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    <title type="text">Culture Making Articles items tagged australia</title>
    <subtitle type="text">Culture Making Articles:Writing on Christianity and culture from Andy Crouch</subtitle>
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    <updated>2025-01-03T22:54:05Z</updated>
    <rights>Copyright (c) 2025, Andy Crouch</rights>
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    <entry>
      <title>Food flags</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/food_flags" />
      <id>tag:culture-makers.com,2025:author/1.1654</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?From a delicious series of national-cuisines-as-national-flags dreamed and plated up to promote the Sydney International Food Festival. Other mouthwatering banners include Italy, Brazil, France, Korea, and Switzerland. Sadly, no African countries/cuisines are represented—perhaps we can get <a href="http://www.betumi.com/blog.html">BetumiBlog</a> on the case.?</em><br />
		
		<a href="http://www.thekitchn.com/thekitchn/look-food-flags-for-the-sydney-international-food-festival-097033"><img src="http://culture-making.com/media/jordan_1489195i_rect540.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.thekitchn.com/thekitchn/look-food-flags-for-the-sydney-international-food-festival-097033">Lebanon (lavash, fattoush, and a herb sprig)</a>," by <a href="http://www.wtbwa.com.au/">WHYBIN</a> for the <a href="http://www.siff.com.au/">Sydney International Food Festival 2009</a>, blogged at <a href="http://www.thekitchn.com/thekitchn/look-food-flags-for-the-sydney-international-food-festival-097033">The Kitchn</a>, 29 September 2009 :: via <a href="http://www.good.is/post/country-flags-made-from-that-countrys-favorite-foods/">GOOD</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Wakirlpirri Jukurrpa (Dogwood Tree Dreaming), by Liddy Napanangka Walker</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/wakirlpirri_jukurrpa_dogwood_tree_dreaming_by_liddy_napanangka_walker" />
      <id>tag:culture-makers.com,2025:author/1.1630</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?I was looking at info on Warlpiri culture while editing Christy's <a href="http://www.culture-making.com/post/1627/">latest post</a> (see below) and came upon this beautiful painting by a contemporary Warlpiri artist. I love the array of colors—the pink stripes on the right get me every time. From the gallery statement: "The main motif of this painting depicts the ‘wakirlpirri’ (dogwood [Acacia coriacea]) tree. ‘Wakirlpirri’ is a very useful tree that grows on the sides of creek beds and near ‘mulga’ trees. The seeds of this tree can be eaten raw or cooked on the fire. A deliciously sweet drink called ‘yinjirrpi’ is made from the seeds when they have been dried. The wood can be used to make weapons such as ‘karli’ (boomerangs) and dancing boards for ceremonies. It is also good wood for burning on the fire because rain cannot extinguish burning Wakirlpirri wood. In contemporary Warlpiri paintings traditional iconography is used to represent the Jukurrpa, particular sites and other elements."?</em><br />
		
		<a href="http://www.warlu.com/gallery/details/?32733"><img src="http://culture-making.com/media/2830-09.jpg" alt="image" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://www.warlu.com/gallery/details/?32733">Wakirlpirri Jukurrpa (Dogwood Tree Dreaming)</a>," 107 x 91 cm, by Liddy Napanangka Walker, 2009, <a href="http://www.warlu.com/gallery/details/?32733">Warlukurlangu Artists' Aboriginal Corporation</a>, Yuendumu, Northern Territory, Australia</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Carrying language in their heads</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/carrying_language_in_their_heads" />
      <id>tag:culture-makers.com,2025:author/1.1627</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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			<p align="center"><OBJECT CLASSID=clsid:02BF25D5-8C17-4B23-BC80-D3488ABDDC6B WIDTH=420 HEIGHT=346 CODEBASE="http://www.apple.com/qtactivex/qtplugin.cab"><PARAM name=SRC VALUE=http://www.uga.edu/lsava/Searchinger/Variety.mov><PARAM name=CONTROLLER VALUE=true><EMBED SRC=http://www.uga.edu/lsava/Searchinger/Variety.mov width=320 height=256 controller=true autoplay="false" PLUGINSPAGE="http://www.apple.com/quicktime/download/"></EMBED></OBJECT></p><br />
<b>Christy: </b><em>?This short clip presents a fascinating study in some of the universal features of human language, through the case of the <a href="http://en.wikipedia.org/wiki/Warlpiri_language">Warlpiri</a> language, which is spoken by about 3000 people in Australia's Northern Territory. The language's Wikipedia page adds this tidbit, not mentioned in the video: "In Warlpiri culture, it is considered impolite or shameful for certain family relations to converse. (For example, a woman should not converse with her son-in-law.) If such conversation is necessary, the speakers use a special register of the Warlpiri language called the <a href="http://en.wikipedia.org/wiki/Avoidance_speech">avoidance register</a>. The avoidance register has the same grammar as ordinary Warlpiri, but a drastically reduced lexicon; most content words are replaced either by a generic synonym or by a word unique to the avoidance register."?</em><br />
<hr /><span style="font-size: -1">"<a href="http://www.uga.edu/lsava/Searchinger/Searchinger.html">Human Language Series 4: Variety</a>," by Gene Searchinger, <a href="http://www.uga.edu/lsava/index.html">Linguistic Society of America Video Archive</a></span>
	
