According to all of the roboticists and computer scientists we interviewed, the uncanny is in short supply during face-to-face contact with robots. Two of the robots that inspire the most terror—and accompanying YouTube comments—are Osaka University’s CB2, a child-like, gray-skinned robot, and KOBIAN, Waseda University’s hyper-expressive humanoid. In person, no one rejected the robots. No one screamed and threw chairs at them, or smiled politely and slipped out to report lingering feelings of abject horror. In one case, a local Japanese newspaper tried to force the issue, bringing a group of seniors to visit the full-lipped, almost impossibly creepy-looking KOBIAN. One senior nearly cried, claiming that she felt like the robot truly understood her. A previously skeptical journalist wound up smiling and cuddling with the ominous little CB2. The only exception was a princess from Thailand, who couldn’t quite bring herself to help CB2 to its robotic feet.
Royalty notwithstanding, the uncanny effect appears to be an incredibly specific and specialized phenomenon: It seems to happen, when it does, remotely. In person, the uncanny vanishes. There’s nothing in the way of peer-reviewed evidence to support this, but then, there’s almost nothing to confirm the uncanny effect’s existence in the first place. As an unsupported theory that has morphed into a nerdy breed of urban legend, anecdotes are all we have to work with.
Here is Carnegie Hall. You have heard something of the great Beethoven and it has been charming, masterful in its power over the mind. We have been alleviated, strengthened against life—the enemy—by it. We go out of Carnegie into the subway and we can for a moment withstand the assault of that noise, failingly! as the strength of the music dies….
But as we came from Anthiel’s “Ballet Mechanique,” a woman of our party, herself a musician, made this remark: “The subway seems sweet after that.” “Good,” I replied and went on to consider what evidences there were in myself in explanation of her remark. And this is what I noted. I felt that noise, the unrelated noise of life such as this in the subway had not been battened out as would have been the case with Beethoven still warm in the mind but it had actually been mastered, subjugated. Antheil had taken this hated thing life and rigged himself into power over it by his music. The offense had not been held, cooled, varnished over but annihilated and life itself made thereby triumphant. This is an important difference. By hearing Antheil’s music, seemingly so much noise, when I actually came up on noise in reality, I found that I had gone up over it.
We’ve posted previously about the turfwars that can develop between pets and home robots. Today’s Wall Street Journal surveys the battleground in a feature titled “When Dogs and Robots Collide, Somebody Needs A Talking To.” From the WSJ:
According to Daphna Nachminovitch of People for the Ethical Treatment of Animals, or PETA, introducing robots into a pet household should be done with care. “There’s no way to explain to them that this is not a threat,” she says…
Sympathetic owners sometimes just retire their new purchases. In other cases, the pets take matters into their own paws. Peter Haney, a university administrator in Lethbridge, Alberta, twice found his Roomba in pieces after letting it clean while his flat-coated retrievers, Macleod and Tima, had the run of the house. “No one is talking,” he says…
“It comes up constantly,” says Nancy Dussault Smith, a spokeswoman for iRobot Corp., in Bedford, Mass., which makes the Roomba. “Dogs, cats, all animals, they have their own personalities, so they all react differently to the robots.”
IRobot tested its Roomba designs with pets, she added, incorporating safety measures in the motorized disc-shaped cleaner such as automatic deactivation when it is flipped over or sat on.