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    <title type="text">Culture Making Articles items tagged communication</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
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    <updated>2025-01-03T22:54:05Z</updated>
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    <entry>
      <title>Toward a wartime mentality</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/toward_a_wartime_mentality1" />
      <id>tag:culture-makers.com,2025:author/1.1672</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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			<p align="center"><a href="http://www.nytimes.com/interactive/2009/10/14/magazine/afghan-audioss/index.html"><img src="http://www.culture-making.com/media/afghanwar.jpg"></a></p><br />
<b>Christy: </b><em>?Photographer Peter van Agtmael casts fresh light on the landscape in Afghanistan in this photo essay for the New York Times. As I watched this slide show and listened to van Agtmael's narration, it struck me that, with social networking and the Internet, we in America have more access to information about this war than any previous one, yet it seems that we are less interested or concerned than past generations, for whom every aspect of daily life was affected by the "wartime mentality." I wonder what this says about us as a culture??</em><br /><hr />
<span style="font-size: -1">from "<a href="http://www.nytimes.com/interactive/2009/10/14/magazine/afghan-audioss/index.html">Two Weeks in Forever</a>," by Peter van Agtmael, <a href="http://www.nytimes.com/interactive/2009/10/14/magazine/afghan-audioss/index.html">New York Times</a>, 14 October 2009</span>
	
			
			
			

		
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    </entry>    <entry>
      <title>Love letters</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/love_letters" />
      <id>tag:culture-makers.com,2025:author/1.1619</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b>Christy: </b><em>?I find it fascinating that over five centuries ago, a Korean king, in an effort to demonstrate love for his people, created an alphabet, thus enabling them to "express their concerns." Now one of his descendants is trying to expand that gift by giving the Korean alphabet, Hangul, to nations without a writing system of their own.?</em><br />
		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/hangul.jpg" alt="image"></div><p>By sharing the [Korean] script with others, Ms. Lee said, she is simply expressing the will of her ancestor King Sejong, who promulgated the script. (She is a direct descendant, 21 generations removed.)</p><p>The national holiday, Hangul Day, on Oct. 9, celebrates the king’s introduction of the script in 1446. Before that, Koreans had no writing system of their own. The elite studied Chinese characters to record the meaning, but not the sound, of Korean.</p><p>“Many of my illiterate subjects who want to communicate cannot express their concerns,” the king is recorded to have said in explaining the reason for Hunminjeongeum, the original name for Hangul. “I feel sorry for them. Therefore I have created 28 letters.”</p><p>“The king propagated Hangul out of love of his people,” Ms. Lee said. “It’s time for Koreans to expand his love for mankind by propagating Hangul globally. This is an era of globalization.”</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.nytimes.com/2009/09/12/world/asia/12script.html?_r=1&scp=1&sq=korean%20alphabet&st=cse">South Korea's Latest Export: Its Alphabet</a>," by Choe Sang-Hun, <a href="http://www.nytimes.com"><i>The New York Times</i></a>, 11 September 2009, image from <a href="http://en.wikipedia.org/wiki/Hangul">Wikipedia</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Tweet&#45;worthy</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/tweet-worthy" />
      <id>tag:culture-makers.com,2025:author/1.1592</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b>Andy: </b><em>?Lovely meditation by Rebecca Larson on the possibilities within Twitter's 140-character limit.?</em><br />
		
