amp;linkCode=as2&amp;camp=1789&amp;creative=9325&amp;creativeASIN=0195189612"><i>Disciples of All Nations</i></a>, p. 107</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Water Flames Passage II, by Makoto Fujimura</title>
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      <id>tag:culture-makers.com,2025:author/1.540</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?In the book Andy talks about Fujimura's use of very basic elements--mineral pigments rather than paints, and of course gold leaf--in his paintings, something that echoes the seeming overabundance of natural resources in the Biblical accounts both of Eden and, more glaringly, in the New Jerusalem. Our task as humans is to make something--ideally, something beautiful--from those very basic elements.?</em><br />
		
		<a href="http://www.dillongallery.com/index.php?p=exhibits&id=current&exh=200807_charis&i=6"><img src="http://horizonsofthepossible.com/media/6.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1"><i><a href="http://www.dillongallery.com/index.php?p=exhibits&id=current&exh=200807_charis">Water Flames Passage II</a></i>
(10 x 10 in., gold and mineral pigments on paper), by <a href="http://www.makotofujimura.com/">Makoto Fujimura</a>, from the exhibition <a href="http://www.dillongallery.com/index.php?p=exhibits&id=current&exh=200807_charis">Charis</a>, at the <a href="http://www.dillongallery.com/">Dillon Gallery</a>, New York City, through 2 Aug 2008</div>		
	
			
			
			

		
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