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    <title type="text">Culture Making Articles items tagged crime</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
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    <updated>2025-01-03T22:54:05Z</updated>
    <rights>Copyright (c) 2025, Andy Crouch</rights>
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    <entry>
      <title>Salvaje de Corazon</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/salvaje_de_corazon" />
      <id>tag:culture-makers.com,2025:author/1.1935</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?Yet another reminder that we have little control over how our cultural creations will be used once we push them out into the world. The <a href="http://www.theonion.com/articles/denver-optometrist-not-sure-why-he-has-gay-cult-fo,128/">Onion-esque</a> headline on this article would be hilarious if it weren't so chilling.?</em><br />
		
		<p>La Familia is a  notorious drug cartel founded in 2006 in Michoacan, Mexico, and is known for its brutal slayings of detractors.</p><p>Mexican authorities have issued a report on the group, which includes the finding that Eldredge’s 2001 book, ”Wild at Heart,” is required reading for gang members. Spanish translations of  the book  have been discoverd in La Familia residences by police authorities conducting raids, McClatchy Newspapers reports.</p><p>Eldredge leads Ransomed Heart, a Springs ministry dedicated to helping men regain their masculinity and become adventurers in life. In “Wild at Heart,”&nbsp; he writes approvingly of men’s innate love of weapons, combat and hunting.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://thepulpit.freedomblogging.com/2010/06/25/local-christian-author-laments-popularity-of-his-book-among-ruthless-mexican-gang/6287/">Local Christian author laments popularity of his book among ruthless Mexican gang</a>," by Mark Barns, <a href="http://thepulpit.freedomblogging.com/2010/06/25/local-christian-author-laments-popularity-of-his-book-among-ruthless-mexican-gang/6287/">Colorado Springs Gazette</a>, 25 June 2010 :: thanks Adrianna!</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Geography is important</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/geography_is_important" />
      <id>tag:culture-makers.com,2025:author/1.1353</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Andy</p>: </b><em>?McSweeney's is best known for subtly self-aware singer-songwriter-style low-key comedy, but here is a perfectly straightforward yet strangely impressive interview with a 911 dispatcher. Now that's a cultural good that has reshaped our world in beneficial ways. One of its few problematic consequences: thanks to American media, 911 is so widely known around the world that people in other countries often dial that number even when their country's emergency number is completely different.?</em><br />
		
		<p>Q: You sound like you&#8217;re able to handle the ups and downs of this job pretty well.</p><p>A: I think the key to doing this job, in addition to multitasking and speed of movement, is to be able to handle the emotional components. I&#8217;m good at it; I&#8217;m empathetic and I don&#8217;t take it home at the end of the day. I can talk about things like domestic violence; it&#8217;s just a reality.</p><p>Q: How long have you been doing this job?</p><p>A: I&#8217;ve been doing it for nine years. My job now is training supervisor, so I manage ongoing training. New trainees go through a nine-month process; we have an academy. They learn call-taking, radio dispatching, the medical aspect, interpersonal skills.</p><p>And you have to know geography. Geography is so important, because people can call and have no clue where they are.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.mcsweeneys.net/links/unusualjobs/19dispatcher.html">Tracy Unick, 911 Dispatcher and Trainer</a>," interviewed by Suzanne Yeagley, <a href="http://www.mcsweeneys.net/links/unusualjobs/19dispatcher.html">McSweeney's Internet Tendency</a> :: via <a href="http://www.google.com/reader/shared/06586394720195294769">Jake Dockter</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Beauty aid</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/beauty_aid" />
      <id>tag:culture-makers.com,2025:author/1.1053</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?What does your neighborhood beauty salon make possible? What new forms of culture are created in response??</em><br />
		