		<p>This idea [of concise communication] certainly isn&#8217;t new. How about the book of Proverbs? &#8220;When words are many, sin is not absent, / but he who holds his tongue is wise&#8221; (10:19). At seventy-eight characters, including spaces and punctuation, eminently tweetable. What about memorable speeches? We don&#8217;t remember the whole speech. But the short quotes are bite-sized, so they stick. &#8220;Ask not what your country can do for you. Ask what you can do for your country&#8221; (seventy-nine characters). Long? No. Meaningful? Yes. Or how about song lyrics? &#8220;I have run, I have crawled, I have scaled these city walls, only to be with you. But I still haven&#8217;t found what I&#8217;m looking for&#8221;&#8212;128 characters. Tweet it, baby.</p><p>This highly lauded poem by William Carlos Williams could be tweeted with 51 characters to spare:</p>
<p style="padding-left: 30px"><i>so much depends<br />upon<br /><br />a red wheel<br />barrow<br /><br />glazed with rain<br />water<br /><br />beside the white<br />chickens.</i></p>
<p>Or this Japanese Haiku:</p>
<p style="padding-left: 30px"><i>old pond . . .<br />a frog leaps in<br />water&#8217;s sound</i></p>
<p>Simple. Beautiful. Tweet-worthy.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://strangelydim.ivpress.com/2009/08/the_meaning_of_a_tweet.php">The Meaning of a Tweet</a>," by Rebecca Larson, <a href="http://strangelydim.ivpress.com/">IVP - Strangely Dim</a>, 25 August 2009</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>We want our voices heard</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/we_want_our_voices_heard" />
      <id>tag:culture-makers.com,2025:author/1.1504</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Andy: </b><em>?It is risky to attempt to analyze, let alone criticize, a technology you do not have firsthand experience with and (to use Polanyi's phrase) "personal knowledge" of. Unfortunately most of Melissa Wiginton's short essay on Twitter illustrates those perils, complete with the awkward generational self-consciousness that seems to be de rigeur in these sorts of critiques. But this comment on the difference between "self-expression" and "being heard" is absolutely spot on. I would add, too, that "self-expression" requires a self worth expressing, and it is very doubtful whether such a self is formed in units of 140 characters.?</em><br />
		
		<p>Some young pastors want to posts tweets on a screen where everyone can see them during worship, I guess to connect by knowing what others are thinking. One said, “You know our generation. We want our voices heard.”</p><p>Now, I have learned a few things along the way and one is this: We all want our voices heard. But self-expression is what happens when we tweet. Being <i>heard </i>happens when we <i>listen</i>. It’s not the same thing.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.faithandleadership.com/blog/07-01-2009/melissa-wiginton-down-twitter">Down with Twitter</a>," by Melissa Wiginton, <a href="http://www.faithandleadership.com/blog/">Duke Divinity Call & Response Blog</a>, 1 July 2009</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Geography is important</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/geography_is_important" />
      <id>tag:culture-makers.com,2025:author/1.1353</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Andy</p>: </b><em>?McSweeney's is best known for subtly self-aware singer-songwriter-style low-key comedy, but here is a perfectly straightforward yet strangely impressive interview with a 911 dispatcher. Now that's a cultural good that has reshaped our world in beneficial ways. One of its few problematic consequences: thanks to American media, 911 is so widely known around the world that people in other countries often dial that number even when their country's emergency number is completely different.?</em><br />
		
		<p>Q: You sound like you&#8217;re able to handle the ups and downs of this job pretty well.</p><p>A: I think the key to doing this job, in addition to multitasking and speed of movement, is to be able to handle the emotional components. I&#8217;m good at it; I&#8217;m empathetic and I don&#8217;t take it home at the end of the day. I can talk about things like domestic violence; it&#8217;s just a reality.</p><p>Q: How long have you been doing this job?</p><p>A: I&#8217;ve been doing it for nine years. My job now is training supervisor, so I manage ongoing training. New trainees go through a nine-month process; we have an academy. They learn call-taking, radio dispatching, the medical aspect, interpersonal skills.</p><p>And you have to know geography. Geography is so important, because people can call and have no clue where they are.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.mcsweeneys.net/links/unusualjobs/19dispatcher.html">Tracy Unick, 911 Dispatcher and Trainer</a>," interviewed by Suzanne Yeagley, <a href="http://www.mcsweeneys.net/links/unusualjobs/19dispatcher.html">McSweeney's Internet Tendency</a> :: via <a href="http://www.google.com/reader/shared/06586394720195294769">Jake Dockter</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>The noisy, crowded past</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/the_noisy_crowded_past" />
      <id>tag:culture-makers.com,2025:author/1.1276</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Nate</p>: </b><em>?It's interesting to stop and ponder (as I'm able to do in my quiet, private workspace) the possibilities opened up, and closed off, by an age in which, for many of us, both solitude and non-solitude are often just a matter of closing a door or flipping a switch.?</em><br />
		
