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    <title type="text">Culture Making Articles items tagged generations</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
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    <updated>2025-01-03T22:54:05Z</updated>
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    <entry>
      <title>From community to institution</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/from_community_to_institution" />
      <id>tag:culture-makers.com,2025:author/1.1861</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b>Andy: </b><em>?A thought-provoking excerpt from Andrew Root's new book <a href="http://www.amazon.com/gp/product/1426700628?ie=UTF8&tag=cmcom-20&linkCode=as2&camp=1789&creative=9325&creativeASIN=1426700628">The Promise of Despair.</a> (Incidentally, now that I am the parent of a teenager—as of seven days ago—I'm especially grateful for the excellent work of the Fuller Youth Institute, who host this excerpt and countless other great resources for thinking about culture and youth ministry.)?</em><br />
		
		<p>For most of human history our social lives were organized by communities and the traditions and rituals that they upheld and protected.  But modernity, for good or ill, has freed us from this fundamental need for community.  We turned over the job of ordering our social world from communities to institutions. It is institutions, and not communities, that we depend upon. It is institutions that don’t know my name (most know me as number) or my story (only my balance or record) that I have built my life around. It seems that I can live without my parents or friends but not without my ATM card, driver’s license, and Internet access. I can live without knowing anything about my great-grandparents but I must know my Social Security number and credit rating.</p><p>Or to put it more pointedly, who would take care of my family if I died in the next few years? Who would make sure my mortgage was paid and my wife had money to maintain her life? Not my community, not my church, not even my extended family. They may all help, dropping off a casserole and offering a shoulder to cry on, but their job, we assume, would be emotional support. No, if I died it would not be a community that would take care of my kids and wife; it would be an institution, the insurance company I’ve been paying to provide for them if the monster of death takes me sooner rather than later. For most of human history this was the work of the community: widows and orphans were to be cared for by uncles, aunts, and neighbors. Their emotional, but most fundamentally their basic financial and material, needs were the responsibility of those who knew them and were part of their story. This was not easy and I’m sure a burden, but it was dependable and communal.</p><p>What do we do, and what is our future, when institutions (i.e., insurance companies, various governmental agencies) continue to show us they cannot always be trusted to care for anything other than their own survival? Most of our institutions are what Ulrich Beck calls “Zombie institutions.” They are still moving and breathing, but they have become more haunting than helpful because they are more dead than alive. Standing in late modernity there is more than a little despair knowing that we cannot go back to the tradition-based community, but that the institutions of modernity are ghouls.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://fulleryouthinstitute.org/2010/04/the-attack-of-the-zombies/">The Attack of the Zombies</a>," by Andrew Root, <a href="http://fulleryouthinstitute.org/">Fuller Youth Institute</a>, April 2010</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>What is a moment?</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/what_is_a_moment" />
      <id>tag:culture-makers.com,2025:author/1.1830</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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			<p><object width="420" height="236"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=8189067&amp;server=vimeo.com&amp;show_title=0&amp;show_byline=0&amp;show_portrait=0&amp;color=ffffff&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=8189067&amp;server=vimeo.com&amp;show_title=0&amp;show_byline=0&amp;show_portrait=0&amp;color=ffffff&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="420" height="236"></embed></object></p><br />
<b>Andy: </b><em>?A visual exploration of the moments that define our lives, suffused with grief, gratitude, and wonder. Wow.?</em><br />
<hr /><span style="font-size: -1">"Moments," by <a href="http://vimeo.com/everynone">Everynone</a> :: via <a href="http://www.fourthlinefilms.com/Fourth_Line_Films/Fourth_Line_Films.html">Nathan Clarke</a></span>
	
			
			
			

		
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    </entry>    <entry>
      <title>The fatherhood crisis</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/the_fatherhood_crisis" />
      <id>tag:culture-makers.com,2025:author/1.1667</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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			<p align="center"><embed type="application/x-shockwave-flash" src="http://www.google.com/reader/ui/3247397568-audio-player.swf?audioUrl=http://media.city-gates.org/iam/podcasts/191/episodes/Don_Miller-568.mp3" width="420" height="27" allowscriptaccess="never" quality="best" bgcolor="#ffffff" wmode="window" flashvars="playerMode=embedded" /></p><br />
<b>Christy: </b><em>?I interviewed author Donald Miller (<a href="http://www.amazon.com/Blue-Like-Jazz-Nonreligious-Spirituality/dp/0785263705/cmcom-20">Blue like Jazz</a>, <a href="http://www.amazon.com/Million-Miles-Thousand-Years-Learned/dp/0785213066/cmcon-20">A Million Miles in a Thousand Years</a>) recently, and we spent most of our time talking about <a href="http://thementoringproject.org"><i>The Mentoring Project</i></a>, a wonderful non-profit organization Miller started in an effort to help boys growing up without fathers to connect with men who can serve as role models and friends. I made a donation to TMP in honor of my own father this past June, and he said it was one of his favorite Father's Day presents ever.?</em><br /><hr />
<span style="font-size: -1"><a href="http://www.internationalartsmovement.org/podcasts/IAMglobal/episodes/568-author-donald-miller"><i>Author Donald Miller</i></a>, interviewed by Christy Tennant, <a href="http://www.iamconversations"><i>IAM Conversations</i></a>, 15 October 2009</span>
	
