<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">

    <title type="text">Culture Making Articles items tagged glass</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
    <link rel="alternate" type="text/html" href="http://culture-makers.com/" />
    <link rel="self" type="application/atom+xml" href="https://culture-making.com/tag/atom" />
    <updated>2025-01-03T22:54:05Z</updated>
    <rights>Copyright (c) 2025, Andy Crouch</rights>
    <generator uri="http://www.pmachine.com/" version="7.5.15">ExpressionEngine</generator>
    <id>tag:culture-makers.com,2025:01:02</id>

    <entry>
      <title>HIV, by Luke Jerram</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/hiv_by_luke_jerram" />
      <id>tag:culture-makers.com,2025:author/1.1642</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b>Nate: </b><em>?Nearly all the images we see of viruses use false coloration, either for illustrative or aesthetic purposes. Glass sculptor Luke Jerram makes clear, colorless models of viruses and bacteria, working in consultation with microbiologests and under the glass-given physical constraints of gravity and fragility. The resulting works (including all the big names: E. coli, swine flu, Ebola, smallpox, and HIV) are stunning and sobering. Jerret's website quotes a note he received from an unnamed viewer: "I just saw a photo of your glass sculpture of HIV. I can't stop looking at it. Knowing that millions of those guys are in me, and will be a part of me for the rest of my life. Your sculpture, even as a photo, has made HIV much more real for me than any photo or illustration I've ever seen. It's a very odd feeling seeing my enemy, and the eventual likely cause of my death, and finding it so beautiful."?</em><br />
		
		<a href="http://www.lukejerram.com/projects/glass_microbiology"><img src="http://culture-making.com/media/large_hiv_luke_jerram.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.lukejerram.com/projects/glass_microbiology">HIV</a>," 22cm, from the sculpture series <a href="http://www.lukejerram.com/projects/glass_microbiology">Glass Microbiology</a>, by Luke Jerram <a href="http://www.thesmithfieldgallery.com/">Smithfield Gallery, London</a>, 22 September–9 October 2009 :: via <a href="http://freakonomics.blogs.nytimes.com/2009/09/22/smallpox-as-art/">Freakonomics Blog</a></div>		
	
			
			
			

		
      ]]></content>
    </entry>    <entry>
      <title>Glasses for the masses</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/glasses_for_the_masses" />
      <id>tag:culture-makers.com,2025:author/1.1181</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b><p>Nate</p>: </b><em>?In the US there is one optometrist for every 8,700 people, in sub-Saharan Africa the ratio is 1:1,000,000. One way to address the disparity: make cheap glasses that can be calibrated by their users.?</em><br />
		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/A-Zulu-man-wearing-adapti-001_210.jpg" alt="image"></div><p>Some 30,000 pairs of his spectacles have already been distributed in 15 countries, but to Silver that is very small beer. Within the next year the now-retired professor and his team plan to launch a trial in India which will, they hope, distribute 1 million pairs of glasses. The target, within a few years, is 100 million pairs annually. With the global need for basic sight-correction, by his own detailed research, estimated at more than half the world’s population, Silver sees no reason to stop at a billion.</p><p>If the scale of his ambition is dazzling, at the heart of his plan is an invention which is engagingly simple. Silver has devised a pair of glasses which rely on the principle that the fatter a lens the more powerful it becomes. Inside the device’s tough plastic lenses are two clear circular sacs filled with fluid, each of which is connected to a small syringe attached to either arm of the spectacles. </p><p>The wearer adjusts a dial on the syringe to add or reduce amount of fluid in the membrane, thus changing the power of the lens. When the wearer is happy with the strength of each lens the membrane is sealed by twisting a small screw, and the syringes removed. The principle is so simple, the team has discovered, that with very little guidance people are perfectly capable of creating glasses to their own prescription.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.guardian.co.uk/society/2008/dec/22/diy-adjustable-glasses-josh-silver">Inventor's 2020 vision: to help 1bn of the world's poorest see better</a>," by Esther Addley, <a href="http://www.guardian.co.uk/society/2008/dec/22/diy-adjustable-glasses-josh-silver"><i>The Guardian</i></a>, 22 December 2008 :: via <a href="http://3quarksdaily.com/">3quarksdaily</a></div>		
	
			
			
			

		
      ]]></content>
    </entry>    <entry>
      <title>The El, by Daniel Hauben</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/the_el_by_daniel_hauben" />
      <id>tag:culture-makers.com,2025:author/1.647</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b><p>Nate</p>: </b><em>?One of six colored-glass panels at the <a href="http://maps.google.com/maps?f=q&hl=en&geocode=&q=bronx+freeman+street&sll=40.844126,-73.888561&sspn=0.085448,0.142479&ie=UTF8&ll=40.83396,-73.890975&spn=0.010683,0.01781&t=h&z=16&layer=c&cbll=40.830136,-73.891489&panoid=12kHBHfq1UdMVjUQkUuTPg&cbp=1,276.0350745935459,,0,-15.788482430268262">Freeman Street Station</a> in the Bronx. The medium is a sturdier version of stained glass, with inch-thick colored segments joined together with epoxy. I love, obviously, the vibrancy of the panels, and the fact that they're a celebration of, basically, the neighborhood just below the station (which you can glimpse through that gap below the partition) -- saying, in effect, this isn't just a way-station on your journey to somewhere else, but a Place in itself.?</em><br />
		
		<a href="http://www.nytimes.com/2008/08/14/nyregion/14artist.html"><img src="http://culture-making.com/media/14artistxlarge1.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">panel from "The El", by <a href="http://www.artwing.com/">Daniel Hauben</a>, photo by David Goldman for the <i>New York Times</i>, from "<a href="http://www.nytimes.com/2008/08/14/nyregion/14artist.html">Bronx Artist’s Glass Work Is Recognized</a>," by Sewell Chan, <a href="http://www.nytimes.com/">NYTimes.com</a>, 13 August 2008</div>		
	
			
			
			

		
      ]]></content>
    </entry>

</feed>