			
			
			

		
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    </entry>    <entry>
      <title>Only a game, but not just a game</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/only_a_game_but_not_just_a_game" />
      <id>tag:culture-makers.com,2025:author/1.1604</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b>Nate: </b><em>?The highest form of cricket, the test match, can take five days to play and can still end in a draw. This maddens many a baseball-raised, extra-innings-till-it's-over outsider, but nonetheless, this columnist argues, it's a very good, and very human thing.?</em><br />
		
		<p>I don&#8217;t mean to be <i>too</i> flippant here, nor to accord cricket <i>too</i> great an importance in the great kerfuffle of life—I simply say that the reason that test match cricket exerts such a tremendous fascination is that is shares so many qualities with the greater, more terrible dramas that make up the human experience.</p><p>It does so in a condensed, peaceful form and triumph and failure on the cricket field are ultimately trivial but the game moves us just as great art moves us. To pretend otherwise is, it strikes me, silly. That is, sure it&#8217;s <i>only</i> a game but it&#8217;s also not just a game.</p><p>In other words, it is <i>life</i>. And like war, and life, that sometimes end in stalemate. Which means a draw. There are winning draws and losing draws and plain old dull draws. But without them, or the possibility of them, everything else is too neat, too simple and, in the end, too unsatisfactory.</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.spectator.co.uk/alexmassie/5292426/on-clausewitz-and-the-art-of-cricket.thtml">On Clausewitz and the Art of Cricket</a>," by Alex Massie, <a href="http://www.spectator.co.uk/alexmassie/5292426/on-clausewitz-and-the-art-of-cricket.thtml">The Spectator</a>, 28 August 2009 :: via <a href="http://ayjay.tumblr.com/post/173828813/i-dont-mean-to-be-too-flippant-here-nor-to">More than 95 Theses</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Suburban Splendor, photos by Graham Miller</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/suburban_splendor_photos_by_graham_miller" />
      <id>tag:culture-makers.com,2025:author/1.1202</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

      <content type="html"><![CDATA[
        
			
			
			

					<b><p>Nate</p>: </b><em>?I love how this guy looks like he's stepped right out of the lead in an old-school cinematic Biblical epic.?</em><br />
		
		<a href="http://www.grahammiller.com.au/?goto=suburban-splendour&thumbs=ok"><img src="http://culture-making.com/media/1229090867.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"Frank, Perth, Western Australia, 2006," from the series <a href="http://www.grahammiller.com.au/?goto=suburban-splendour&thumbs=ok">Suburban Splendor</a>, by <a href="http://www.grahammiller.com.au">Graham Miller</a> :: via <a href="http://flak-photo.my-expressions.com/archives/6333_1646490288/317366">Flak Photo</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Napoleon Street, Hobart, Tasmania</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/napoleon_street_hobart_tasmania" />
      <id>tag:culture-makers.com,2025:author/1.963</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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			<p align="center"><iframe width="420" height="240" frameborder="0" scrolling="no" marginheight="0" marginwidth="0" src="http://maps.google.com/maps/sv?cbp=1,132.46943330019582,,0,2.858850295947063&amp;cbll=-42.893766,147.333958&amp;v=1&amp;panoid=7ww_QMd_Pfa2bgD4569djQ&amp;gl=&amp;hl="></iframe></p><br />
<b><p>Nate</p>: </b><em>?I love the interplay of angles in this home—the gables and the steep-sloped street. And once you get out into the harbor, it's more or less a straight shot south to Antarctica.?</em><br /><hr />
<span style="font-size: -1">Napoleon Street, Hobart, Tasmania, Australia, <a href="http://maps.google.com/?ie=UTF8&ll=-42.870303,147.337818&spn=0.046801,0.122223&t=h&z=14&layer=c&cbll=-42.893766,147.333958&panoid=7ww_QMd_Pfa2bgD4569djQ&cbp=2,133.20577511836885,,0,5.077582702800184">Google Street View</a></span>
	
			
			
			