			
			
			

		
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    </entry>    <entry>
      <title>Love letters</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/love_letters" />
      <id>tag:culture-makers.com,2025:author/1.1619</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b>Christy: </b><em>?I find it fascinating that over five centuries ago, a Korean king, in an effort to demonstrate love for his people, created an alphabet, thus enabling them to "express their concerns." Now one of his descendants is trying to expand that gift by giving the Korean alphabet, Hangul, to nations without a writing system of their own.?</em><br />
		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/hangul.jpg" alt="image"></div><p>By sharing the [Korean] script with others, Ms. Lee said, she is simply expressing the will of her ancestor King Sejong, who promulgated the script. (She is a direct descendant, 21 generations removed.)</p><p>The national holiday, Hangul Day, on Oct. 9, celebrates the king’s introduction of the script in 1446. Before that, Koreans had no writing system of their own. The elite studied Chinese characters to record the meaning, but not the sound, of Korean.</p><p>“Many of my illiterate subjects who want to communicate cannot express their concerns,” the king is recorded to have said in explaining the reason for Hunminjeongeum, the original name for Hangul. “I feel sorry for them. Therefore I have created 28 letters.”</p><p>“The king propagated Hangul out of love of his people,” Ms. Lee said. “It’s time for Koreans to expand his love for mankind by propagating Hangul globally. This is an era of globalization.”</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.nytimes.com/2009/09/12/world/asia/12script.html?_r=1&scp=1&sq=korean%20alphabet&st=cse">South Korea's Latest Export: Its Alphabet</a>," by Choe Sang-Hun, <a href="http://www.nytimes.com"><i>The New York Times</i></a>, 11 September 2009, image from <a href="http://en.wikipedia.org/wiki/Hangul">Wikipedia</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>The GXAT</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/the_gxat" />
      <id>tag:culture-makers.com,2025:author/1.1268</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Andy</p>: </b><em>?Okay, this is pretty funny. And the book as a whole (by a former editor of <i>Details</i> magazine [there are a <u>lot</u> of former editors of <i>Details</i>, by the way]) looks, actually, great.?</em><br />
		
		<p>The first question on the GXAT [Generation X Aptitude Test, better known as the G-zat] is this:</p><p><b>1. Do you want to change the world?</b></p><p>A. Yes, and I’m proud to say we did it, <i>man. We changed the world.</i> Just look around you!</p><p>B. Yes, absolutely, and I promise I will get back to doing that just as soon as interest rates return to where they’re supposed to be.</p><p>C. <i>Omigod, omigod,</i> changing the world and helping people is, like, <i>totally</i> important to me! I worked in a soup kitchen once and it was <i>so</i> sad but the poor people there had <i>so</i> much dignity!</p><p>D. The way you phrase that question is so . . . cheesy and absurd that I am not even sure I want to continue with this pointless exercise.</p><p>That’s the only question on the GXAT.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.amazon.com/dp/0670018589/cmcom-20">X Saves the World: How Generation X Got the Shaft but Can Still Keep Everything from Sucking</a>," by Jeff Gordinier (Viking Adult, 2008), p. 22.</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>My boy was just like me</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/my_boy_was_just_like_me" />
      <id>tag:culture-makers.com,2025:author/1.1184</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Andy</p>: </b><em>?I am sometimes asked whether I think our culture is getting better or worse. The answer, of course, is both. This thoughtful piece by Stephen Webb on fatherhood, rebellion, and "kids these days" is worth reading. It leads to the question: What will "involved fatherhood"—the kind of presence that is the very opposite of Harry Chapin's song, and the kind that nearly all fathers aspire to today—make possible and impossible??</em><br />
		