		<p>It’s vital to understand that solitude, like silence, have rarely been available to human beings. Try reading Bruce Smith’s extraordinary (though too jargony) account of <a href="http://is.gd/haMz"><i>The Acoustic World of Early Modern England</i></a> if you’re prone to think of the pre-industrial Western world as a silent one. Especially in cities, the noise — often literally deafening, in areas where blacksmiths and other craftsmen lived — went on twenty-four hours a day; though of course things were quieter in the countryside.</p>
<p>But not more solitary. In country and city alike, whole families slept in single rooms, often sharing those rooms with animals. Only the enormously wealthy could spread out into multiple rooms. (It’s worth remembering that throughout human history the vast majority of couples have had to have sex in the same room, and often in the same bed, with other people.) And all of these noisy and crowded conditions that we see in our studies of the European past are, of course, present-day realities for many people today; perhaps most humans on the planet.</p>
<p>As Diana Webb has recently shown in her new book <i>Privacy and Solitude: The Medieval Discovery of Personal Space</i> — reviewed <a href="http://is.gd/haPW">here</a> — medieval Europeans in general simply accepted their lack of “personal space,” but others valued it and desired it sufficiently to retreat from the world, as hermits and anchorites, in order to get it. But these were necessarily special cases. Until the nineteenth century in Europe and other economically developed parts of the world, very few people have been able to find either solitude or silence.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://culture11.com/blogs/textpatterns/2009/01/25/the-sound-of-silence/">The sound of silence</a>," by Alan Jacobs, <a href="http://culture11.com/blogs/textpatterns/2009/01/25/the-sound-of-silence/">Text Patterns</a>, 25 January 2009</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Namaste in six key presses</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/namaste_in_six_key_presses" />
      <id>tag:culture-makers.com,2025:author/1.1191</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Andy</p>: </b><em>?File under unintended (or nearly so) beneficial consequences. Could the txt msg, sometimes decried as the end of careful writing, end up saving languages? Also file under beneficial Christian culture making: SIL, cited here as "a Dallas organization that works to preserve languages," which is exactly what it is, receives substantial funding from Wycliffe Bible Translators, who have done more than anyone else to preserve these unique and irreplaceable parts of culture. But a note of caution: elsewhere in the article an expert says that "200 languages have enough speakers to justify development of cellphone text systems." That would leave, it seems, some 6,632 languages to go.?</em><br />
		
		<p>Texting is the cheapest and most popular mode of cellphone communication in most of the world, and last year text messages topped voice calls even in the U.S. The world’s three billion cellphones far surpass the Internet as a universal communications medium, and they are vital to business development in less-developed economies.</p><p>But companies that develop predictive text say they have created cellphone software for fewer than 80 of the world’s 6,912 languages cataloged by SIL International, a Dallas organization that works to preserve languages.</p><p>One key to using the languages is the availability of a technology called predictive text, which reduces the number of key taps necessary to create a word when using a limited keypad. Market research shows that text messaging soars after predictive text becomes available. . . .</p><p>In Hindi, a language with 11 vowels and 34 consonants that is spoken by 40% of the Indian population, texting “Namaste,” which means “hello,” can take 21 key presses. . . . Typing “Namaste” with predictive text takes just six key presses. Nuance Corp. of Burlington, Mass., which dominates the predictive-text market, says that in 2006 cellphone users in India with predictive text in their handsets averaged 70 messages a week; those without it averaged 18.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://online.wsj.com/article/SB123085399947547573.html">How the Lowly Text Message May Save Languages That Could Otherwise Fade</a>," by William M. Bulkeley, <a href="http://online.wsj.com/">WSJ.com</a>, 2 January 2009</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Life is elsewhere</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/life_is_elsewhere" />
      <id>tag:culture-makers.com,2025:author/1.1190</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Andy</p>: </b><em>?This is one of those essays I thought I had already read, since it had been quoted so many times. But actually it had escaped my attention until Santiago Ramos named it one of his <a href="http://imagejournal.org/page/blog/five-favorite-essays-of-2008">favorite essays of 2008.</a> And it is in fact, you might say, all about escaping attention. As with so many semi-jeremiads written by people a decade or so older than me, I find myself more hopeful than Mark Edmundson. (He obliquely refers to the interactive <a href="http://mazur-www.harvard.edu/education/educationmenu.php">teaching techniques</a> of Eric Mazur at Harvard—my wife's postdoctoral advisor—in a way that largely misses the point of the remote-control-like devices that Mazur uses.) But if what Edmundson says about teaching, learning, and reading applies doubly so to preaching, worship, and prayer, and it does, this is must reading for Christian leaders.?</em><br />
		