		
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    </entry>    <entry>
      <title>Dave, Merredin, Western Australia, by Caitlin Harrison</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/dave_merredin_western_australia_by_caitlin_harrison" />
      <id>tag:culture-makers.com,2025:author/1.862</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?I love this pair of landscapes: the interior, saturated, nearly-familiar domestic space of the kitchen, framing the obviously <a href="http://maps.google.com/maps?t=h&q=-31.485833,118.276944&ie=UTF8&ll=-31.456563,118.27632&spn=0.052643,0.105228&z=14&layer=c&cbll=-31.482907,118.272449&panoid=1zKvoBm7yJgwGwgjHIyIkA&cbp=2,209.97000000000017,,0,5">Australian rural view</a>.?</em><br />
		
		<a href="http://flak-photo.my-expressions.com/archives/6333_1646490288/309134"><img src="http://culture-making.com/media/1221833777.jpg" alt="photo" /></a><hr />
<div class="author" style="font-size: -1">"<a href="http://flak-photo.my-expressions.com/archives/6333_1646490288/309134">Dave," Merredin, Western Australia (2007)</a>, by <a href="http://davros.webcity.com.au/~cai49957/index.html">Caitlin Harrison</a>, <a href="http://flak-photo.my-expressions.com/archives/6333_1646490288/309134">Flak Photo</a>, 19 September 2008</div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>The world is their crib sheet</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/the_world_is_their_crib_sheet" />
      <id>tag:culture-makers.com,2025:author/1.676</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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					<b><p>Nate</p>: </b><em>?Making exams more like real life -- or how real life ought to be (source citations included).?</em><br />
		
		<p>A Sydney girls’ school is redefining the concept of cheating by allowing students to “phone a friend” and use the internet and i-Pods during exams. Presbyterian Ladies’ College at Croydon is giving the assessment method a trial run with year 9 English students and plans to expand it to all subjects by the end of the year. An English teacher, Dierdre Coleman, who is dean of students in years 7 to 9, is co-ordinating the pilot which she believes has the potential to change the way the Higher School Certificate examinations are run. The Board of Studies is looking at ways it could incorporate the use of computers in the exams. Ms Coleman said her students were being encouraged to access information from the internet, their mobile phones and podcasts played on mp3s as part of a series of 40-minute tasks. But to discourage plagiarism, they are required to cite all sources they use.</p><p>“In terms of preparing them for the world, we need to redefine our attitudes towards traditional ideas of ‘cheating’,” Ms Coleman said. “Unless the students have a conceptual understanding of the topic or what they are working on, they can’t access bits and pieces of information to support them in a task effectively. In their working lives they will never need to carry enormous amounts of information around in their heads. What they will need to do is access information from all their sources quickly and they will need to check the reliability of their information.”
</p><hr />
<div class="author" style="font-size: -1">from "<a href="http://www.smh.com.au/news/national/phone-a-friend-in-exams/2008/08/19/1218911717490.html">Phone a friend in exams</a>," by Anna Patty, <a href="http://www.smh.com.au/"><i>Sydney Morning Herald</i></a>, 20 August 2008 :: via <a href="http://polymeme.com/node/63772">Polymeme</a></div>		
	
			
			
			

		
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    </entry>    <entry>
      <title>Make a fresh!</title>
      <link rel="alternate" type="text/html" href="https://culture-making.com/post/make_a_fresh" />
      <id>tag:culture-makers.com,2025:author/1.607</id>
      <published>2025-01-02T22:53:00Z</published>
      <updated>2025-01-03T22:54:05Z</updated>
      <author>
            <name>Andy Crouch</name>
            <email>andy@culture-making.com</email>
            
      </author>

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			<p><iframe width="420" height="240" frameborder="0" scrolling="no" marginheight="0" marginwidth="0" src="http://maps.google.com/maps/sv?cbp=1,218.146499020699,,0,-8.087983657787644&amp;cbll=35.669915,139.766493&amp;v=1&amp;panoid=8keLcbJu69lgykfzjOC9Qg&amp;gl=&amp;hl=en"></iframe><br /><br /><iframe width="420" height="240" frameborder="0" scrolling="no" marginheight="0" marginwidth="0" src="http://maps.google.com/maps/sv?cbp=1,230.15547658692324,,1,-6.684973889996683&amp;cbll=-16.922566,145.776188&amp;v=1&amp;panoid=QkjsYMv744M-2kUnzbFlOA&amp;gl=&amp;hl=en"></iframe>
</p><br />
<b><p>Nate</p>: </b><em>?Google Maps launched Street View coverage for Australia and Japan today. Let the cross-cultural-exploration begin! (I should note that it took a good 20min of clicking around Tokyo's streets before I found some funny English to link to. Nearly all the words I came upon were, contrary to stereotype, quite correct.)?</em><br /><hr />
<span style="font-size: -1"><a href="http://maps.google.com/?ie=UTF8&ll=-1.054628,153.105469&spn=99.892878,212.695313&z=3&layer=c">Google Street View</a>, Ginza, Tokyo and Cairns, Queensland</span>
	
			
			
			

		
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