		<p>Yet something happened the other day that made me think I have been too hard on my students. I often try to describe to them the way their ancestors, not all that long ago, would have chosen the mates of their children, a practice they associate today with some backward part of India. I try to help them see that the choice of a marriage partner should be based on wider considerations than romance alone. To focus this discussion, I ask them a hypothetical question. Suppose you were to be guided in your selection of a wife by one, and only one, of two factors, either your hormones or your parents. That is, would you let your parents pick your wife or would you rather trust your sensual desire, that spark of attraction that makes you light up with sexual longing?</p><p>In past years, my students were horrified at the thought of their parents choosing their marriage partners. This year was different. Many of them said they would trust their parents. In fact, more said they would trust their dads than their moms. They thought their moms would look for a good girl and disregard looks altogether, while they thought their dads would probably get the balance of moral and physical attributes just about right.</p><p>I found their conversation to be very moving, and wondered if my two young boys, when they reach the marrying age, will have that kind of trust in me. We lose something when we do not have to fight for what we believe, but what we have gained in father and son relationships is so much more important that I do not regret that my boys will never be able to relate to <i>Cat’s in the Cradle</i>.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.firstthings.com/onthesquare/?p=1268">Listening to Harry Chapin’s 'Cat’s in the Cradle'</a>," by Stephen H. Webb, <a href="http://www.firstthings.com/onthesquare/?p=1268">FIRST THINGS: On the Square</a>, 1 January 2009</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>My pre&#45;teen made me buy it</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/my_pre_teen_made_me_buy_it" />
      <id>tag:culture-makers.com,2025:author/1.960</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Andy</p>: </b><em>?Of all the statistics in this generally fascinating summary of recent research on religion and consumerism (in Adweek, of all places!), these are the ones that really make me say, Yikes.?</em><br />
		
		<p>In a pre-Christmas poll last year of religious Christians with kids age 2 to 18, 78 percent said they&#8217;d bought DVDs of movies or TV shows for their teenagers, and 87 percent said they&#8217;d bought these for kids 13 and under. &#8220;However, one-quarter of those adults (26 percent) did not feel comfortable with the DVD products they bought.&#8221; Likewise for music CDs: &#8220;About six of 10 parents bought these discs for their kids, yet one out of every three of those parents (33 percent) had concerns about the content.&#8221; As for video games, 39 percent of the parents of pre-teens were concerned about the content of games they&#8217;d bought, as were 46 percent of parents of teens.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.adweek.com/aw/content_display/special-reports/other-reports/e3i2db03fb29d573ec5fbf2200893197974?pn=2">Church and State</a>," by Mark Dolliver, <a href="http://www.adweek.com/">Adweek</a>, 6 October 2008 :: via Bob Carlton (Facebook friend extraordinaire!)</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>The genealogy of a millennium</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/the_genealogy_of_a_millennium" />
      <id>tag:culture-makers.com,2025:author/1.906</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Andy</p>: </b><em>?Kevin Kelly is one of those (alternately fascinating and infuriating) people who can never look at anything without seeing something new. Here is his arresting observation about how few links really separate us from the distant past, and the future.?</em><br />
		