		<p>A Romantic, says Nietzsche, is someone who always wants to be elsewhere. If that&#8217;s so, then the children of the Internet are Romantics, for they perpetually wish to be someplace else, and the laptop reliably helps take them there — if only in imagination. The e-mailer, the instant messenger, the Web browser are all dispersing their energies and interests outward, away from the present, the here and now. The Internet user is constantly connecting with people and institutions far away, creating surrogate communities that displace the potential community at hand.</p><p>Then too, booking by computer has made travel easier and, by eliminating a certain number of middlemen, kept it reasonably cheap. So there&#8217;s an inducement to take off physically as well. The Internet is perhaps the most centrifugal technology ever devised. The classroom, where you sit down in one space at one time and ponder a text or an issue in slow motion, is coming to feel ever more antiquated. What&#8217;s at a premium now is movement, making connections, getting all the circuitry fizzing and popping.</p><p>For students now, life is elsewhere. Classes matter to them, but classes are just part of an ever-enlarging web of activities and diversions. Students now seek to master their work — not to be taken over by it and consumed. They want to dispatch it, do it well and quickly, then get on to the many other things that interest them. For my students live in the future and not the present; they live with their prospects for success and pleasure. They dwell in possibility.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://chronicle.com/free/v54/i27/27b00701.htm">Dwelling in Possibilities</a>," by Mark Edmundson, <a href="http://chronicle.com/">ChronicleReview.com</a>, 14 March 2008 :: via <a href="http://imagejournal.org/page/blog/five-favorite-essays-of-2008">Santiago Ramos at Good Letters</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Achtung!</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/achtung" />
      <id>tag:culture-makers.com,2025:author/1.1185</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Andy</p>: </b><em>?In the first decade of the 2000s, speakers celebrated when listeners emailed, blogged, IMed, and tweeted reactions during their talks because they were so good. In the second decade, speakers will celebrate that no one tweets, IMs, blogs, or emails during their talks—because they are so good.?</em><br />
		
		<p>In a world in which entire industries bet their businesses on gaining access to our attention, which value leads to better personal success: hard work or the ability to control attention?</p><p>A person who works six hours a day but with total focus has an enormous advantage over a 12-hour-per-day workaholic who’s “multi-tasking” all day, answering every phone call, constantly checking Facebook and Twitter, and indulging every interruption.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.internetnews.com/commentary/article.php/3793561">Work Ethic 2.0: Attention Control</a>," by Mike Elgan, <a href="http://www.internetnews.com/commentary/article.php/3793561">InternetNews Realtime IT News</a>, 29 December 2008</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>The Matthew effect</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/the_matthew_effect" />
      <id>tag:culture-makers.com,2025:author/1.1166</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Andy</p>: </b><em>?I've been following the "long tail" debate with great interest, and this article in <i>New Scientist</i> sums up the research as well as any I've seen. It confirms my growing suspicion that far from being a paradise of user-created content, the Web (versions 2.0, 2.5, 3.0 and beyond) will in fact reinforce the dominance of a few blockbuster properties (and Web sites), just as new communication technologies and transportation patterns are consolidating American Christianity into the blockbusters of the church world: megachurches. Could it be that the more interconnected we are, the more homogenous we become??</em><br />
		
		<p>So why, with the cornucopia of goodies now available to us, are blockbusters not just still here, but getting bigger? On the face of it, Anderson’s idea of a divergence of tastes in the digital era is logical. But if the long tail effect does not exist, or is not as pronounced as was thought, what is really going on?</p><p>Elberse says it’s a bit like the influence of multichannel television on the economics of sport. In the old days, if you wanted to watch soccer, you went to watch your local team in the flesh. Now, she says, in the UK you are more likely to decide to stay at home and watch Chelsea play Arsenal. This change of allegiance cuts the cash flowing into the ticket office of your local club while boosting advertising revenues for TV, which accrue disproportionately in favour of the already wealthy top clubs.</p><p>It is a phenomenon known to economists as the Matthew effect, after a quotation from the gospel of that name: “For unto every one that hath shall be given.” Just as for the long tail effect, there is a plausible explanation of why it should be happening in the modern media environment: easy digital replication and efficient communication through cellphones, email and social networking sites encourage fast-moving, fast-changing fads. The result is a homogenisation of tastes that boosts the chances of popular things becoming blockbusters, making the already successful even more successful.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.newscientist.com/article/mg20026873.300-online-shopping-and-the-harry-potter-effect.html?full=true">Online shopping and the Harry Potter effect</a>," by Richard Webb, <a href="http://www.newscientist.com/">New Scientist</a>, 22 December 2008</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Arrivals and departures</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/arrivals_and_departures" />
      <id>tag:culture-makers.com,2025:author/1.1128</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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			<p align="center"><object width="420" height="261"><param name="movie" value="http://www.youtube.com/v/oR00_uLfGVE&amp;hl=en&amp;fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/oR00_uLfGVE&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="420" height="260"></embed></object></p><br />
<b><p>Andy</p>: </b><em>?Every commercial airline flight in the world, over a twenty-four hour period—a visual reminder of the scale and scope of culture, and the unprecedented ways that air travel connects us to one another. Also a reminder that prosperity and connectivity go together, and their distribution is uneven, to say the least.?</em><br />
<hr /><span style="font-size: -1">from "<a href="http://www.youtube.com/watch?v=oR00_uLfGVE">airtraffic</a>," by Karl Rege et al., <a href="http://www.zhaw.ch/en.html">The Zurich School for Applied Sciences</a>:: via <a href="http://blog.wired.com/cars/2008/12/earlier-this-ye.html">Autopia</a></span>
	