		<p>The police have tried doing outreach to victims by, among other things, setting up domestic violence education tables at community events, only to find that no one wants to be seen near them. But the atmosphere is different in the safety of a beauty salon.</p><p>“The salon may be one of the few places women might be without their abuser around,” said Laurie Magid, a former state prosecutor who is acting United States attorney for the Eastern District of Pennsylvania. “This program really addresses a need. You don’t have a case unless you have a crime reported in the first place and that is the difficult area of domestic violence.”</p><p>While Cut it Out trains stylists offsite, the Washington Heights workshops, conducted in Spanish, take place inside beauty parlors during the hours that clients are served, which not only makes it easier for people to participate, but also enhances the comfort factor. </p><p>“The salon is a place where everyone already feels at home,” said Sharon Kagawa of the <a href="http://www.nyc.gov/html/acs/html/home/home.shtml" title="ACS Web site">Administration for Children’s Services</a>, the agency that recruits salons for the program. “So they can be more honest.”</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.nytimes.com/2008/11/20/nyregion/20salons.html">Cutting Hair, While Cutting to the Chase on Clients’ Domestic Abuse</a>," by Leslie Kaufman, <a href="http://www.nytimes.com/2008/11/20/nyregion/20salons.html"><i>The New York Times</i></a>, 19 November 2008</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Safety through beauty</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/safety_through_beauty" />
      <id>tag:culture-makers.com,2025:author/1.937</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?UK group Women's Design Service offers a critique of and alternative to technology- and enforcement-centered approaches to safety in public spaces: fewer barren plazas, more friendly uniformed ... toilet attendants.?</em><br />
		
		<div style="float:right; margin:15px 5px 5px 5px;"><img src="http://www.culture-making.com/media/cs4_hb.jpg" alt="gendersite.org"></div><p>The women took issue with mainstream UK initiatives to ‘design out crime’ in their dislike of the surveillance culture and technology promoted in the name of community safety.  This government-promoted approach includes felling trees to ensure clear sightlines for CCTV cameras,  erecting railings around steps and public monuments where people like to linger and chat, covering public spaces with ugly signage prohibiting everyday activities,  or installing “mosquitos” (high-pitched sounds) to deter young people from congregating in the street.</p><p>The very presence of CCTV made women feel that an area must be unsafe.  Although many wanted to see more uniformed people in public spaces, they preferred the sight of park wardens, bus conductors, and toilet attendants rather than police.  Fenced-off areas and barriers made them feel trapped. Security guards, overseeing privatized public spaces, were also seen as a problem - concerned primarily with the profitability of the enterprise, and not the well-being of the visitor.</p><p>The factor that contributed most highly to women’s sense of safety was ‘a variety of/ lots of other people about’; often they would add ‘smiling people’, ‘happy people’, ‘the sound of children laughing’. WDS therefore does not support the current mainstream approach to community safety. Designers and decision-makers need to think more about how to attract a wide range of different people to come and enjoy themselves in the public spaces of towns and cities.  One way of achieving this is simply through making such places beautiful - a concept rarely discussed in the context of safety. It is this quality above all which will draw people out of their homes and cars to occupy and enjoy a sense of well-being in public urban space.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.gendersite.org/pages/safety_in_public_urban_space_the_work_of_womens_design_service.html">Safety in Public Urban Space: The Work of Women's Design Service</a>," by Wendy Davis, <a href="http://www.gendersite.org/">Gender and the Built Environment Database</a>, 2008 :: via <a href="http://www.veryshortlist.com/science/">VSL Science</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>7–13–50–90–150</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/7_13_50_90_150" />
      <id>tag:culture-makers.com,2025:author/1.882</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?An alternative to Andy's 3–12–120 plotting of  optimal sizes for culture-making (and -disseminating) groups. I don't know if starting with "the seven" totally matches with Andy's idea of an "absolutely small" creative group—seven is more minivan than Mini Cooper.?</em><br />
		
