<?xml version="1.0" encoding="utf-8"?>
<feed xmlns="http://www.w3.org/2005/Atom" xml:lang="en">

    <title type="text">Culture Making Articles items tagged biology</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
    <link rel="alternate" type="text/html" href="http://culture-makers.com/" />
    <link rel="self" type="application/atom+xml" href="https://culture-making.com/tag/atom" />
    <updated>2025-01-03T22:54:05Z</updated>
    <rights>Copyright (c) 2025, Andy Crouch</rights>
    <generator uri="http://www.pmachine.com/" version="7.5.15">ExpressionEngine</generator>
    <id>tag:culture-makers.com,2025:01:02</id>

    <entry>
      <title>Shapeshifter, by Brian Jungen</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/shapeshifter_by_brian_jungen" />
      <id>tag:culture-makers.com,2025:author/1.1722</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b>Nate: </b><em>?What's not to love about a whale skeleton crafted from the bones of our ubiquitous white plastic patio furniture? The artist's other work also remixes modern artifacts to reenvision traditional First Nations/Native American forms and patterns: golf-bag totem poles, baseball-mitt warriors. Jenkins' show Strange Comfort runs through next summer at the <a href="http://www.nmai.si.edu/">National Museum of the American Indian</a> in Washington, D.C.?</em><br />
		
		<a href="http://www.nmai.si.edu/exhibitions/jungen/works.html"><img src="http://culture-making.com/media/shapeshifter.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.nmai.si.edu/exhibitions/jungen/works.html">Shapeshifter</a>," white polypropylene plastic chairs (2000), by <a href="http://www.nmai.si.edu/exhibitions/jungen/works.html">Brian Jungen</a>, <a href="http://www.gallery.ca/">National Gallery of Canada</a>, Ottawa :: via <a href="http://www.boston.com/bostonglobe/ideas/brainiac/2009/10/what_is_native.html">Brainiac</a></div>		
	
			
			
			

		
      ]]></content>
    </entry>    <entry>
      <title>The dignity of plants</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/the_dignity_of_plants" />
      <id>tag:culture-makers.com,2025:author/1.931</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b><p>Nate</p>: </b><em>?I think this is getting at something important, though perhaps from the wrong angle. I feel like the dignity of plants (and, I think more usefully, that of landscapes and ecosystems) can only have meaning when you approach it with a view towards relationships: creation/creator, creation/cultivator. The relationship, not the plant, is what has or can be denied dignity. Two other notes: I don't think the "interference with the plant's ability to reproduce" is a great litmus test in any case, since most domesticated plants have lost the ability to make it without human help (and we with their help). And finally, fittingly, it's worth remembering that Switzerland was the setting for Mary Shelly's <i>Frankenstein</i>, that great and terrible tale of a creator's failure to love his creature.?</em><br />
		
		<p>For years, Swiss scientists have blithely created genetically modified rice, corn and apples. But did they ever stop to consider just how humiliating such experiments may be to plants?</p><p>That’s a question they must now ask. Last spring, this small Alpine nation began mandating that geneticists conduct their research without trampling on a plant’s dignity.</p><p>“Unfortunately, we have to take it seriously,” Beat Keller, a molecular biologist at the University of Zurich. “It’s one more constraint on doing genetic research.”</p><p>Dr. Keller recently sought government permission to do a field trial of genetically modified wheat that has been bred to resist a fungus. He first had to debate the finer points of plant dignity with university ethicists. Then, in a written application to the government, he tried to explain why the planned trial wouldn’t “disturb the vital functions or lifestyle” of the plants. He eventually got the green light.</p><p>The rule, based on a constitutional amendment, came into being after the Swiss Parliament asked a panel of philosophers, lawyers, geneticists and theologians to establish the meaning of flora’s dignity.</p><p>“We couldn’t start laughing and tell the government we’re not going to do anything about it,” says Markus Schefer, a member of the ethics panel and a professor of law at the University of Basel. “The constitution requires it.”</p><p>In April, the team published a 22-page treatise on “the moral consideration of plants for their own sake.” It stated that vegetation has an inherent value and that it is immoral to arbitrarily harm plants by, say, “decapitation of wildflowers at the roadside without rational reason.”</p><p>On the question of genetic modification, most of the panel argued that the dignity of plants could be safeguarded “as long as their independence, i.e., reproductive ability and adaptive ability, are ensured.” In other words: It’s wrong to genetically alter a plant and render it sterile.
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://online.wsj.com/article_email/SB122359549477921201-lMyQjAxMDI4MjEzMDUxOTA1Wj.html">Switzerland's Green Power Revolution: Ethicists Ponder Plants' Rights</a>," by Gautum Naik, <a href="http://online.wsj.com/article_email/SB122359549477921201-lMyQjAxMDI4MjEzMDUxOTA1Wj.html"><i>The Wall Street Journal</i></a>, 10 October 2008 :: thanks Emily!</div>		
	
			
			
			

		
      ]]></content>
    </entry>    <entry>
      <title>Human red cone pigment gene quilt, by Beverly St. Clair</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/human_red_cone_pigment_gene_quilt_by_beverly_st_clair" />
      <id>tag:culture-makers.com,2025:author/1.815</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b><p>Nate</p>: </b><em>?From the artist's description: "This gene is involved in color vision. Part of its DNA sequence is encoded in the triangle blocks, which are then quilted in a double helix design. The base sequence and location of the gene are quilted into the border." Along with genome quilts, Beverly St. Clair also makes beautiful liturgical quilts and stoles for her congregational church in Wellesley Hills, Massachusetts.?</em><br />
		
		<a href="http://genomequilts.com/quilts/red-cone.php"><img src="http://culture-making.com/media/red-cone-front.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://genomequilts.com/quilts/red-cone.php">Human red cone pigment gene</a>" (double-sided quilt, 63" x 63") by Beverly St. Claire, <a href="http://genomequilts.com/">Genome Quilts</a> :: via <a href="http://www.boingboing.net/2008/09/06/genome-quilts.html">Boing Boing</a></div>		
	
			
			
			

		
      ]]></content>
    </entry>    <entry>
      <title>Choose and lose</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/choose_and_lose" />
      <id>tag:culture-makers.com,2025:author/1.548</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b><p>Nate</p>: </b><em>?Insight into the hard work of creativity -- not just coming up with or considering myriad possibilitys, but deciding which is the one worth pursuing and pruning away the rest.?</em><br />
		
		<p>Why is making a determination so taxing? Evidence implicates two important components: commitment and tradeoff resolution. The first is predicated on the notion that committing to a given course requires switching from a state of deliberation to one of implementation. In other words, you have to make a transition from thinking about options to actually following through on a decision. This switch, according to Vohs, requires executive resources. In a parallel investigation, Yale University professor Nathan Novemsky and his colleagues suggest that the mere act of resolving tradeoffs may be depleting. For example, in one study, the scientists show that people who had to rate the attractiveness of different options were much less depleted than those who had to actually make choices between the very same options.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.sciam.com/article.cfm?id=tough-choices-how-making">Tough Choices: How Making Decisions Tires Your Brain</a>," by On Amir, <a href="http://www.sciam.com/"><i>Scientific American</i></a>, 22 July 2008 :: via <a href="http://www.boingboing.net/2008/07/22/science-of-brain-fat.html">Boing Boing</a></div>		
	
			
			
			

		
      ]]></content>
    </entry>

</feed>