			
			
			

		
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    </entry>    <entry>
      <title>Mobile phones and the flood</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/mobile_phones_and_the_flood" />
      <id>tag:culture-makers.com,2025:author/1.864</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Nate</p>: </b><em>?An encouraging use of the world's fastest-spreading technology, from India's Bihar state, which has a reputation for backwardness even during non-flood times.?</em><br />
		
		<p><a href="http://news.oneindia.in/">One India</a> reports on how mobile phones are used after the devastating floods in Bihar, India. While relief and aid have been very slow to get to Bihar, mobiles are proving to be a life saver.  According to One India, “[Mobiles] are playing the most crucial role in largescale evacuation and rescue of marooned people from far flung areas. The availability of mobile phones to all sections of people across the flooded regions and their 24 hour connectivity during the crisis period, greatly helped the rescue teams to locate the cut off villages and localities besides saving many lives even from remote areas.”</p><p>Through cell phones the marnooed people were also able to remain connected with the district officials to guide them about their need and the urgency of rescuing them.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://mobileactive.org/mobile-phones-and-flood-bihar-india">Mobile Phones and the Flood in Bihar, India</a>," by KatrinVerclas, <a href="http://mobileactive.org/mobile-phones-and-flood-bihar-india">MobileActive.org</a>, 10 September 2008 :: via <a href="http://globalvoicesonline.org/2008/09/17/india-mobile-phones-help-flood-victims/">Global Voices Online</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>To say I love you</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/to_say_i_love_you" />
      <id>tag:culture-makers.com,2025:author/1.846</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Andy</p>: </b><em>?As with most things Franzen, this article is too long, overwritten, and veers terribly close to "Too Much Information" . . . but also as with most things Franzen, it contains some gems of observation of our contemporary culture.?</em><br />
		
		<p>My friend Elisabeth assures me that the new national plague of love yous is a good thing: a healthy reaction against the repressed family dynamics of our Protestant childhoods some decades ago. What could be wrong, Elisabeth asks, with telling your mother that you love her, or with hearing from her that she loves you? What if one of you dies before you can speak again? Isn’t it nice that we can say these things to each other so freely now?</p><p>I do here admit the possibility that, compared with everyone else on the airport concourse, I am an extraordinarily cold and unloving person; that the sudden overwhelming sensation of loving somebody (a friend, a spouse, a parent, a sibling), which to me is such an important and signal sensation that I’m at pains not to wear out the phrase that best expresses it, is for other people so common and routine and easily achieved that it can be reëxperienced and reëxpressed many times in a single day without significant loss of power.</p><p>It’s also possible, however, that too-frequent habitual repetition empties phrases of their meaning. Joni Mitchell, in the last verse of “Both Sides Now,” referenced the solemn amazement of saying I love you “right out loud”: of giving vocal birth to such intensity of feeling. Stevie Wonder, in lyrics written 17 years later, sings of calling somebody up on an ordinary afternoon simply to say “I love you,” and being Stevie Wonder (who probably really is a more loving person than I am), he half succeeds in making me believe in his sincerity&#8212;at least until the last line of the chorus, where he finds it necessary to add: “And I mean it from the bottom of my heart.” No such avowal is thinkable for the person who really does mean something from the bottom of his heart.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.technologyreview.com/Infotech/21173/page4/">'I Just Called to Say I Love You,'</a>" by Jonathan Franzen, <a href="http://www.technologyreview.com/">Technology Review</a> (free registration required), September/October 2008</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Why social networks aren’t as social as we think</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/why_social_networks_arent_as_social_as_we_think" />
      <id>tag:culture-makers.com,2025:author/1.660</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
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					<b><p>Andy</p>: </b><em>?I am once again dipping my toe in the Twitter waters (horrid mixed metaphor—for more of the same, follow me at <a href="http://twitter.com/ahc">twitter.com/ahc</a>). It seems to me that Twitter serves distinct functions for two different groups of people. For some, who keep their connections under the magic 150 number identified by Robin Dunbar, it is indeed a social network. But for others it's media, in the literal sense: a tool that stands (i.e., mediates) between people, making communication possible to a larger number than one could ever address in person. It may well be that many of the most powerful media of the next generation will have this hybrid quality—keeping us connected, in some thin but real sense, to our "real" friends, but also allowing us access to the thoughts of folks like <a href="http://twitter.com/BarackObama">Barack Obama</a>. And the second group, the "broadcasters," will likely be the drivers of whatever business model eventually makes these networks sustainable.?</em><br />
		
