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    <title type="text">Culture Making Articles items tagged globalization</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
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    <updated>2025-01-03T22:54:05Z</updated>
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    <entry>
      <title>Why not a universal language?</title>
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      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b>Andy: </b><em>?John McWhorter is a tack-sharp writer who is always provocative, and rarely more so than in this piece, which argues that language death is not such a bad thing. As Lamin Sanneh and others have shown, Christian mission has been the main engine of language preservation, and I don't think that we can be quite as sanguine as McWhorter about languages dying out. Such diversity is arguably a crucial part of fulfilling the human call to "be fruitful and multiply." McWhorter mentions the Babel story dismissively as a literal depiction of the source of linguistic diversity (although it is remarkable that historical linguistics has failed to find any common source for language's wide and wild variety), but an equally important message of that story is that when "the whole earth had one language and one speech," the result was totalitarian ambition and rebellion against the divine mandate to fill the earth (with all the cultural diversity that would entail). Still, well worth reading.?</em><br />
		
		<p>At the end of the day, language death is, ironically, a symptom of people coming together. Globalization means hitherto isolated peoples migrating and sharing space. For them to do so and still maintain distinct languages across generations happens only amidst unusually tenacious self-isolation—such as that of the Amish—or brutal segregation. (Jews did not speak Yiddish in order to revel in their diversity but because they lived in an apartheid society.) Crucially, it is black Americans, the Americans whose English is most distinct from that of the mainstream, who are the ones most likely to live separately from whites geographically and spiritually.</p><p>The alternative, it would seem, is indigenous groups left to live in isolation—complete with the maltreatment of women and lack of access to modern medicine and technology typical of such societies. Few could countenance this as morally justified, and attempts to find some happy medium in such cases are frustrated by the simple fact that such peoples, upon exposure to the West, tend to seek membership in it.</p><p>As we assess our linguistic future as a species, a basic question remains. Would it be inherently evil if there were not 6,000 spoken languages but one?</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.worldaffairsjournal.org/2009 - Fall/full-McWhorter-Fall-2009.html">The Cosmopolitan Tongue: The Universality of English</a>," by John McWhorter, <a href="http://www.worldaffairsjournal.org/">World Affairs Journal</a>, Fall 2009 :: via <a href="http://aldaily.com">Arts & Letters Daily</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Mera Juta Hai Japani</title>
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      <id>tag:culture-makers.com,2025:author/1.922</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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			<p align="center"><object width="420" height="340"><param name="movie" value="http://www.youtube.com/v/kAGj6YmYLOk&amp;hl=en&amp;fs=1"></param><param name="allowFullScreen" value="true"></param><embed src="http://www.youtube.com/v/kAGj6YmYLOk&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"></embed></object></p><br />
<b><p>Nate</p>: </b><em>?Last night I wisely skipped the presidential debate to watch Raj Kapoor's 1955 Bollywood classic <i>Shri 420</i>, whose opening song, "Mera Juta Hai Japani," has been running through my head off and on for a good decade. The song, like the film, is a fable of modernity, urbanization and globalization: what do we make of a world where everything around us comes from somewhere else? What's lost, what's gained, and what can we hold onto??</em><br />
<hr /><span style="font-size: -1">"<a href="http://www.youtube.com/watch?v=kAGj6YmYLOk&eurl=http://video.google.com/videosearch?q=shree+420&ie=UTF-8&oe=utf-8&rls=org.mozilla:en-US:official&clien;">Mera Juta Hai Japani</a>," from the film <i><a href="http://en.wikipedia.org/wiki/Shri_420">Shri 420</a></i>, performed and directed by <a href="http://en.wikipedia.org/wiki/Raj_Kapoor">Raj Kapoor</a>, music by <a href="http://en.wikipedia.org/wiki/Shankar-Jaikishan">Shankar-Jaikishan</a>, playback singing by <a href="http://en.wikipedia.org/wiki/Mukesh">Mukesh</a></span>
	
			
			
			

		
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    </entry>    <entry>
      <title>Spanish Catholic schoolgirl crushes</title>
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      <id>tag:culture-makers.com,2025:author/1.890</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?When it comes to travel writing, it's out with the old, exotic cliches, in with the ... new, exotic cliches? I fear so, alas. Though in a weird way the example about the schoolgirls (with its circumvention of the old old center-to-margins model of cultural spread) gives me the most hope.?</em><br />
		
		<p>Of course, the motifs and assumptions of well-told travel stories do change over the years. Twenty years ago, for example, books like Pico Iyer’s <a href="http://www.worldhum.com/weblog/item/no_8_video_night_in_kathmandu_by_pico_iyer_20060525/" title="Video Night in Kathmandu">Video Night in Kathmandu</a> showed how travel writers had a new duty to deal with the charms and challenges and complexities of globalization. By the time I started writing for a living in the late 1990s, it had come to the point where it was nearly impossible to write a travel story without acknowledging globalization in some way. It’s difficult, after all, to project the old exotic clichés onto foreign lands when you keep meeting Burmese Shan refugees who can quote West Coast hip-hop, or Spanish Catholic girls who have crushes on Chinese movie stars, or Jordanian teenagers who idolize Bill Gates.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.worldhum.com/qanda/item/rolf_potts_revelations_from_a_postmodern_travel_writer_20080918/">Rolf Potts: Revelations from a Postmodern Travel Writer</a>," interview by Michael Yessis, <a href="http://www.worldhum.com/qanda/item/rolf_potts_revelations_from_a_postmodern_travel_writer_20080918/">World Hum</a>, 19 September 2008 :: via <a href="http://ideas.blogs.nytimes.com/2008/09/29/travel-writing-has-moved-on/">NYTimes.com Ideas Blog</a></div>		
	
			
			
			

		
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