		<p><strong>150—&#8220;The Exclusive Dunbar Number&#8221;.</strong> Robin Dunbar got much of the discussion of group thresholds started with his <a href="http://www.isrl.uiuc.edu/~amag/langev/paper/dunbar93coevolutionOf.html">article</a>, &#8220;Co-Evolution Of Neocortex Size, Group Size And Language In Humans.&#8221; However, as I&#8217;ve written <a href="http://www.lifewithalacrity.com/2004/03/the_dunbar_numb.html">previously</a>, and as I&#8217;ve described in this article, Dunbar&#8217;s group threshold of 150 applies more to groups that are highly incentivized and relatively exclusive and whose goal is survival.</p>
<p>Dunbar makes this obvious by the statement that such a grouping &#8220;would require as much as 42% of the total time budget to be devoted to social grooming.&#8221; </p>
<p> The result of the grooming requirement is that communities bounded by the Exclusive Dunbar Number are relatively few. You will find hunter/gatherer and other subsistence societies where this is a natural tribe size. You&#8217;ll also find these groups sizes in <a href="http://globalguerrillas.typepad.com/globalguerrillas/2004/03/what_is_the_opt.html">terrorist and mafia</a> organizations.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.lifewithalacrity.com/2008/09/group-threshold.html">Community by the Numbers, Part One: Group Thresholds</a>," by Christopher Allen, <a href="http://www.lifewithalacrity.com/2008/09/group-threshold.html">Life With Alacrity</a>, 24 September 2008 :: thanks, <a href="http://koranteng.blogspot.com/">Koranteng</a>!</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Fall from Graceland</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/fall_from_graceland" />
      <id>tag:culture-makers.com,2025:author/1.444</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Andy</p>: </b><em>?While I treasure the New Yorker for its prose and the Economist for its comprehensiveness, no other periodical comes as close to consistently unpacking the themes of Culture Making as the Atlantic. This story by Hanna Rosin is a perfect example.?</em><br />
		
		<p>Falling crime rates have been one of the great American success stories of the past 15 years. New York and Los Angeles, once the twin capitals of violent crime, have calmed down significantly, as have most other big cities. Criminologists still debate why: the crack war petered out, new policing tactics worked, the economy improved for a long spell. Whatever the alchemy, crime in New York, for instance, is now so low that local prison guards are worried about unemployment.
</p>
<p>
Lately, though, a new and unexpected pattern has emerged, taking criminologists by surprise. While crime rates in large cities stayed flat, homicide rates in many midsize cities (with populations of between 500,000 and 1 million) began increasing, sometimes by as much as 20percent a year. In 2006, the Police Executive Research Forum, a national police group surveying cities from coast to coast, concluded in a report called “A Gathering Storm” that this might represent “the front end … of an epidemic of violence not seen for years.” The leaders of the group, which is made up of police chiefs and sheriffs, theorized about what might be spurring the latest crime wave: the spread of gangs, the masses of offenders coming out of prison, methamphetamines. But mostly they puzzled over the bleak new landscape. According to FBI data, America’s most dangerous spots are now places where Martin Scorsese would never think of staging a shoot-out—Florence, South Carolina; Charlotte-Mecklenburg, North Carolina; Kansas City, Missouri; Reading, Pennsylvania; Orlando, Florida; Memphis, Tennessee.</p>
<p>
Memphis has always been associated with some amount of violence. But why has Elvis’s hometown turned into America’s new South Bronx? Barnes thinks he knows one big part of the answer, as does the city’s chief of police. A handful of local criminologists and social scientists think they can explain it, too. But it’s a dismal answer, one that city leaders have made clear they don’t want to hear. It’s an answer that offers up racial stereotypes to fearful whites in a city trying to move beyond racial tensions. Ultimately, it reaches beyond crime and implicates one of the most ambitious antipoverty programs of recent decades.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.theatlantic.com/doc/200807/memphis-crime">American Murder Mystery</a>", by Hanna Rosin, <a href="http://www.theatlantic.com/"><i>Atlantic Monthly</i></a>, July/August 2008</div>		
	
			
			
			

		
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