		<p>Robert Metcalfe, co-inventor of the Ethernet, noticed that communication networks tend to increase exponentially with each single addition, a logic that today is called Metcalfe’s Law. Think of a fax machine sitting alone and unplugged in your office; it has little value by itself. But plug it into a network of fax machines around the world, and suddenly that communications tool has huge potential. . . .</p><p>But Metcalfe’s concept doesn’t apply to Twitter. The explanation why comes from two fellows named Zipf and Dunbar. Back in 1935, linguist George Zipf noticed that words in the English language are used in an interesting pattern. “The” is spoken most commonly, making up 7% of all utterances; “of” is the second-most common word, used exactly one-half as often as “the&#8221;…and the pattern continues with the 100th word in popularity being used only 1/100th as often. Zipf’s Law suggests that each subsequent thing in any series (such as your Twitter contacts) has predictable diminishing value. Your spouse is more important than your best friend, who outranks your boss, colleague, and that guy you met on a plane from Chicago. Inside the 2.3 million-strong Twitter network, not all connections are equal, and some will never be used at all. You will probably never send tweets to ice skaters in Finland.</p><p>Further depressing Twitter’s internal value is a concept from British anthropologist Robin Dunbar, who noted in 1992 that humans—like other primates—can handle only 150 relationships. If we try to add many more connections, our little brains get overloaded.</p><p>These are just theories, but they point out that Twitter is not a vast communications network of 2.3 million users squared. Rather, it consists of small pools of people with gaps and limits on how they interact. This is important to marketers and investors, because it puts big brakes on how internal communications could propagate inside any social media network.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.businessweek.com/technology/content/aug2008/tc20080815_597307.htm">The Trouble with Twitter</a>," by Ben Kunz, <a href="http://www.businessweek.com/">BusinessWeek</a>, 18 August 2008</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Txt in contxt</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/txt_in_contxt" />
      <id>tag:culture-makers.com,2025:author/1.507</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?I've yet to convert fully to the texting lifestyle (mostly due to cost and thumb dexterity) but I agree that it's an opportunity for linguistic innovation rather than destruction. You have to know the norms to be able to creatively flaunt them.?</em><br />
		
		<p>But the need to save time and energy is by no means the whole story of texting. When we look at some texts, they are linguistically quite complex. There are an extraordinary number of ways in which people play with language - creating riddles, solving crosswords, playing Scrabble, inventing new words. Professional writers do the same - providing catchy copy for advertising slogans, thinking up puns in newspaper headlines, and writing poems, novels and plays. Children quickly learn that one of the most enjoyable things you can do with language is to play with its sounds, words, grammar - and spelling.</p><p>The drive to be playful is there when we text, and it is hugely powerful. Within two or three years of the arrival of texting, it developed a ludic dimension. In short, it’s fun.</p><hr />
<div class="author" style="font-size: -1">from ”<a href="http://books.guardian.co.uk/departments/referenceandlanguages/story/0,,2289259,00.html">2b or not 2b?</a>”, by linguistics professor David Crystal, <a href="http://books.guardian.co.uk/">guardian.co.uk</a>, 5 July 2008 :: via <a href="http://www.languagehat.com/archives/003178.php#more">languagehat.com</a></div>		
	
			
			
			

		
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