		<p>I could form a human bridge between me and Jesus, or Caesar, or Hero of Alexandria with only 26 people reaching out finger tip to finger tip across time.  Those 26 people could fit into one room.</p><p>Calculated this way 1,000, or even 2,000 years doesn’t seem so distant. To span 1,000 years we need only 13 lifespans. We can hold a list of 13 names connecting us to the year 1000 AD in our head, and many people in the past have done so.</p><p>Going in the opposite direction we can imagine only 13 lives (and perhaps fewer if longevity increases), linking us and the year 3000 AD. Between you and the year 3000 AD stand only 13 lifetimes. In terms of lifetimes — which are steadily increasing due to medical progress — 10 centuries is just next door.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.kk.org/thetechnium/archives/2008/09/13_generations.php">13 Generations</a>," by Kevin Kelly, <a href="http://www.kk.org/thetechnium/">The Technium</a>, 24 September 2008 :: via Nate</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Mekaal Hasan’s classical–pop fusion</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/mekaal_hasans_classicalpop_fusion" />
      <id>tag:culture-makers.com,2025:author/1.913</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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			<p><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/5GyP8BycsIk&amp;hl=en&amp;fs=1&amp;rel=0"></param><param name="allowFullScreen" value="true"></param><embed src="http://www.youtube.com/v/5GyP8BycsIk&amp;hl=en&amp;fs=1&amp;rel=0" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"></embed></object></p><br />
<b><p>Andy</p>: </b><em>?I could take or leave the visuals on this music video by Pakistan's Mekaal Hasan Band, but I love the way that the classically-trained flautist (at least that's what I'd call him—the instrument may be called something different altogether) and vocalist get top billing. In a <a href="http://www.npr.org/templates/story/story.php?storyId=95360493">profile this morning on NPR</a>, Hasan said, "Classical musicians are unbelievable improvisers. That's a common thing that jazz and [South Asian] classical has: They're both improvising art forms. But the language varies within each particular art form. It just depends on how much they're willing to stretch."?</em><br />
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      <title>The best thing about Sarah Palin</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/the_best_thing_about_sarah_palin" />
      <id>tag:culture-makers.com,2025:author/1.786</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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<p>The choice of Sarah Palin as John McCain’s running mate has all sorts of interesting political implications, which are being diced and parsed as I write. But I’m more interested in the long-term cultural implications of the choice of Palin, whether the McCain–Palin ticket wins or loses in November, for one of the most vexing horizons of impossibility in our culture: the abortion rate among unborn babies diagnosed with Down Syndrome.</p><p>Upwards of 85 percent of parents who receive a prenatal diagnosis of Down Syndrome elect to terminate the pregnancy, according to several studies in the peer-reviewed journal <i>Prenatal Diagnosis</i>. A 1999 British study in that journal found the termination rate to be between 91 and 93 percent. When I was a teenager in the 1980s, I remember seeing many people my age and younger who had the distinctive facial and behavioral characteristics of Down children. These days I rarely see a Down Syndrome child at all.</p><p>What is peculiar about Down Syndrome as a reason for termination is that, plainly put, you rarely meet a Down Syndrome “sufferer” who is notably unhappy. The condition has a range of manifestations, some more disabling than others, but many, many persons with Down Syndrome thrive as children and adults, even if they may not have the same range of capabilities as you or I do.</p><p>The fact that this syndrome has become a reason for termination is evidence of the terrible power of culture. A culturally neutral artifact (prenatal diagnosis of congenital diseases) combined with a culturally tragic artifact (elective abortion) begins to make it plausible that parents should avoid the challenges and risks of a Down pregnancy by ending it. The decreasing number of children born with the condition begins to make it more difficult to imagine that “normal” families can absorb the stresses of raising such a child, and undermines public support for public programs that support families who have made that decision. Which, over time, makes carrying a Down Syndrome baby to term ever more inconceivable, leading to increased rates of termination, leading to decreasing plausibility . . . until one day the burden of bringing a Down Syndrome child into the world is seen as so grave that less than 10 percent of parents take the risk.</p><p>But Sarah and Todd Palin have done it. I cannot think of any other public figures in my adult life, at least of the prominence they are about to enjoy or endure, who have made this decision. They will cause many, many families to reconsider the horizons of the possible. Their public example could very well lead to a cultural sea change—a dramatic shift in the “horizons of the possible.” That phrase from my book is no metaphor. Those horizons are so real that, for a future generation of children and their parents, they are quite literally a matter of life and death. For this reason, which utterly transcends politics and this year’s election, the sudden prominence of the Palins is, in the deepest sense, an extraordinary act of public service.</p><br />

	
			
			
			

		
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    </entry>    <entry>
      <title>The DiaperVest</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/the_diapervest" />
      <id>tag:culture-makers.com,2025:author/1.767</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Andy</p>: </b><em>?A few years ago I <a href="/articles/thou_shalt_be_cool">wrote,</a> " No one has ever designed a cool diaper bag, and no one ever will." Oh, how wrong I was. Witness the Diaper Vest from DadGear.com. What can I say . . . it's a master class in cultural change.?</em><br />
		
		<a href="http://www.thegeargroup.com/gear_info.cfm?ID=69"><img src="/media/diapervest_420.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.thegeargroup.com/gear_info.cfm?ID=69">DadGear - Diaper Vest Wearable Diaper Bag</a>"</div>		
	
			
			
			

		
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      <title>Sections of a Happy Moment, by David Claerbout</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/sections_of_a_happy_moment_by_david_claerbout" />
      <id>tag:culture-makers.com,2025:author/1.480</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Nate</p>: </b><em>?I love how the game and social, inter-generational connection emerges in spite of a not-that-hospitable brutalist urban setting.<br><br>?</em><br />
		
		<a href="http://www.lensculture.com/photoespana.html"><img src="http://www.culture-making.com/media/photoespana_7.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.lensculture.com/photoespana.html">Sections of a Happy Moment</a>," by David Claerbout, 2007, at <a href="http://www.gms.be/index.php?content=artist_detail&id_artist=12">Galerie Micheline Szwajcer</a>, Antwerp and <a href="http://www.yvon-lambert.com/index_pr.php?section=art_pr&artist=da_claerbout">Yvon Lambert</a>, Paris and New York :: via <a href="http://www.lensculture.com/photoespana.html">lens culture</a></div>		
	
			
			
			

		
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