These two are Chinatown bus advertisements for routes that go to the more obscure regions of the eastern United States. (Chinatown bus goes all over, not just Boston, NYC, Philly and Washington). Notice how they emphasize the area codes.
That is because many Fujianese restaurant workers are not educated and thus don’t really read and write English. Given that. How do you divide the United States? Not through towns and states. You do it through numbers—hence the area codes.
Anyone who has followed fantasy football or an eBay auction at the office — and gotten away with it — knows that many of our everyday activities now look like work. Typing and scrolling and peering at a computer, you could be doing anything: e-mail, accounting, short-selling, browsing porn, buying uranium, getting divorced.
This odd accident of life online — the increasing visual homogeneity of our behaviors — may be a boon to procrastinators, hobbyists and multitaskers. But it has some victims. I don’t mean bosses concerned with productivity (who cares about them?). The crowd truly stymied by the merging of human activities are filmmakers. If fighting now looks like making up now looks like booking travel, as it does when people conduct their affairs online, how do film directors make human action both dramatic to viewers and roughly true to life?