<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">

    <title type="text">Culture Making Articles items tagged branding</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
    <link rel="alternate" type="text/html" href="http://culture-makers.com/" />
    <link rel="self" type="application/atom+xml" href="https://culture-making.com/tag/atom" />
    <updated>2025-01-03T22:54:05Z</updated>
    <rights>Copyright (c) 2025, Andy Crouch</rights>
    <generator uri="http://www.pmachine.com/" version="7.5.15">ExpressionEngine</generator>
    <id>tag:culture-makers.com,2025:01:02</id>

    <entry>
      <title>“Your logo saves lives!”</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/your_logo_saves_lives" />
      <id>tag:culture-makers.com,2025:author/1.1753</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b>Nate: </b><em>?You design a logo and hand it over to the client and, through them, to the wider world—and like any cultural offering, people make of it what they will, ignoring many of the details you anguished over but (at least in rare cases like this one) responding to, and recreating, the things it contains that matter most.?</em><br />
		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/mercy_corps_03.jpg" alt="image"></div><p>A typical identity project involves plenty of personal creative investment, hours upon hours devoted to rounds of sketching, revisions, and the painstaking final tweaks to create a singular, perfect end result. Once the identity is complete and leaves our hands, though, we can’t protect the precious qualities of what we delivered, and it’s at the hands of clients to see if it remains in its intended form as time goes on. Yet, during a routine check-up call — something I do from time to time with previous clients — one of my logos definitely strayed from any branding guidelines, but, surprisingly, done so to the betterment and even salvation of populations living continents away.</p><p>During one such call, I spoke with Jennifer Dylan, Senior Manager of Creative Services at <a href="http://www.mercycorps.org/" target="_blank">Mercy Corps</a>, the aid organization for which we designed a new identity several years ago. “How is the brand identity going?” I asked, “Is the logo working in the field?” To which she answered, “Your logo saves lives!” That is by far the most unexpected and most profound response I have ever heard. She elaborated about how important it was for the victims to recognize the much-desired help and to differentiate it from not-so-well meaning people and the “enemy.” Just like the Red Cross is instantly recognizable, so too does Mercy Corps have to signal their brand on vehicles of any kind, on tents and primitive structures, on clothing, flags and banners, on wells and supplies, packages, and signs.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.underconsideration.com/brandnew/archives/have_mercy_on_my_logo.php">Have Mercy on My Logo</a>," by Steff Geisbuhler, <a href="http://www.underconsideration.com/brandnew/archives/have_mercy_on_my_logo.php">Brand New</a>, 11 December 2009 :: first posted here 11 December 2009</div>		
	
			
			
			

		
      ]]></content>
    </entry>    <entry>
      <title>Golden idol fails to deliver on promise, again</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/golden_idol_fails_to_deliver_on_promise_again" />
      <id>tag:culture-makers.com,2025:author/1.1141</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b><p>Nate</p>: </b><em>?For some reason the <i>LA Times</i> has categorized this story under "Science &amp; Medicine." Curiouser and curiouser.?</em><br />
		
		<div style="float:right; padding:15px 5px 5px 5px"><img src="http://culture-making.com/media/marypickford_academyaward_oscarphoto_210.jpg" alt="image"></div><p>And the Oscar for best Hollywood courtroom drama goes to . . . the Academy of Motion Picture Arts and Sciences. The golden statuette was awarded Monday by a Los Angeles Superior Court jury, which ruled that if Mary Pickford&#8217;s heirs want to sell it, they have to offer it to academy officials for $10 instead of auctioning it off for as much as $800,000. Academy leaders took a Rancho Mirage woman, her daughter and a cousin to court after the women announced plans to sell the Oscar presented in 1930 to the silent-movie star known as &#8220;America&#8217;s sweetheart&#8221; and donate the proceeds to charity.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.latimes.com/news/science/la-me-pickford16-2008dec16,0,2092583.story?track=rss">Jury bars auction of Mary Pickford's Oscar</a>," by Bob Pool, <a href="http://www.latimes.com/news/science/la-me-pickford16-2008dec16,0,2092583.story?track=rss"><i>Los Angeles Times</i></a>, 16 December 2008</div>		
	
			
			
			

		
      ]]></content>
    </entry>

</feed>